{"id":7883,"date":"2016-11-07T22:08:31","date_gmt":"2016-11-07T14:08:31","guid":{"rendered":"http:\/\/www.glt.org.tw\/?p=7883"},"modified":"2017-02-21T16:49:01","modified_gmt":"2017-02-21T08:49:01","slug":"ext-7%e7%ac%ac%e4%b8%83%e5%b1%86%e5%8f%b0%e7%81%a3%e5%9c%8b%e9%9a%9b%e5%af%a6%e9%a9%97%e5%aa%92%e9%ab%94%e8%97%9d%e8%a1%93%e5%b1%95-%e2%94%80%e3%80%90%e6%97%a5%e5%b8%b8%e5%9c%a8%e7%95%b6%e4%b8%8b","status":"publish","type":"post","link":"https:\/\/www.glt.org.tw\/?p=7883","title":{"rendered":"EX!T 7\u7b2c\u4e03\u5c46\u53f0\u7063\u570b\u969b\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55 \u2500\u3010\u65e5\u5e38\u5728\u7576\u4e0b\uff1a\u65e5\u8a18\u96fb\u5f71\u5f71\u5c55\u3011"},"content":{"rendered":"

\/\"%e5%ae%98%e7%b6%b2banner-ext7-01\"\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u3010\u65e5\u5e38\u5728\u7576\u4e0b\uff1a\u65e5\u8a18\u96fb\u5f71\u5f71\u5c55\u3011<\/strong><\/span><\/p>\n

EX!T 7\u7b2c\u4e03\u5c46\u53f0\u7063\u570b\u969b\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55<\/strong><\/span>
\n EX!T 7 \u2013 Experimental Media Art Festival in Taiwan 2016<\/span><\/p>\n

Filming in the Moment: the Diary Film Festival<\/span><\/p>\n

\/\/
\n<\/strong><\/span>2016\/11\/23-27 @ \u726f\u5dba\u8857\u5c0f\u5287\u5834 Guling Street Avant-garde Theatre<\/strong><\/span>\/<\/strong><\/span><\/p>\n

\/<\/strong><\/span><\/p>\n

\u7aba\u8996\u65e5\u5e38\u7684\u4e00\u4eba\u96fb\u5f71<\/strong><\/span><\/p>\n

\u79c1\u5bc6\u76f4\u63a5\u5931\u5e8f\u8d64\u88f8\u8a69\u610f\u96a8\u8208\u4f4e\u9650\u771f\u5be6<\/strong><\/span><\/p>\n

\u4e9e\u6d32\u5148\u92d2\u3001\u6b50\u7f8e\u5927\u5e2b\uff0c\u5171\u540c\u53ec\u559a\u51dd\u7d50\u65bc\u6642\u7a7a\u7684\u8a18\u61b6<\/strong><\/span>\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u00a0\u958b\u5e55\u8336\u6703<\/strong>Opening \u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500<\/strong><\/span><\/p>\n

\/\/<\/span><\/p>\n

11\/23\uff08Wed\uff0920:30<\/strong><\/span><\/p>\n

\u2606\u7279\u5225\u653e\u6620\u2500\u5e36\u8c37\u6709\u7406\u300a\u8ff7\u5e7b\u82b1\u5712\u300b+ \u5927\u6728\u88d5\u4e4b\u300a\u516d\u6708\u4e4b\u5507\u300b<\/strong><\/span><\/p>\n

\u2606\u958b\u5e55\u8336\u6703 <\/strong><\/span><\/p>\n

\u2606\u65e5\u8a18\u96fb\u5f71\u81ea\u7531\u6620<\/strong><\/span><\/p>\n

Special Screening & Opening Ceremony & Open Screening<\/strong><\/span><\/p>\n

\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u00a0\u5c08\u984c\u8b1b\u5ea7 Panel Discussion \u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500<\/strong><\/span><\/p>\n

\u514d\u8cbb\u5165\u5834\uff0e\u8acb\u4e8b\u5148\u5831\u540d<\/span><\/p>\n

Free admission\uff0ePre-Reservation<\/span>
\n \/\/
\n\/\/<\/span><\/p>\n

11\/26\uff08Sat\uff0915:30-17:30\u00a0<\/span>
\n<\/strong>\u3010\u53f0\u7063\u89c0\u9ede<\/strong>I<\/strong>\uff1a\u5f9e\u5289\u5436\u9dd7\u5230\u838a\u9748\u3011<\/strong><\/span><\/p>\n

Taiwan Perspective I: From LIU Na\u2019Ou to<\/strong> CHUANG Lin<\/strong><\/span><\/p>\n

\u672c\u5ea7\u8ac7\u9080\u8acb\u7814\u7a76\u5289\u5436\u9dd7\u7684\u5b78\u8005\u5c08\u5bb6\u5eb7\u4f86\u65b0\u6559\u6388\u3001\u5289\u6c38\u6667\u6559\u6388\uff0c\u4ee5\u5289\u5436\u9dd7\u96fb\u5f71\u4f5c\u54c1\u300a\u6301\u651d\u5f71\u6a5f\u7684\u7537\u4eba\u300b\uff081933\uff09\u8207\u4ed6\u7684\u65e5\u8a18\u66f8\u5beb\u958b\u59cb\uff0c\u6df1\u5165\u63a2\u8a0e\u5289\u5436\u9dd7\u4f5c\u70ba\u53f0\u7063\u5bb6\u5ead\u96fb\u5f71\u8207\u65e5\u8a18\u96fb\u5f71\u958b\u7aef\u7684\u53ef\u80fd\u6027\uff0c\u4ee5\u53ca\u6587\u5b78\u65e5\u8a18\u8207\u65e5\u8a18\u96fb\u5f71\u4e4b\u9593\u7684\u5275\u4f5c\u8207\u5be6\u8e10\u3002\u838a\u9748\u5148\u751f\u65bc\u300a\u5287\u5834\u300b\u96dc\u8a8c\u671f\u9593\u6240\u5275\u4f5c\u4e4b\u300a\u5ef6\u300b\uff081966\uff09\u8207\u300a\u8d64\u5b50\u300b\uff081967\uff09\u5145\u6eff\u8457\u65e5\u8a18\u96fb\u5f71\u7684\u5143\u7d20\uff0c\u7136\u800c\u9019\u6a23\u7684\u5275\u4f5c\u6a21\u5f0f\u5f9e\u5287\u60c5\u7247\u4e2d\u8f49\u5411\u9032\u800c\u5f9e\u751f\u6d3b\u4e2d\u53d6\u6750\uff0c\u662f\u5426\u53d7\u52301960\u5e74\u4ee3\u300c\u771f\u5be6\u96fb\u5f71\u300d\uff08Cin\u00e9ma V\u00e9rit\u00e9\uff09\u7684\u5f71\u97ff\uff1f\u800c\u838a\u9748\u5148\u751f\u53c8\u662f\u5982\u4f55\u5438\u6536\u300c\u771f\u5be6\u96fb\u5f71\u300d\u7684\u7406\u5ff5\u4e26\u4e14\u8f49\u5316\u6210\u81ea\u6211\u5275\u4f5c\u7684\u990a\u5206\uff1f\u5728\u5289\u5436\u9dd7\u8207\u838a\u9748\u4e4b\u9593\uff0c\u6211\u5011\u662f\u5426\u80fd\u5920\u627e\u5230\u9023\u7d50\uff1f<\/span><\/p>\n

In this panel discussion experts in LIU Na\u2019Ou, including Prof. KONG Lai-Shin and Prof. LIU Yung-Hao, share their views on LIU Na\u2019Ou\u2019s diary writing and his work Man with a\u00a0Camera<\/em>, and discuss in depth the possibility of regarding LIU Na\u2019Ou as the first person in making home movies and diary films in Taiwan, and the practice and relations between literary diary and diary films.<\/span><\/p>\n

CHUANG Lin\u2019s Life Continued<\/em> and My Newborn Baby<\/em> were created when he was the one of the chief editors of Theatre Quarterly<\/em> magazine. Is it possible that Mr. CHUANG was affected by the style Cinema Verite popular in 1960\u2019s so that he shifted from traditional feature films to filming what\u2019s in daily life? How did Mr. CHUANG absorb and transcend the idea of Cinema Verite and apply it on his own creation? Is there any possible connection between LIU Na\u2019Ou and CHUANG Lin?<\/span><\/p>\n

\/\/<\/span>
\n\u8207\u8ac7\u4ebaInvited speakers\uff1a<\/strong><\/span><\/p>\n

\u838a\u9748 CHUANG Lin\uff08\u66fe\u4efb\u300a\u5287\u5834\u300b\u96dc\u8a8c\u5275\u520a\u7de8\u8f2f\u3001\u8cc7\u6df1\u651d\u5f71\u5bb6\u3001\u8a18\u8005\uff09<\/span><\/p>\n

\u5eb7\u4f86\u65b0 KONG Lai-Shin\uff08\u570b\u7acb\u4e2d\u592e\u5927\u5b78\u4e2d\u6587\u7cfb\u6559\u6388\uff09<\/span><\/p>\n

\u5289\u6c38\u6667 LIU Yung-Hao\uff08\u4e16\u65b0\u5927\u5b78\u5ee3\u64ad\u96fb\u8996\u96fb\u5f71\u5b78\u7cfb\u526f\u6559\u6388\uff09<\/span><\/p>\n

\u674e\u660e\u5b87 LEE Ming-Yu\uff08\u4e16\u65b0\u5927\u5b78\u5ee3\u64ad\u96fb\u8996\u96fb\u5f71\u5b78\u7cfb\u52a9\u7406\u6559\u6388\uff09<\/span><\/p>\n

\u261b\u5831\u540d\u9023\u7d50Reservation Link\uff1a<\/span><\/strong>https:\/\/goo.gl\/forms\/Yqg77KhhndL8v1SS2<\/a><\/span><\/span><\/p>\n

\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

11\/25\uff08Fri\uff0920:00-21:30\u00a0<\/strong><\/span><\/p>\n

\u3010\u53f0\u7063\u89c0\u9edeII\uff1a\u53f0\u7063\u65e5\u8a18\u96fb\u5f71\u5c0e\u6f14\u8ad6\u58c7\u3011<\/strong><\/span><\/p>\n

Taiwan Perspective II: Taiwanese Diary Filmmakers Forum<\/strong><\/span><\/p>\n

\u672c\u5ea7\u8ac7\u9080\u8acb\u65e5\u8a18\u96fb\u5f71\u5275\u4f5c\u8005\uff0c\u5206\u4eab\u5c0d\u8ac7\u5f7c\u6b64\u5728\u65e5\u8a18\u96fb\u5f71\u5275\u4f5c\u904e\u7a0b\u4e2d\u4e4b\u5be6\u8e10\u8207\u53cd\u601d\uff0c\u5f9e\u751f\u6d3b\u5230\u96fb\u5f71\uff0c\u5f9e\u79c1\u5bc6\u5230\u653e\u6620\u3002<\/span><\/p>\n

In this session we invite diary film-makers to share their reflection and actual practices on creating diary films, and how they turn life to film, make private public.<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u8207\u8ac7\u4ebaInvited speakers\uff1a<\/strong><\/span><\/p>\n

\u738b\u4fca\u96c4 WANG Chung-Hsiung\uff08\u81ea\u7531\u5f71\u50cf\u5275\u4f5c\u8005\uff09<\/span><\/p>\n

\u6797\u5029 Shine LIN\uff08\u8a5e\u66f2\u5275\u4f5c\u8005\u3001\u8584\u8377\u8449\u6a02\u5718\u4e3b\u5531\u3001\u7368\u7acb\u5f71\u50cf\u5de5\u4f5c\u8005\uff09<\/span><\/p>\n

\u7df4\u5efa\u5b8f LIEN Chien-Hung\uff08\u8d64\u5154\u5f71\u50cf\u88fd\u4f5c\u6709\u9650\u516c\u53f8\u7de8\u5c0e\uff09<\/span><\/p>\n

\u8607\u660e\u5f65 SU Ming-Yen\uff08\u6676\u9ad4\u5f71\u50cf\u88fd\u4f5c\u6709\u9650\u516c\u53f8\u7de8\u5c0e\uff09<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u4e3b\u6301\u4ebaHost\uff1a<\/strong><\/span><\/p>\n

\u674e\u660e\u5b87LEE Ming-Yu\uff08\u4e16\u65b0\u5927\u5b78\u5ee3\u64ad\u96fb\u8996\u96fb\u5f71\u5b78\u7cfb\u52a9\u7406\u6559\u6388\uff09<\/span><\/p>\n

\u261b\u5831\u540d\u9023\u7d50Reservation Link\uff1a<\/span><\/strong>https:\/\/goo.gl\/forms\/Z90KZxie2Tg0m3m02<\/a><\/span><\/span><\/p>\n

\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

11\/26\uff08Sat\uff0920:00-22:00\u00a0<\/strong><\/span><\/p>\n

\u3010\u65e5\u672c\u65e5\u8a18\u96fb\u5f71\u5c08\u984c\uff1a\u79c1\u5c0f\u8aaa\u3001\u79c1\u96fb\u5f71\u3011<\/strong><\/span><\/p>\n

Japanese Diary Film: Private Novel, Private Cinema<\/strong><\/span><\/p>\n

\u65e5\u672c\u65e5\u8a18\u96fb\u5f71\u5275\u4f5c\u8005\u5e36\u8c37\u6709\u7406\u7684\u300a\u6bdb\u9aee\u6b4c\u5287\u300b\u5c07\u93e1\u982d\u5e36\u5f80\u4e86\u4e00\u500b\u66f4\u70ba\u79c1\u5bc6\u7684\u9818\u57df\uff1b\u800c\u5927\u6728\u88d5\u4e4b\u7684\u65e5\u8a18\u96fb\u5f71\u66f4\u662f\u76f4\u63a5\u8d64\u88f8\u5730\u5448\u73fe\u4e86\u8089\u9ad4\u7684\u617e\u671b\u3002\u65e5\u672c\u7684\u65e5\u8a18\u96fb\u5f71\u5728\u5f62\u5f0f\u4e0a\u8207\u6b50\u7f8e\u7684\u65e5\u8a18\u96fb\u5f71\u6709\u8457\u91cd\u5927\u5dee\u5225\u3002\u5b83\u5011\u66f4\u63a5\u8fd1\u4e00\u4e9b\u7d30\u5fae\u7684\u751f\u6d3b\u5f71\u50cf\u8207\u617e\u671b\u3002\u5728\u96fb\u5f71\u7f8e\u5b78\u4e0a\u540c\u6a23\u5730\u5448\u73fe\u51fa\u53e6\u4e00\u7a2e\u65e5\u8a18\u96fb\u5f71\u7684\u53ef\u80fd\u3002<\/span><\/p>\n

Japanese diary film-maker OBITANI Yuri brings the camera to a more private territory in The Hair Opera<\/em>, while OKI Hiroyuki \u2019s diary films are even more direct in presenting the physical desire.<\/span><\/p>\n

Japanese diary films are largely different from the European and American diary films in terms of style. Japanese diary films depict the subtle desires and ordinary life, and provide another possibility in diary film aesthetics.<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u8207\u8ac7\u4ebaInvited speakers\uff1a<\/strong><\/span><\/p>\n

\u5e36\u8c37\u6709\u7406 OBITANI Yuri\uff08\u65e5\u672c\u65e5\u8a18\u96fb\u5f71\u5275\u4f5c\u8005\u3001\u4f5c\u66f2\u5bb6\u3001\u6b4c\u5287\u6b4c\u624b\uff09<\/span><\/p>\n

\u5927\u6728\u88d5\u4e4b OKI Hiroyuki\uff08\u65e5\u672c\u65e5\u8a18\u96fb\u5f71\u5275\u4f5c\u8005\uff0c\u4f5c\u54c1\u66fe\u5165\u570d\u9f90\u7562\u5ea6\u85dd\u8853\u4e2d\u5fc3\u3001\u67cf\u6797\u5f71\u5c55\u53ca\u5404\u9805\u570b\u969b\u5f71\u5c55\uff09<\/span><\/p>\n

\u261b\u5831\u540d\u9023\u7d50Reservation Link\uff1a<\/strong><\/span>https:\/\/goo.gl\/forms\/dTnvbIqftAIOuY712<\/a><\/span><\/span><\/p>\n

\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u00a011\/27\uff08Sun\uff0915:30-17:30<\/span><\/strong><\/span><\/p>\n

\u3010\u6b50\u7f8e\u8996\u89d2\uff1a\u984f\uff0e\u535a\u98db X \u74ca\u7d0d\u65af\uff0e\u7c73\u958b\u65af\u3011<\/strong><\/span><\/p>\n

Europe x America: Yann BEAUVAIS x Jonas MEKAS<\/strong><\/span><\/p>\n

\u984f\uff0e\u535a\u98db\u4ee5\u65e5\u8a18\u96fb\u5f71\u5275\u4f5c\u8005\u8207\u6b50\u6d32\u65e5\u8a18\u96fb\u5f71\u7814\u7a76\u5b78\u8005\u4e4b\u89c0\u9ede\u5207\u5165\uff0c\u63a2\u8a0e\u7c73\u958b\u65af\u65e5\u8a18\u96fb\u5f71\u5275\u4f5c\u767c\u5c55\u3001\u7368\u7279\u7f8e\u5b78\u4ee5\u53ca\u5176\u5f71\u97ff\uff1b\u540c\u6642\uff0c\u4ea6\u5f9e\u81ea\u8eab\u4e4b\u65e5\u8a18\u96fb\u5f71\u5275\u4f5c\u7d93\u9a57\u8207\u7814\u7a76\u51fa\u767c\uff0c\u5169\u8005\u4ea4\u6703\u3001\u78b0\u649e\u51fa\u65e5\u8a18\u96fb\u5f71\u66f4\u591a\u7684\u53ef\u80fd\u6027\u3002<\/span><\/p>\n

In this session, Yann BEAUVAIS, a diary film-maker and a researcher of European diary films, will introduce the process and development of Jonas MEKAS\u2019s diary filmmaking approach, along with MEKAS\u2019s film aesthetic and his influence on the diary films. In response to that, BEAUVAIS will also share his own experience and research of making diary films, hoping to bring forth more possibility in this area.<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u8207\u8ac7\u4ebaInvited speakers\uff1a<\/strong><\/span><\/p>\n

\u984f\uff0e\u535a\u98db Yann BEAUVAIS\uff08\u6cd5\u570b\u5be6\u9a57\u96fb\u5f71\u5275\u4f5c\u8005\u3001\u7b56\u5c55\u4eba\uff09<\/span><\/p>\n

\u5289\u6c38\u6667 LIU Yung-Hao\uff08\u4e16\u65b0\u5927\u5b78\u5ee3\u64ad\u96fb\u8996\u96fb\u5f71\u5b78\u7cfb\u526f\u6559\u6388\uff09<\/span><\/p>\n

\u674e\u660e\u5b87 LEE Ming-Yu\uff08\u4e16\u65b0\u5927\u5b78\u5ee3\u64ad\u96fb\u8996\u96fb\u5f71\u5b78\u7cfb\u52a9\u7406\u6559\u6388\uff09<\/span><\/p>\n

\u261b\u5831\u540d\u9023\u7d50Reservation Link\uff1a<\/strong><\/span>https:\/\/goo.gl\/forms\/nyyKfRrcdQTCSZZO2<\/u><\/a><\/span><\/span><\/p>\n

\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u653e\u6620\u7bc0\u76ee\u7c21\u4ecb<\/strong>\u00a0Programs \u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500<\/strong><\/span><\/p>\n

\/\/<\/span><\/p>\n

\u3010\u56de\u9867\u6027\u8996\u89d2\uff1a\u53f0\u7063\u65e9\u671f\u65e5\u8a18\u96fb\u5f71\u5c08\u984c\u3011<\/strong><\/span><\/p>\n

Retrospection: Early Taiwanese Diary Films<\/strong><\/span><\/p>\n

\u56de\u9867\u6027\u8996\u89d2\u55ae\u5143\u5f9e\u65e5\u8a18\u96fb\u5f71\u7684\u89d2\u5ea6\uff0c\u4f86\u56de\u9867\u53f0\u7063\u7684\u65e5\u8a18\u96fb\u5f71\u5275\u4f5c\uff0c\u5f9e1933\u5e74\u5289\u5436\u9dd7\u5148\u751f\u7684\u300a\u6301\u651d\u5f71\u6a5f\u7684\u7537\u4eba\u300b\u958b\u59cb\u30011960\u5e74\u4ee3\u838a\u9748\u5148\u751f\u7684\u300a\u5ef6\u300b\u8207\u300a\u8d64\u5b50\u300b\u3001\u4e00\u76f4\u5230\u91d1\u7a57\u734e\u65e9\u671f\u7684\u4f5c\u54c1\uff0c\u8207\u5343\u79a7\u5e74\u4e4b\u969b\u5e74\u8f15\u5c0e\u6f14\u7684\u65e5\u8a18\u96fb\u5f71\u3002\u6a6b\u8de8\u8d85\u904e\u534a\u4e16\u7d00\u7684\u4f5c\u54c1\uff0c\u5728\u6b64\u55ae\u5143\u5c55\u958b\u5c0d\u8a71\u3002<\/span><\/p>\n

In Retrospection we will look at Taiwanese diary films. We collect diary films from as early as more than half a century ago, from Man with a Movie Camera<\/em> by LIU Na\u2019Ou in 1933, CHUANG Lin\u2019s Life Continued<\/em> and My Newborn Baby<\/em> in the 1960\u2019s, some of the early works in Golden Harvest Awards, and diary films made by young directors in the early millennium.Various routes and intersections in this program open up a space for conversation between diary filmmakers across different time periods.<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u203b\u653e\u6620\u6642\u9593\uff1a11\/25\uff08Fri\uff0917:30-20:00\u300111\/26\uff08Sat\uff0913:00-15:30<\/strong><\/span><\/p>\n

\u203b\u653e\u6620\uff1a<\/strong>\uff08\u7e3d\u9577 129min\uff09<\/span><\/p>\n

\u6301\u651d\u5f71\u6a5f\u7684\u7537\u4eba Man with a Camera\uff0f\u5289\u5436\u9dd7 LIU Na\u2019Ou\uff0f46min\uff0f1933<\/span><\/p>\n

\u5ef6 Life Continued\uff0f\u838a\u9748 CHUANG Lin\uff0f14min\uff0f1966<\/span><\/p>\n

\u8d64\u5b50 My Newborn Baby\uff0f\u838a\u9748 CHUANG Lin\uff0f8min\uff0f1967<\/span><\/p>\n

\u5728\u786c\u8207\u51f9\u4e4b\u9593\u7a7f\u63d2No3\u967d\u75ff In\/Out No.3\uff0f\u9673\u5b8f\u4e00 CHEN Hung-i\uff0f12min\uff0f1990<\/span><\/p>\n

\u5165\u4fb5\u8056\u57ce Intrude Sanctuary\uff0f\u856d\u78a9\u6587 HSIAO Shuo-wen\uff0f12min\uff0f1999<\/span><\/p>\n

\u5e7b\u5883 Mirage\uff0f\u738b\u4fca\u96c4 WANG Chung-Hsiung\uff0f17min\uff0f1999<\/span><\/p>\n

\u8ff7\u5bae Maze\uff0f\u738b\u4fca\u96c4 WANG Chung-Hsiung\uff0f15min\uff0f1998-99<\/span><\/p>\n

\u6292\u60c5\u6f2b\u6b65 Romantic Walking\uff0f\u6d2a\u745e\u61b6 HUNG Ruey-Yi\uff0f5min\uff0f2001<\/span><\/p>\n

\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u3010\u6b64\u523b\uff1a\u53f0\u7063\u65b0\u92b3\u65e5\u8a18\u96fb\u5f71\u5c08\u984c\u3011<\/strong><\/span><\/p>\n

Now: Taiwanese New Generation <\/strong><\/span><\/p>\n

2007\u5e74\u4e4b\u5f8c\u53f0\u7063\u5927\u5b78\u96fb\u5f71\u79d1\u7cfb\u958b\u59cb\u51fa\u73fe\u4ee5\u65e5\u8a18\u96fb\u5f71\u5f62\u5f0f\u53ca\u81ea\u6211\u63a2\u7d22\u70ba\u4e3b\u984c\u7684\u5b8c\u6574\u4f5c\u54c1\uff0c\u5305\u62ec\u6797\u5029\u7684\u300a\u85cd\u8abf\u65e5\u548c\u300b\u3001\u674e\u660e\u5b87\u7684\u300a\u56de\u5bb6\u300b\u3001\u7df4\u5efa\u5b8f\u7684\u300a\u5bb6\u5c4b\u65e5\u8a18\u300b\u8207\u8607\u660e\u5f65\u7684\u300a\u65e5\u5149\u986f\u5f71\u300b\u3002\u5728\u6b64\u4e4b\u5f8c\uff0c\u6709\u66f4\u591a\u7684\u5e74\u8f15\u4e00\u4ee3\u5275\u4f5c\u8005\u52a0\u5165\u65e5\u8a18\u96fb\u5f71\u5275\u4f5c\u7684\u884c\u5217\uff0c\u5448\u73fe\u51fa\u591a\u5143\u591a\u6a23\u5316\u7684\u7cbe\u5f69\u5f71\u50cf\u7bc7\u7ae0\u3002<\/span><\/p>\n

After 2007, numerous student final projects from Taiwanese academics started to depict daily life, relations between family members, and self-exploration, including Blues Biyori<\/em> by Shine LIN, Going Home<\/em> by LEE Ming-Yu, The Household Diary<\/em> by LIEN Chien-Hung and Daylight Developing <\/em>by SU Ming-Yen. Ever since then, more and more young filmmakers take up the cameras to make diary films, bringing to us a more diverse scenery in the area of the diary films.<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u203b\u653e\u6620\u6642\u9593\uff1a11\/25\uff08Fri\uff0913:00-15:00<\/strong><\/span><\/p>\n

\u203b\u653e\u6620I\uff1a<\/strong>\u3008\u7e3d\u9577 113min\uff09<\/span><\/p>\n

\u85cd\u8abf\u65e5\u548c Blues Biyori\uff0f\u6797\u5029 Shine LIN\uff0f28min\uff0f2007<\/span><\/p>\n

\u56de\u5bb6 Going Home\uff0f\u674e\u660e\u5b87 LEE Ming-Yu\uff0f20min\uff0f2008<\/span><\/p>\n

\u5076\u767c\u4e8b\u4ef6 Randomness\uff0f\u5289\u5022\u541b LIU Chieh-Chun\uff0f16min\uff0f2012<\/span><\/p>\n

\u617e\u671b\u7684\u65e5\u8a18\u66f8\u5beb A Diary about Desire\uff0f\u66fe\u7152\u7693 TSENG Wei-Hao\uff0f20min\uff0f2014<\/span><\/p>\n

\u5077\u6e21\u65e5\u5e38\u2500\u8b8a\u5f62\u8a18 Smuggling Ordinaries-The Metamorphosis Recorded\uff0f\u9673\u7a4e\u5bec CHEN\u00a0 Ying-Kuan\uff0f29min\uff0f2016<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u203b\u653e\u6620\u6642\u9593\uff1a11\/25\uff08Fri\uff0915:00-17:00<\/strong><\/span><\/p>\n

\u203b\u653e\u6620II<\/strong>\uff1a\u3008\u7e3d\u9577 106min\uff09<\/span><\/p>\n

\u5bb6\u5c4b\u65e5\u8a18 The Household Diary\uff0f\u7df4\u5efa\u5b8f LIEN Chien-Hung\uff0f40min\uff0f2009<\/span><\/p>\n

\u65e5\u5149\u986f\u5f71Daylight Developing\uff0f\u8607\u660e\u5f65 SU Ming-Yen\uff0f35min\uff0f2011<\/span><\/p>\n

\u958b\u767c\u4e2d\u8096\u50cf The Irreversibility of Time\uff0f\u9673\u904b\u5947 CHEN Yun-Qi\uff0f20min\uff0f2014<\/span><\/p>\n

\u6211\u5f9e\u4e0d\u66fe\u4e00\u500b\u4eba I Wish You Were Here\uff0f\u5f35\u6137\u73ca CHONG Kai-Shan\uff0f11min\uff0f2015<\/span><\/p>\n

\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u3010\u79c1\u96fb\u5f71\uff1a\u65e5\u672c\u65e5\u8a18\u96fb\u5f71\u5c08\u984c\u3011<\/strong><\/span><\/p>\n

Private Cinema: Japanese Diary Film<\/strong><\/span><\/p>\n

\u65e5\u672c\u7684\u85dd\u8853\u767c\u5c55\u4e00\u76f4\u6709\u8457\u65e5\u672c\u7684\u7279\u8272\uff0c\u4e26\u4e14\u548c\u6b50\u7f8e\u7684\u85dd\u8853\u6709\u8457\u5c0d\u7167\u95dc\u4fc2\u3002\u5728\u65e5\u8a18\u96fb\u5f71\u7684\u767c\u5c55\u4e2d\uff0c\u65e5\u672c\u7684\u96fb\u5f71\u85dd\u8853\u5bb6\u4e5f\u662f\u4eba\u624d\u8f29\u51fa\u3002\u57282016\u5e74\u7684EX!T7\u9078\u4e86\u4ee5\u4e0b\u56db\u4f4d\u65e5\u672c\u96fb\u5f71\u85dd\u8853\u5bb6\uff1a\u9234\u6728\u5fd7\u90ce\u5eb7\u3001\u5e36\u8c37\u6709\u7406\u3001\u5927\u6728\u88d5\u4e4b\u3001\u82b9\u6fa4\u967d\u4e00\u90ce\u3002\u65e5\u672c\u7684\u65e5\u8a18\u96fb\u5f71\u5728\u5f62\u5f0f\u4e0a\u8207\u6b50\u7f8e\u7684\u65e5\u8a18\u96fb\u5f71\u6709\u8457\u91cd\u5927\u5dee\u5225\u3002\u5b83\u5011\u66f4\u63a5\u8fd1\u4e00\u4e9b\u7d30\u5fae\u7684\u751f\u6d3b\u5f71\u50cf\u8207\u617e\u671b\u3002\u5728\u96fb\u5f71\u7f8e\u5b78\u4e0a\u540c\u6a23\u5730\u5448\u73fe\u51fa\u53e6\u4e00\u7a2e\u65e5\u8a18\u96fb\u5f71\u7684\u53ef\u80fd\u3002\u5728\u672c\u6b21\u7684\u65e5\u672c\u65e5\u8a18\u96fb\u5f71\u55ae\u5143\u4e2d\uff0c\u5c07\u6703\u63a2\u8a0e\u9019\u500b\u5728\u53f0\u7063\u5c1a\u672a\u88ab\u8a0e\u8ad6\u904e\u7684\u96fb\u5f71\u9818\u57df\u3002<\/span><\/p>\n

Arts in Japan always carry a strong Japanese style, in comparison to the European and American arts. In the course of diary films development in Japan, there are several talented film-makers. In the 2016 EX!T7, we present works from four Japanese diary filmmakers: SUZUKI Shirouyasu, OBITANI Yuri, OKI Hiroyuki and SERIZAWA Yoichiro. Japanese diary films are largely different from the European and American diary films in terms of style. Japanese diary films depict the subtle desires and ordinary life, and provide another possibility in the diary films aesthetics. In this program, we will further explore this uncharted territory.<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u203b\u653e\u6620\u6642\u9593\uff1a11\/24\uff08Thu\uff0918:00-20:00\u300111\/26\uff08Sat\uff09 18:00-20:00<\/strong><\/span><\/p>\n

\u203b\u653e\u6620I\uff1a<\/strong>\uff08\u7e3d\u9577 101min\uff09<\/span><\/p>\n

\u65e5\u6c92\u7684\u5370\u8c61 Impression of Sunset\uff0f\u9234\u6728\u5fd7\u90ce\u5eb7 SUZUKI Shirouyasu\uff0f24min\uff0f1975<\/span><\/p>\n

\u6bdb\u9aee\u6b4c\u5287 The Hair Opera\uff0f\u5e36\u8c37\u6709\u7406 OBITANI Yuri\uff0f60 min\uff0f1993<\/span><\/p>\n

\u8ff7\u5e7b\u82b1\u5712 An Acid Field\uff0f\u5e36\u8c37\u6709\u7406 OBITANI Yuri\uff0f8min\uff0f2007<\/span><\/p>\n

\u91ce\u5deb\u5973 Wild Shaman Maiden\uff0f\u5e36\u8c37\u6709\u7406 OBITANI Yuri\uff0f9min\uff0f2007<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u203b\u653e\u6620\u6642\u9593\uff1a11\/25\uff08Fri\uff0922:00-24:00\u300111\/27\uff08Sun\uff0918:00-20:00<\/strong><\/span><\/p>\n

\u203b\u653e\u6620II\uff1a<\/strong>\uff08\u7e3d\u9577 104min\uff09<\/span><\/p>\n

\u516d\u6708\u4e4b\u5507 Lips of June\uff0f\u5927\u6728\u88d5\u4e4b OKI Hiroyuki\uff0f17min\uff0f1992<\/span><\/p>\n

\u5854\u5947\u4e4b\u65c5 Tarch Trip\uff0f\u5927\u6728\u88d5\u4e4b OKI Hiroyuki\uff0f64min\uff0f1993<\/span><\/p>\n

\u5408\u6210\u4eba\u9593 Synthetic Man\uff0f\u82b9\u6fa4\u6d0b\u4e00\u90ce SERIZAWA Yoichiro\uff0f23min\uff0f1993<\/span><\/p>\n

\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u3010\u7f8e\u570b\u65e5\u8a18\u96fb\u5f71\u4e4b\u7236\uff1a\u74ca\u7d0d\u65af\uff0e\u7c73\u958b\u65af\u5c08\u984c\u3011<\/strong><\/span><\/p>\n

Jonas MEKAS<\/strong><\/span><\/p>\n

\u74ca\u7d0d\u65af\uff0e\u7c73\u958b\u65af\u70ba\u7f8e\u570b\u524d\u885b\u96fb\u5f71\u904b\u52d5\u7684\u6559\u7236\uff0c\u540c\u6642\u4e5f\u662f\u65e5\u8a18\u96fb\u5f71\u5275\u4f5c\u7684\u4ee3\u8868\u6027\u4eba\u7269\u3002\u4ed6\u5275\u7acb\u4e86\u96fb\u5f71\u6587\u96c6\u8cc7\u6599\u9928\uff0c\u4ee5\u53ca\u7f8e\u570b\u65b0\u96fb\u5f71\u904b\u52d5\uff0c\u4e26\u65bc\u300a\u6751\u8072\u300b\u96dc\u8a8c,\u64b0\u5beb\u5f71\u8a55\u3002\u5176\u65e5\u8a18\u96fb\u5f71\u5275\u4f5c\u5f9e40\u5e74\u4ee3\u62b5\u9054\u7d10\u7d04\u4e4b\u5f8c\u958b\u59cb\uff0c\u4e00\u76f4\u6301\u7e8c\u81f3\u4eca\uff0c\u7d2f\u7a4d\u4f5c\u54c1\u6578\u91cf\u9a5a\u4eba\u3002<\/span><\/p>\n

Jonas MEKAS, the godfather of avant-garde cinema, is also the most representative figure in diary films. Jonas MEKAS wrote film column on The Village Voice<\/em>, founded the Anthology Film Archives, and was in the vanguard of New American Cinema. MEKAS started to make diary films ever since he arrived at New York in the 1940\u2019s. Up until today, he still remains active and has created a staggering amount of films.<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u203b\u653e\u6620\u6642\u9593\uff1a11\/26\uff08Sat\uff0922:30-01:30<\/strong><\/span><\/p>\n

\u203b\u653e\u6620I\uff1a<\/strong>\uff08\u7e3d\u9577173min\uff09<\/span><\/p>\n

\u6e56\u6ff1\u6563\u8a18 Walden\uff0f173min\uff0f1968-69<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u203b\u653e\u6620\u6642\u9593\uff1a11\/24\uff08Thu\uff0920:00-23:00\u300111\/27\uff08Sun\uff0920:00-23:00<\/strong><\/span><\/p>\n

\u203b\u653e\u6620II\uff1a<\/strong>\uff08\u7e3d\u9577151min\uff09<\/span><\/p>\n

\u897f\u98a8\u6b78\u4f86\uff08\u55ac\u6cbb\u2027\u99ac\u4fee\u7d0d\u65af\u7684\u4e00\u751f\uff09 Zefiro Torna or Scenes from the Life of George Maciunas\uff0f34min\uff0f1992<\/span><\/p>\n

\u5929\u5802\u5f7c\u7aef This Side of Paradise\uff0f35min\uff0f1999<\/span><\/p>\n

\u5091\u5b8f\u96a8\u7b46 Notes for Jerome\uff0f45min\uff0f1978<\/span><\/p>\n

\u4e9e\u7dad\u5102\u4e4b\u6b4c Song of Avignon\uff0f9min\uff0f1998<\/span><\/p>\n

\u65c5\u884c\u4e4b\u6b4c Travel Songs\uff0f28min\uff0f2003<\/span><\/p>\n

\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u3010\u984f\uff0e\u535a\u98db\u7684\u65e5\u8a18\u96fb\u5f71\u3011<\/strong><\/span><\/p>\n

Yann BEAUVAIS<\/strong><\/span><\/p>\n

\u984f\uff0e\u535a\u98db\u70ba\u6cd5\u570b\u5be6\u9a57\u96fb\u5f71\u5275\u4f5c\u8005\u3001\u5f71\u50cf\u88dd\u7f6e\u85dd\u8853\u5bb6\u3001\u8a55\u8ad6\u5bb6\u3001\u7814\u7a76\u5b78\u8005\u3001\u7b56\u5c55\u4eba\u3001\u5f71\u7247\u8207\u9304\u5f71\u5e36\u4fdd\u5b58\u53ca\u767c\u884c\u8005\u3001\u76f8\u95dc\u5be6\u9a57\u96fb\u5f71\u8207\u7576\u4ee3\u85dd\u8853\u6d3b\u52d5\u63a8\u5ee3\u8005\u30021970\u5e74\u4ee3\u958b\u59cb\u5f9e\u4e8b\u5be6\u9a57\u96fb\u5f71\u5275\u4f5c\u6301\u7e8c\u81f3\u4eca\uff0c1980\u5e74\u4ee3\u958b\u59cb\u5be6\u9a57\u591a\u6295\u5f71\u73fe\u5834\u8868\u6f14\u8207\u5f71\u50cf\u88dd\u7f6e\u7b49\u63a2\u7d22\uff0c\u66fe\u65bc\u6cd5\u570b\u5df4\u9ece\u7b2c\u4e09\u5927\u5b78\u6559\u6388\u85dd\u8853\u53f2\u7b49\u8ab2\u7a0b\u3002\u66fe\u65bc1999\u5e74\u4f86\u53f0\uff0c\u5728\u53f0\u5317\u83ef\u5c71\u85dd\u6587\u7279\u5340\u767c\u8868\u500b\u5c55\uff0c\u5c55\u51fa\u591a\u6295\u5f71\u73fe\u5834\u8868\u6f14\u7d50\u5408\u73fe\u5834\u97f3\u6a02\u7684\u4f5c\u54c1\u3002\u6b64\u6b21EX!T7 \u984f\uff0e\u535a\u98db\u5c07\u5e36\u4f86\u4ed6\u7684\u591a\u90e8\u65e5\u8a18\u96fb\u5f71\u5275\u4f5c\u3002<\/span><\/p>\n

Yann BEAUVAIS is versatile in creating, preserving and studying films. He makes experimental films, writes art critiques, preserves and publishes films and video works. He used to teach art history in the University of Paris III: Sorbonne Nouvelle. He is also a video installation artist. Yann BEAUVAIS first started making experimental films in the 1970\u2019s. In the 1980\u2019s he started to explore the territory of video art, video installation and live performance. In 1999, Yann BEAUVAIS visited Taiwan and had a solo exhibition of several with live music in Huashan 1914 Creative Park, Taipei. In 2016 EX!T 7, Yann BEAUVAIS presents to us a series of his diary films.<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u203b\u653e\u6620\u6642\u9593\uff1a11\/23\uff08Wed\uff0918:00-20:30\u300111\/27\uff08Sun\uff0913:00-15:30<\/strong><\/span><\/p>\n

\u203b\u653e\u6620\uff1a<\/strong>\uff08\u7e3d\u9577132min\uff09<\/span><\/p>\n

\u65e5\u8a18 Journaux\uff0f18min\uff0f1982-85<\/span><\/p>\n

\u6200 Amoroso\uff0f12min\uff0f1983-86<\/span><\/p>\n

\u7d30\u7463\u8a18\u61b6 Divers-\u00e9pars\uff0f12min\uff0f1987<\/span><\/p>\n

\u65af\u5df4\u5f69\u5cf6 Spetsai\uff0f15min\uff0f1989<\/span><\/p>\n

\u7d05\u8272\u570b\u5ea6\u88e1\u7684\u85cd\u8abf We’ve Got the Red Blues\uff0f15min\uff0f1991<\/span><\/p>\n

\u7d10\u7d04\u9577\u9014 New York Long Distance\uff0f9min\uff0f1994<\/span><\/p>\n

\u5317\u4eac\u7121\u984c Sans Titre Beijing\uff0f6min\uff0f2006<\/span><\/p>\n

\u8003\u666e\u7d22\u5361\u6751 Kopru Sokagi\uff0f33min\uff0f2009\uff08\u5171\u540c\u5c0e\u6f14\uff1a\u827e\u5fb7\u68ee\u2027\u5df4\u9b6f\u65af Edson BARRUS\uff09<\/span><\/p>\n

\u96f7\u897f\u975e\u65e5\u8a18\uff1a\u9032\u884c\u4e2d Work in Progress\uff0f12min\uff0f2011-16<\/span><\/p>\n

\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u00a0\u5834\u6b21\u8868Schedule\u00a0\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500<\/strong><\/span>\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

11\/23(Wed)<\/strong><\/span><\/p>\n<\/td>\n

11\/24(Thu)<\/strong><\/span><\/td>\n11\/25(Fri)<\/strong><\/span><\/td>\n11\/26(Sat)<\/strong><\/span><\/td>\n\n

11\/27(Sun)<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n

\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n13:00<\/span><\/td>\n13:00<\/span><\/td>\n\n

13:00<\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n<\/td>\n\u3010\u6b64\u523b\uff1a\u53f0\u7063\u65b0\u92b3\u65e5\u8a18\u96fb\u5f71\u5c08\u984c\u2160\u3011<\/span><\/p>\n

Now: Taiwanese New Generation \u2160<\/span><\/p>\n

 <\/p>\n

113min<\/span><\/p>\n<\/td>\n

\u3010\u56de\u9867\u6027\u8996\u89d2\uff1a\u53f0\u7063\u65e9\u671f\u65e5\u8a18\u96fb\u5f71\u5c08\u984c\u3011<\/span><\/p>\n

Retrospection: Early Taiwanese Diary Films<\/span><\/p>\n

\u00a0126min<\/span><\/p>\n<\/td>\n

\u984f\uff0e\u535a\u98db\u7684\u65e5\u8a18\u96fb\u5f71<\/span><\/p>\n

Yann BEAUVAIS<\/span><\/p>\n

 <\/p>\n

\u00a0<\/span>132min<\/span><\/p>\n<\/td>\n<\/tr>\n

\u00a0<\/span><\/td>\n\u00a0<\/span><\/td>\n15:00<\/span><\/td>\n15:30<\/span><\/td>\n\n

15:30<\/span><\/p>\n<\/td>\n<\/tr>\n

<\/td>\n<\/td>\n\u3010\u6b64\u523b\uff1a\u53f0\u7063\u65b0\u92b3\u65e5\u8a18\u96fb\u5f71\u5c08\u984c\u2161\u3011<\/span><\/p>\n

Now: Taiwanese New Generation \u2161<\/span><\/p>\n

\u00a0<\/span><\/p>\n

106min<\/span><\/p>\n<\/td>\n

\u3010\u5c08\u984c\u5ea7\u8ac7\u3011<\/strong><\/span><\/p>\n

\u53f0\u7063\u89c0\u9ede\u2160\uff1a\u5f9e\u5289\u5436\u9dd7\u5230\u838a\u9748<\/span>
\n\u3010Forum<\/strong>\u3011<\/strong><\/span><\/p>\n

Taiwan Perspective \uff29: From Liu Na\u2019Ou to CHUANG Lin<\/span><\/td>\n

\u3010\u5c08\u984c\u5ea7\u8ac7\u3011<\/strong><\/span><\/p>\n

\u6b50\u7f8e\u8996\u89d2\uff1a\u984f\uff0e\u535a\u98db X \u74ca\u7d0d\u65af\uff0e\u7c73\u958b\u65af<\/span><\/p>\n

\u3010Forum<\/strong>\u3011<\/strong><\/span><\/p>\n

Europe x America: Yann BEAUVAIS x Jonas MEKAS<\/span><\/td>\n<\/tr>\n

\n

18:00<\/span><\/p>\n<\/td>\n

18:00<\/span><\/td>\n17:30<\/span><\/td>\n18:00<\/span><\/td>\n\n

18:00<\/span><\/p>\n<\/td>\n<\/tr>\n

\u984f\uff0e\u535a\u98db\u7684\u65e5\u8a18\u96fb\u5f71<\/span><\/p>\n

Yann BEAUVAIS<\/span><\/p>\n

132min<\/span><\/p>\n<\/td>\n

\u3010\u79c1\u96fb\u5f71\uff1a\u65e5\u672c\u65e5\u8a18\u96fb\u5f71\u5c08\u984c\u2160\u3011<\/span><\/p>\n

Private Cinema: Japanese Diary Film\u2160<\/span><\/p>\n

\u00a0<\/span><\/p>\n

101min<\/span><\/p>\n<\/td>\n

\u3010\u56de\u9867\u6027\u8996\u89d2\uff1a\u53f0\u7063\u65e9\u671f\u65e5\u8a18\u96fb\u5f71\u5c08\u984c\u3011<\/span>
\nRetrospection: Early Taiwanese Diary Films<\/span>\u00a0<\/span><\/p>\n

126min<\/span><\/p>\n<\/td>\n

\u3010\u79c1\u96fb\u5f71\uff1a\u65e5\u672c\u65e5\u8a18\u96fb\u5f71\u5c08\u984c\u2160\u3011<\/span><\/p>\n

Private Cinema: Japanese Diary Film\u2160<\/span><\/p>\n

\u00a0<\/span><\/p>\n

101min<\/span><\/p>\n<\/td>\n

\u3010\u79c1\u96fb\u5f71\uff1a\u65e5\u672c\u65e5\u8a18\u96fb\u5f71\u5c08\u984c\u2161\u3011<\/span><\/p>\n

Private Cinema: Japanese Diary Film\u2161<\/span><\/p>\n

\u00a0<\/span><\/p>\n

104min<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

20:30<\/span><\/p>\n<\/td>\n

20:00<\/span><\/td>\n20:00<\/span><\/td>\n20:00<\/span><\/td>\n\n

20:00<\/span><\/p>\n<\/td>\n<\/tr>\n

\u3010\u958b\u5e55\u8336\u6703\u3011<\/strong><\/span><\/p>\n

\u25ce\u7279\u5225\u653e\u6620\u300a\u8ff7\u5e7b\u82b1\u5712\u300b\u3001\u300a\u516d\u6708\u4e4b\u5507\u300b<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u25ce\u65e5\u8a18\u96fb\u5f71\u81ea\u7531\u6620<\/span><\/p>\n

\u00a0<\/strong><\/span><\/p>\n

\u3010Opening Ceremony<\/strong>\u3011<\/strong><\/span><\/p>\n

\u25ceSpecial Screening<\/span><\/p>\n

\u25ceOpen Screening<\/span><\/td>\n

\u3010\u7f8e\u570b\u65e5\u8a18\u96fb\u5f71\u4e4b\u7236\uff1a\u74ca\u7d0d\u65af\uff0e\u7c73\u958b\u65af\u5c08\u984c\u2161\u3011<\/span><\/p>\n

Jonas MEKAS\u3000\u2161<\/span><\/p>\n

\u00a0<\/span><\/p>\n

151min<\/span><\/p>\n<\/td>\n

\u3010\u5c08\u984c\u5ea7\u8ac7\u3011<\/strong><\/span><\/p>\n

\u53f0\u7063\u89c0\u9edeII\uff1a\u53f0\u7063\u65e5\u8a18\u96fb\u5f71\u5c0e\u6f14\u8ad6\u58c7<\/span><\/p>\n

\u3010Forum<\/strong>\u3011<\/strong><\/span><\/p>\n

Taiwan Perspective \u2161: Taiwanese Diary Filmmakers<\/span><\/td>\n

\u3010\u5c08\u984c\u5ea7\u8ac7\u3011<\/strong><\/span><\/p>\n

\u65e5\u672c\u65e5\u8a18\u96fb\u5f71\u5c08\u984c\uff1a\u79c1\u5c0f\u8aaa\u3001\u79c1\u96fb\u5f71<\/span><\/p>\n

\u3010Forum<\/strong>\u3011<\/strong><\/span><\/p>\n

Japanese Diary Film: Private Novel,<\/span><\/p>\n

Private Cinema<\/span><\/td>\n

\u3010\u7f8e\u570b\u65e5\u8a18\u96fb\u5f71\u4e4b\u7236\uff1a\u74ca\u7d0d\u65af\uff0e\u7c73\u958b\u65af\u5c08\u984c\u2161\u3011<\/span><\/p>\n

Jonas MEKAS\u3000\u2161<\/span><\/p>\n

\u00a0<\/span><\/p>\n

151min<\/span><\/p>\n<\/td>\n<\/tr>\n

\u00a0<\/span><\/td>\n\n

22:00<\/span><\/p>\n<\/td>\n

\n

22:30<\/span><\/p>\n<\/td>\n

\u00a0<\/span><\/td>\n<\/tr>\n
\u00a0<\/span><\/td>\n\u3010\u79c1\u96fb\u5f71\uff1a\u65e5\u672c\u65e5\u8a18\u96fb\u5f71\u5c08\u984c\u2161\u3011<\/span><\/p>\n

Private Cinema: Japanese Diary Film\u2161<\/span><\/p>\n

\u00a0<\/span><\/p>\n

104min<\/span><\/p>\n<\/td>\n

\u3010\u7f8e\u570b\u65e5\u8a18\u96fb\u5f71\u4e4b\u7236\uff1a\u74ca\u7d0d\u65af\uff0e\u7c73\u958b\u65af\u5c08\u984c\u2160\u3011<\/span><\/p>\n

Jonas MEKAS\u3000\uff29<\/span><\/p>\n

\u00a0<\/span><\/p>\n

173min<\/span><\/p>\n<\/td>\n

<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u00a0\u6d3b\u52d5\u5730\u9edeVenues\u00a0\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500<\/strong><\/span><\/p>\n

\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u726f\u5dba\u8857\u5c0f\u5287\u5834 GULING STREET Avant-Garde Theatre<\/span><\/p>\n

\u53f0\u5317\u5e02\u726f\u5dba\u8857\u4e94\u5df72\u865f No. 2, LN. 5, Guling Street, Taipei City, Taiwan<\/span><\/p>\n

\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u00a0\u552e\u7968\u53ca\u512a\u60e0\u8cc7\u8a0aTicket info\u00a0\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500\u2500<\/strong><\/span><\/p>\n

\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u55ae\u5834\u7968\u50f9Ticket\uff1aNT 150\u5143<\/span><\/p>\n

\u5168\u5957\u7968\uff08\u4efb\u90788\u55ae\u5143\uff098 Pack\uff1aNT 780\u5143<\/span><\/p>\n

\u4efb\u90784\u55ae\u5143\u5957\u79684 Pack\uff1aNT 510\u5143<\/span><\/p>\n

\u726f\u5dba\u8857\u5c0f\u5287\u5834\u6703\u54e1GLT Membership\uff1a7\u6298<\/span><\/p>\n

\u5b78\u751f\uff0f\u5169\u5ef3\u9662\u6703\u54e1Student, NTCH Membership\uff1a95\u6298<\/span><\/p>\n

\u6c38\u5b89\u85dd\u6587\u9928\u8868\u6f1436\u623fLINE\u597d\u53cb Performing Arts School 36 YONG AN ART CENTER friends on LINE\uff1a95\u6298<\/span><\/p>\n

\u53f0\u5317\u5149\u9ede\u6703\u54e1SPOT Membership\uff1a95\u6298<\/span><\/p>\n

\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u8cfc\u7968\u9023\u7d50 Ticket Link\uff1a<\/strong>https:\/\/goo.gl\/rIHlno<\/a><\/span><\/span><\/p>\n

\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u66f4\u591a\u8cc7\u8a0aMore Info<\/strong><\/span><\/p>\n

Facebook\uff1ahttps:\/\/www.facebook.com\/GLTAGT\/<\/a><\/span><\/span><\/p>\n

\u96fb\u8a71Tel\uff1a(02) 2391-9393\uff0e\u9031\u4e8cTue~\u65e5Sun 14:00~20:00<\/span><\/p>\n

\/\/<\/span><\/p>\n

\/\/<\/span>\/<\/span>\/\/<\/span><\/p>\n

\u7b56\u5c55\u4ebaCurator\uff1a<\/strong>\u674e\u660e\u5b87 LEE Ming-Yu<\/span><\/p>\n

\u88fd\u4f5c\u4ebaProducer\uff1a<\/strong>\u59da\u7acb\u7fa4 YAO Lee-Chun<\/span><\/p>\n

\u85dd\u8853\u7e3d\u76e3Artistic DirectorProducer\uff1a<\/strong>\u5433\u4fca\u8f1d Tony Chun-Hui WU<\/span><\/p>\n

\u57f7\u884c\u88fd\u4f5cExecutive Producer\uff1a<\/strong>\u738b\u6c38\u5b8f WANG Yung-Hung<\/span><\/p>\n

\u6280\u8853\u7d71\u7c4cTechnical Cooperator\uff1a<\/strong>\u738b\u541b\u76c8 WANG Jyun-Ying<\/span><\/p>\n

\u7a7a\u9593\u898f\u756bSpace Planning\uff1a<\/strong>\u6797\u80b2\u5168 Lin Yu-Quan<\/span><\/p>\n

\u5e73\u9762\u8a2d\u8a08Graphic Design\uff1a<\/strong>\u5289\u5b5f\u5b97 Marco Meng-Tsung LIU<\/span><\/p>\n

\u884c\u653fAdministrative Team\uff1a<\/strong>\u694a\u51f1\u5a77 YANG Kai-Ting\u3001\u5ed6\u5b50\u8431 LIAO Zi-Xuan<\/span><\/p>\n

\u5ba3\u50b3\u5f71\u50cf\u5c0e\u6f14Promotion Video Director\uff1a<\/strong>\u674e\u4fca\u5b8f LEE Chun-Hong<\/span><\/p>\n

\/\/<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u4e3b\u8fa6Producer<\/strong><\/span><\/p>\n

\u8eab\u9ad4\u6c23\u8c61\u9928Body Phase Studio<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u5408\u8fa6Co-organizers<\/strong><\/span><\/p>\n

\u726f\u5dba\u8857\u5c0f\u5287\u5834 Guling Street Avant-Garde Theatre<\/span><\/p>\n

\u5f71\u50cf\u2014\u904b\u52d5\u96fb\u5f71\u5354\u6703 Image-Movement<\/span><\/p>\n

\/\/<\/span><\/p>\n

\u6307\u5c0eSponsors<\/strong><\/span><\/p>\n

\u570b\u5bb6\u6587\u5316\u85dd\u8853\u57fa\u91d1\u6703\u00a0National Culture and Arts Foundation<\/span><\/p>\n

\u53f0\u5317\u5e02\u6587\u5316\u5c40 \u00a0Department of Cultural Affairs\u00a0Taipei City Government<\/span><\/p>\n

\u6cd5\u570b\u5728\u53f0\u5354\u6703\u00a0Bureau Fran\u00e7ais de Taipei<\/span><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

\/\/ \/\/ \u3010\u65e5\u5e38\u5728\u7576\u4e0b\uff1a\u65e5\u8a18\u96fb\u5f71\u5f71\u5c55\u3011 EX!T 7\u7b2c\u4e03\u5c46\u53f0\u7063\u570b\u969b\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55 EX!T 7 \u2013 Expe […]<\/p>\n","protected":false},"author":4,"featured_media":7935,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[209,169,20,7,39,17,168],"tags":[],"class_list":["post-7883","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nov","category-169","category-schedule","category-glt_program","category-39","category-programs","category-168"],"_links":{"self":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/7883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7883"}],"version-history":[{"count":23,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/7883\/revisions"}],"predecessor-version":[{"id":7887,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/7883\/revisions\/7887"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/media\/7935"}],"wp:attachment":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7883"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7883"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}