{"id":3709,"date":"2013-11-22T21:12:41","date_gmt":"2013-11-22T13:12:41","guid":{"rendered":"http:\/\/www.glt.org.tw\/?p=3709"},"modified":"2017-02-22T10:22:57","modified_gmt":"2017-02-22T02:22:57","slug":"ext-4-%e7%ac%ac%e5%9b%9b%e5%b1%86%e5%8f%b0%e7%81%a3%e5%9c%8b%e9%9a%9b%e5%af%a6%e9%a9%97%e5%aa%92%e9%ab%94%e8%97%9d%e8%a1%93%e5%b1%95-%e5%9c%a8%e5%b7%a6%e9%82%8a%e7%9a%84%e4%ba%9e%e6%b4%b2","status":"publish","type":"post","link":"https:\/\/www.glt.org.tw\/?p=3709","title":{"rendered":"EX!T 4 \u7b2c\u56db\u5c46\u53f0\u7063\u570b\u969b\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55 \u5728\u5de6\u908a\u7684\u4e9e\u6d32 – \u5357\u4eac"},"content":{"rendered":"
\n

EX!T 4<\/b><\/span><\/p>\n

\u00a0<\/b><\/span><\/p>\n

\u7b2c\u56db\u5c46\u53f0\u7063\u570b\u969b\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55<\/b><\/b><\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u5728\u5de6\u908a\u7684\u4e9e\u6d32 – \u5357\u4eac<\/span><\/p>\n

\u4f86\u81ea\u4e2d\u570b\u7684\u5341\u7d44\u5c08\u984c<\/b><\/span><\/p>\n

\u5927\u5e2b<\/b>VS.<\/b>\u65b0\u92b3<\/b><\/span><\/p>\n

\u5be6\u9a57\u3001\u9304\u50cf\u3001\u52d5\u756b\u3001\u5287\u60c5\u3001\u7d00\u9304<\/b><\/b><\/span><\/p>\n

Experimental Media Art Festival in Taiwan 4<\/span><\/p>\n

Shooting Left Asia \u2013\u00a0Nanjing<\/span><\/p>\n

\u6d3d\u5169\u5ef3\u9662\u552e\u7968\u7cfb\u7d71\u00a0For purchases:<\/strong>\u00a0http:\/\/goo.gl\/1Bv2zR<\/span><\/a><\/strong><\/span><\/span><\/p>\n

——<\/span><\/p>\n

——<\/span><\/p>\n

\"DSC_1647_117\"<\/a> \"DSC_1609_079\"<\/a> \"DSC_1577_061\"<\/a> \"DSC_1550_046\"<\/a> \"DSC_0027_036\"<\/a> \"_MG_1138\"<\/a><\/p>\n

\n

12\/20(Fri)\u00a0 20:00-21:20<\/b><\/span>\u3000<\/span><\/p>\n

\u3010\u77e5\u8b58\u4efd\u5b50\uff0d\u694a\u798f\u6771\u5c08\u984c\u3011<\/b><\/span><\/b><\/span><\/p>\n

\u5c08\u984c\u7b56\u5283\uff1a\u66f9\u6137<\/b><\/span><\/p>\n

\u90a3\u4e9b\u61f7\u820a\u3001\u4ea4\u932f\u3001\u7de9\u6162\u3001\u7121\u8072\u7684\u4eba\u7269\uff0c\u9010\u6f38\u6210\u70ba\u694a\u798f\u6771\u4f5c\u54c1\u7684\u6a19\u8a8c\uff0c\u4e00\u7a2e\u5c0d\u8001\u96fb\u5f71\u7684\u8ffd\u8ff0\u3002\u5206\u6790\u694a\u798f\u6771\u7684\u4f5c\u54c1\uff0c\u5f88\u96e3\u5c07\u4ed6\u6b78\u985e\u5230\u4efb\u4f55\u4e00\u500b\u4e2d\u570b\u7576\u4ee3\u85dd\u8853\u904b\u52d5\u6216\u8005\u7fa4\u9ad4\u7d93\u9a57\u4e4b\u4e2d\u3002\u5728\u4e2d\u570b\u7576\u4ee3\u85dd\u8853\u9010\u6f38\u4e3b\u6d41\u5316\u3001\u5546\u696d\u5316\u7684\u4eca\u5929\uff0c\u5728\u4e2d\u570b\u6b63\u8655\u5728\u5d1b\u8d77\u7684\u968e\u6bb5\uff0c\u694a\u798f\u6771\u6070\u6070\u63d0\u4f9b\u4e86\u88ab\u77e5\u8b58\u5206\u5b50\u4e0d\u65b7\u63d0\u53ca\u537b\u4e8b\u5be6\u7f3a\u4f4d\u7684\u500b\u9ad4\u7d93\u9a57\u8207\u7368\u7acb\u65bc\u7fa4\u9ad4\u4e4b\u5916\u7684\u65b9\u5f0f\uff0c\u4e00\u500b\u7368\u7279\u7684\u500b\u4eba\u7cfb\u7d71\u3002<\/span><\/p>\n

Intellectual: Yang Fudong <\/b><\/span><\/p>\n

Designated Topic Curator: Cao Kai<\/b><\/span><\/p>\n

It was the figures from the past, these unhurried, silent figures, spliced together in different scenes, that would in time become the focus of Yang Fudong\u2019s work, in references to the movies of days gone by. It is very difficult to classify the work of Yang Fudong as being part of any particular Chinese contemporary art movement, or within any particular group. Today, as we are seeing Chinese contemporary art becoming increasingly mainstream and commercialized, and at a point in time when China is becoming more and more powerful in the global context, Yang Fudong supplies us with something that intellectuals continuously allude to, but just as often lack, an individual experience and an approach different from that of the herd, a completely unique individual system.<\/span><\/p>\n

\u7af9\u6797\u4e03\u8ce2 III Seven Intellectuals In Bamboo Forest \u2162<\/span>\uff0f56min\u3000\u57ce\u5e02\u4e4b\u5149 City Light<\/span>\uff0f6min\u00a0 \u5f8c\u623f\uff0c\u563f\uff0c\u5929\u4eae\u4e86\uff01 Backyard, Hey! The Sun Is Rising!<\/span>\uff0f13 min\u00a0 \u534a\u99ac\u7d22 The Half Hitching Post<\/span>\uff0f8min\u00a0 \u8def\u5ba2\u518d\u9047 Lock Again<\/span>\uff0f5min<\/span><\/p>\n

\uff08*\u672c\u55ae\u5143\u5171\u67095\u90e8\u4f5c\u54c1 \uff09<\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0<\/b><\/p>\n

12\/20(Fri)<\/b>\u3000<\/b>21:45-23:15<\/b><\/span>\u3000<\/b><\/b><\/span><\/p>\n

\u3010\u8a18\u61b6\u7269\u8c61\uff1a\u5f71\u50cf\u8a18\u61b6\u7684\u7576\u4ee3\u6027\u60c5\u611f\u8f49\u63db\u3011<\/b><\/span><\/b><\/span><\/p>\n

\u5c08\u984c\u7b56\u5283\uff1a\u5f35\u6d77\u6fe4<\/b><\/span><\/p>\n

\u5982\u679c\u8aaa\u6642\u9593\u662f\u7d00\u9304\u5fae\u89c0\u548c\u5b8f\u89c0\u7684\u60c5\u611f\u672c\u6e90\uff0c\u6211\u5011\u66f8\u5beb\u7576\u4ee3\u5f71\u50cf\u85dd\u8853\u4e4b\u6642\uff0c\u9019\u500b\u5e74\u4ee3\u7684\u85dd\u8853\u5bb6\u5fc5\u5b9a\u6703\u56de\u61b6\u4ed6\u5011\u8d70\u904e\u7684\u5e74\u4ee3\uff0c\u9019\u4e9b\u5e74\u4ee3\u8a18\u61b6\u4e2d\u50b3\u9054\u7d66\u6211\u5011\u7684\u751f\u5b58\u611f\u53d7\uff0c\u5373\u5e36\u6709\u4e00\u500b\u6642\u4ee3\u7684\u7279\u5fb5\u3002\u751f\u5b58\u74b0\u5883\u5e36\u7d66\u6211\u5011\u7684\u4e0d\u8ad6\u662f\u5feb\u6a02\u548c\u82e6\u6f80\u7684\u7d93\u6b77\u7d42\u7a76\u90fd\u6703\u6d88\u901d\uff0c\u8a18\u61b6\u7269\u8c61\u7684\u6642\u7a7a\u611f\u5e36\u7d66\u6211\u5011\u7684\u611f\u50b7\u662f\u5f88\u591a\u85dd\u8853\u5bb6\u8868\u9054\u60c5\u611f\u7684\u4e00\u500b\u9858\u671b\u3002\u9019\u6b21\u5c55\u89bd\u4f5c\u54c1\u4e2d\u984c\u6750\u5982\u8a18\u61b6\u7684\u74b0\u5883\u3001\u9670\u5f71\u8207\u60c5\u611f\u3001\u6b77\u53f2\u539f\u50cf\u4ee5\u7576\u4ee3\u8a9e\u8a00\u4f86\u9032\u884c\u7684\u8f49\u63db\uff0c\u4e5f\u7d66\u8a18\u61b6\u5e36\u4f86\u4e86\u500b\u6027\u65b0\u9bae\u7684\u611f\u89ba\u3002<\/span><\/p>\n

Objects in Memory : Contemporary empathetic translation of visual memory<\/b><\/span><\/p>\n

Designated Topic Curator: Haitao Zhang<\/b><\/span><\/p>\n

If we say that time is the source of records for micro- and macro- emotions, then when we look at the film arts during a certain period, the artists from this period are likely to draw from the time they lived through. The feelings brought about by these descriptions of time and memory will carry the features of that period. We ought to look back to history time to time, in order to properly assess the presence and the future. Whatever the living environment brings us, happiness or bitterness, is fleeting, after all. Therefore it is the artists\u2019 anticipation that their expressions will bring back the feelings caused by the memories.<\/span><\/p>\n

\u9b0d\u5b50 Beard<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u90ed\u7dad Gao Wei & \u8d99\u4f2f\u795a Zhou Bozhou & \u90dd\u6a39\u4ebaHao Zulan\uff0f3min\uff0f4:3\u3000\u52d5\u4e0d\u52d5 Stillness<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u674e\u5c71 Alessandro Rolandi\uff0f19min\uff0f4:3\u3000\u4f60\u770b\u898b\u51ac\u5929Winter<\/span>\uff0f\u5c0e\u6f14Director\uff1a\u5289\u66a2 Liu Chang\uff0f11min\uff0f16:9\u3000\u5f7c\u5cb8Faramita<\/span>\uff0f\u5c0e\u6f14Director\uff1a\u5b8b\u677eSong Song\uff0f17min\uff0f16:9\u3000\u5b09\uff0e\u6232Play<\/span>\uff0f\u5c0e\u6f14Director\uff1a\u5b6b\u78caSun Lei\uff0f6min\uff0f4:3\u3000\u8003\u8a66\u5354\u594f\u66f2The Concerto<\/span>\uff0f\u5c0e\u6f14Director\u5b6b\u6960Sun Nan\uff0f5min\uff0f16:9\u3000\u904a\u5712\u9a5a\u5922Dream in the Garden<\/span>\uff0f\u5c0e\u6f14Director\uff1a\u738b\u7433\u6167Wang Linhui\uff0f5min\u30002008\u5e74\u88e1\u7684\u3127\u4e9b\u6642\u9593Time in 2008<\/span>\uff0f\u5c0e\u6f14Director\uff1a\u6c6a\u6771\u5347Wang Dongsheng\uff0f18min\uff0f4:3\u3000\u6d77\u5831\u72c2\u60f3\u66f2In Poster<\/span>\uff0f\u5c0e\u6f14Director\uff1a\u8881\u667a\u8d85Yuan Zhichao\uff0f4min\uff0f4:3<\/span><\/p>\n

\uff08*\u672c\u55ae\u5143\u5171\u67099\u90e8\u4f5c\u54c1 \uff09<\/span><\/p>\n

\u00a0<\/b><\/p>\n

12\/21(Sat)<\/b>\u3000<\/b>13:00-14:20<\/b><\/span><\/p>\n

\u3010\u5c4f\u5e55\u7f8e\u5b78<\/b> – <\/b>\u6578\u4f4d\u85dd\u8853\u5c0d\u4e16\u754c\u7684\u6e32\u67d3\u8207\u91cd\u5efa\u3011<\/b><\/span><\/p>\n

\u5c08\u984c\u7b56\u5283\uff1a\u738b\u6cca\u55ac<\/b><\/span><\/p>\n

\u672c\u55ae\u5143\u5c55\u6620\u7684\u5be6\u9a57\u5f71\u50cf\u4ee5\u4e8c\u7dad\u548c\u4e09\u7dad\u7684\u6578\u4f4d\u85dd\u8853\u52d5\u756b\u4f5c\u54c1\u70ba\u4e3b\uff0c\u5275\u4f5c\u8005\u5168\u90e8\u662f\u7f8e\u8853\u5b78\u9662\u80cc\u666f\uff0c\u6d89\u53ca\u6cb9\u756b\u3001\u7248\u756b\u3001\u96d5\u5851\u3001\u651d\u5f71\u3001\u7f8e\u8853\u53f2\u7b49\u591a\u500b\u5c08\u696d\u3002\u85dd\u8853\u5bb6\u5011\u904b\u7528\u96fb\u8166\u7b49\u6578\u4f4d\u5de5\u5177\u6240\u5275\u9020\u7684\u5f71\u50cf\u4f5c\u54c1\u4f3c\u4e4e\u662f\u865b\u5e7b\u548c\u8352\u8a95\u7684\uff0c\u4f46\u6240\u8868\u9054\u7684\u5f80\u5f80\u6bd4\u73fe\u5be6\u66f4\u52a0\u771f\u5be6\u548c\u76f4\u63a5\u3002\u4ed6\u5011\u5e38\u5e38\u904a\u8d70\u5728\u771f\u5be6\u548c\u865b\u5e7b\u4e4b\u9593\uff0c\u6642\u800c\u8f49\u63db\u89d2\u8272\u548c\u8eab\u4efd\uff0c\u4ed6\u5011\u901a\u904e\u9019\u4e9b\u5145\u6eff\u4e86\u60f3\u50cf\u529b\u548c\u9748\u6027\u7684\u4f5c\u54c1\uff0c\u63a2\u7d22\u548c\u8ffd\u5c0b\u4eba\u985e\u6587\u5316\u548c\u7cbe\u795e\u7684\u672c\u6e90\uff0c\u559a\u56de\u90a3\u4e9b\u88ab\u6211\u5011\u907a\u5fd8\u4e86\u7684\u7f8e\u3002<\/span><\/p>\n

Screen Aesthetics Digital Art\u2019s : Rendering and reconstruction of the world<\/b><\/span><\/p>\n

Designated Topic Curator: Bojoe Wang<\/b><\/span><\/p>\n

The experimental images exhibited in this unit mainly comprise two dimensional and three-dimensional works digital art animations, whose authors include students and professors from fine arts colleges specializing in oil painting, print, sculpture, photography, art history, etc. Through digital tools like computers artists have created images that are apparently unreal and even absurd but whose expressions are more realistic and direct than the reality. They explore and retrace the essence of human civilization and spirit to remember the beauties that we have long forgotten, through their works of imagination and inspiration.<\/span><\/p>\n

\u7070\u98db\u7159\u6ec5 Disillusion<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u7e46\u66c9\u6625 Miao Xiaochun\uff0f11min\uff0f16:9\u3000\u85a9\u8fe6 Sakya<\/span>\uff0f\u5c0e\u6f14 Director \u5f35\u5c0f\u6fe4 Zhang Xiaotao\uff0f16min\uff0f16:9\u3000\u5929\u7c5f\u7c5f TIANLAILAI-The Piping of Heaven<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5289\u831c\u61ff Liu Qian Yi\uff0f11min\uff0f16:9\u3000LV\u68ee\u6797LV Forest<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u535c\u6a3a Bo Hua\uff0f6min\uff0f4:3\u3000\u6e3e\u6c8c&\u79e9\u5e8f CHAOS & ORDER<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5289\u5065 Liu Jian\uff0f3min\uff0f16:9\u3000\u4e3b\u7fa9\u4e4b\u5916 Beyond-ism<\/span>\uff0f\u5c0e\u6f14Director\uff1a\u5b6b\u905c Sun Xun\uff0f9min\uff0f16:9\u3000\u4f5b\u6d1b\u4f0a\u5fb7\uff1a\u9b5a\u8207\u8774\u8776 Freud, Fish and Butterfly<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u738b\u6d77\u6d0b Wang Haiyang\uff0f4min\uff0f4:3\u3000\u4fc4\u585e\u9054\u65af OSEDAX<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u8449\u51cc\u701a Ye Linghan\uff0f6min\uff0f16:9\u3000\u91c7\u8587 Tsai-Wei<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u8d99\u66c4 Zhou Ye & \u9ec3\u6d0bHuang Yang\uff0f10min\uff0f4:3\u3000\u93e1\u5ba4 Mirror Room<\/span>\uff0f\u5c0e\u6f14 Director\u5468\u562f\u864e Zhou Xiaohu\uff0f8min\uff0f16:9\u3000\u795e\u7955\u5730\u7403\u8207\u5e74\u8f15\u4eba Mysterious Earth and the Young People<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u738b\u7dad\u601d Wang Weisi\uff0f8min\uff0f16:9\u3000\u6a02\u5712 Paradise<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u7530\u66c9\u78ca Tian Xiaolei\uff0f6min\uff0f16:9\u3000\u9b5a\u7684\u6182\u50b7 Sadness of Fish<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u738b\u831c\u6fe1 Wang Qianru\uff0f3min\uff0f16:9<\/span><\/p>\n

\uff08*\u672c\u55ae\u5143\u5171\u670913\u90e8\u4f5c\u54c1 \uff09<\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0<\/b><\/p>\n

12\/21(Sat)\u00a0 15:00-17:00<\/b><\/span>\u00a0 <\/b><\/span><\/p>\n

\u3010\u9109\u6101\u6b21\u97fb\uff1a\u90b1\u9eef\u96c4\u5c08\u984c\u3011<\/b><\/span><\/b><\/span><\/p>\n

\u5c08\u984c\u7b56\u5283\uff1a\u66f9\u6137<\/b><\/span><\/p>\n

\u90b1\u9eef\u96c4\u582a\u7a31\u4e2d\u570b\u7576\u4ee3\u570b\u969b\u85dd\u8853\u5bb6\u4e2d\u4e0a\u5347\u6700\u5feb\u7684\u65b0\u661f\u4e4b\u4e00\uff0c\u4f5c\u54c1\u98a8\u683c\u591a\u5143\uff0c\u7121\u8ad6\u662f\u6cb9\u756b\u3001\u52d5\u756b\u3001\u9304\u50cf\u4f5c\u54c1\u3001\u9084\u662f\u73fe\u4ee3\u96d5\u5851\u88dd\u7f6e\u90fd\u6e38\u5203\u6709\u9918\uff0c\u4e0d\u50c5\u63a1\u7528\u4e0d\u540c\u7684\u5a92\u6750\uff0c\u800c\u4e14\u63d0\u51fa\u4e86\u4e0d\u540c\u7684\u53c3\u8003\u67b6\u69cb\uff0c\u5f9e\u516c\u958b\u7684\u793e\u6703\u6279\u5224\u8f49\u8b8a\u70ba\u8d85\u7136\u7684\u6c89\u9ed8\u3002\u4ed6\u5f9e\u4e0d\u8a66\u63a2\uff0c\u800c\u662f\u5145\u6eff\u4fe1\u5fc3\u5730\u63a1\u7528\u5b8f\u5927\u7684\u5834\u9762\u548c\u6d41\u66a2\u7684\u6558\u8ff0\uff0c\u4e5f\u9858\u610f\u986f\u9732\u500b\u4eba\u7684\u4e00\u9762\uff0c\u751a\u81f3\u5e36\u9ede\u66f8\u751f\u6c23\u606f\u3002\u4f5c\u70ba\u4e9e\u6d32\u85dd\u8853\u7684\u4e00\u90e8\u5206\uff0c\u4ed6\u7684\u4f5c\u54c1\u4e0d\u50c5\u8207\u50b3\u7d71\u85dd\u8853\u4e0d\u540c\uff0c\u4e5f\u8207\u53e4\u4ee3\u85dd\u8853\u6709\u6240\u5340\u5225\u3002<\/span><\/p>\n

Nostalgia: Qiu Anxiong<\/b><\/span><\/p>\n

Designated Topic Curator: Cao Kai<\/b><\/span><\/p>\n

Qiu Anxiong has been called \u201cone of the quickest rising stars\u201d of a generation of Chinese contemporary artists who exhibit and sell internationally. Qiu’s diverse, even hybrid practice moves with apparent ease between painting on canvas and animated film, video art filmed in real time, and installation projects. Not only do Qiu’s works employ different media but they also broach different frames of reference, switching from an openly socio-critical stance to detached quiescence. Never tentative, Qiu confidently employs the spectacular and performative aspect, but he is equally willing to reveal his more intimate, somewhat bookish side. Qiu’s oeuvre runs counter not only to the stereotypical distinction between traditional and modern in Asian art, but also between ancient and modern.<\/span><\/p>\n

\u65b0\u5c71\u6d77\u7d93I The New Book<\/span> of Mountains and Seas Part1\uff0f31min\u00a0 \u65b0\u5c71\u6d77\u7d93II The New Book of Mountains and Seas Part2<\/span>\uff0f30min\u00a0 \u6c5f\u5357\u932f Jiangnan Poem<\/span>\uff0f14min\u00a0 \u6c11\u570b\u98a8\u666f Minguo Landscape<\/span>\uff0f15min\u00a0 \u5c71\u6cb3\u5922\u5f71 Temptation of The Land<\/span>\uff0f14min<\/span><\/p>\n

\uff08*\u672c\u55ae\u5143\u5171\u67095\u90e8\u4f5c\u54c1 \uff09 <\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0<\/b><\/p>\n

12\/21(Sat)<\/b>\u3000<\/b>19:00-20:50<\/b><\/span><\/p>\n

\u3010\u65e5\u5e38\u7570\u5e38\uff1a\u5f71\u50cf\u4e2d\u73fe\u5be6\u751f\u5b58\u611f\u53d7\u7684\u7570\u6a23\u548c\u6279\u5224\u6027\u8868\u9054\u3011<\/b><\/span><\/b><\/span><\/p>\n

\u5c08\u984c\u7b56\u5283\uff1a\u5f35\u6d77\u6fe4<\/b><\/span><\/p>\n

\u5e73\u6de1\u751f\u6d3b\u3001\u500b\u4eba\u5316\u3001\u7269\u617e\u3001\u4e0d\u6b63\u5e38\u3001\u6096\u8ad6\u3001\u90fd\u5e02\u5316\u3001\u4f11\u9592\u3001\u6d88\u8cbb\u3001\u502b\u7406\u3001\u6642\u7a7a\u3001\u9053\u5fb7\u3001\u4ecb\u5165\u73fe\u5be6\u3001\u826f\u77e5\u3001\u8cac\u4efb\u3001\u60c5\u611f\u3001\u6642\u4ee3\u611f\u3002\u65e5\u5e38\u751f\u6d3b\u8207\u7576\u4e0b\u4eba\u7fa4\u806f\u7e6b\u6700\u7dca\u5bc6\uff0c\u6211\u5011\u7684\u65e5\u5e38\u751f\u6d3b\u8d8a\u4f86\u8d8a\u500b\u6027\u5316\uff0c\u6210\u9577\u65bc\u6539\u9769\u958b\u653e\u5f8c\u7684\u751f\u5b58\u74b0\u5883\uff0c\u7269\u8cea\u751f\u6d3b\u8d8a\u4f86\u8d8a\u8c50\u5bcc\uff0c\u5728\u8ffd\u6c42\u548c\u6eff\u8db3\u4e0d\u65b7\u8b8a\u5316\u7684\u7269\u8cea\u751f\u6d3b\u7684\u540c\u6642\uff0c\u617e\u671b\u8d8a\u4f86\u8d8a\u5f37\u70c8\u3002\u65e5\u5e38\u751f\u6d3b\u4e5f\u6703\u51fa\u73fe\u7570\u5e38\uff0c\u51fa\u73fe\u5f88\u591a\u65b0\u7684\u793e\u6703\u73fe\u8c61\uff1a\u5982\u3001\u6578\u4f4d\u60c5\u611f\u6c3e\u6feb\u3001\u65b0\u7684\u502b\u7406\u3001\u4e01\u514b\u5bb6\u5ead\u3001\u6708\u5149\u65cf\u3001\u5a1b\u6a02\u4e00\u4ee3\u3001\u4eba\u5de5\u793e\u6703\u3001\u4e00\u591c\u60c5\u7b49\u7b49\uff0c\u5fc3\u7406\u4e0a\u4e5f\u6703\u51fa\u73fe\u5404\u7a2e\u7570\u5e38\u3002<\/span><\/p>\n

Abnormalities of Common Place : Unusual interpretation and criticism of realities in films<\/b><\/span><\/p>\n

Designated Topic Curator: Zhang Haitao<\/b><\/span><\/p>\n

Bland daily life, individualization, materialism, abnormality, paradox, urbanization, leisure, consumerism, ethics, time-space, morals, interference with reality, good sense, responsibility, emotions, contemporary people are most closely connected with daily life. After the economic reform, our daily life has become more individualized, materialistic and full of wants as the chase for ever-changing materialistic life continues.<\/span><\/p>\n

\u61f8\u57ce Concrete Heaven<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u9673\u93f9 Cheng Qiang\uff0f25min\uff0f16:9\u3000NO. 2012<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u8cc0\u6771\u6615 He Dongxin\uff0f3min\uff0f16:9\u3000\u6697\u75beWarning<\/span>\uff0f\u5c0e\u6f14 Director\u674e\u9686 Lee Long\uff0f6min\uff0f16:9\u3000\u5e78\u798f\u751f\u6d3b\u7684\u958b\u59cbThe Beginning of Beautiful Life<\/span>\uff0f\u5c0e\u6f14 Director\uff1a \u8a31\u6167\u6676 Xu Huijing\uff0f4min\uff0f4:3\u3000\u5922\u4e4b\u5922 Dream in Dream<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5f90\u96c4 Xu Xiong\uff0f8min\uff0f16:9\u3000\u57ce\u5e02\u5c0e\u8ad6 City Introduction<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u738b\u5c55 Wang Zhan\uff0f6min\uff0f16:9\u3000\u5c0f\u672c\u672c\u5927\u6230\u8a18 The Wars of Little Note<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u738b\u65ed\u9f8dWang Xulong & \u8b1d\u7b71\u79b9 Xie Xiaoyu\uff0f7min\uff0f16:9\u3000\u98e2\u9913\u75c7 Offline<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u694a\u8fea Yang Di\uff0f16min\uff0f16:9\u3000\u6211\u7a7f\u8d8a\u6642\u7a7a\u70ba\u4e86\u518d\u6b21\u9047\u898b\u4f60 I Travel Through Time to Meet You Again<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u694a\u6b63\u5e06 Yang Zhengfan\uff0f6min\uff0f16:9\u3000\u964c\u751f\u7684\u5bb6 Strange Home<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5468\u98db Zhou Fei\uff0f16min\uff0f16:9\u3000\u77ed\u8a9e\u70ba\u751f Short Sentence, Making a Living<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5f35\u654f\u6377 Zhang Minjie\uff0f20min\uff0f4:3<\/span><\/p>\n

\uff08*\u672c\u55ae\u5143\u5171\u670911\u90e8\u4f5c\u54c1 \uff09 <\/span><\/p>\n

\u00a0<\/b><\/p>\n

12\/21(Sat)<\/b>\u3000<\/b>21:00-23:00<\/b><\/span>\u3000<\/b><\/span><\/p>\n

\u3010\u751f\u547d\u5bd3\u8a00\uff1a\u666e\u4e16\u3001\u6c38\u6046\u3001\u7d93\u5178\u548c\u7d42\u6975\u751f\u547d\u50f9\u503c\u7684\u5f71\u50cf\u518d\u601d\u8003\u3011<\/b><\/span><\/b><\/span><\/p>\n

\u5c08\u984c\u7b56\u5283\uff1a <\/b>\u5f35\u6d77\u6fe4<\/b><\/span><\/p>\n

\u8d85\u73fe\u5be6\u3001\u6f5b\u610f\u8b58\u3001\u5922\u5e7b\u3001\u602a\u8a95\u3001\u5f62\u800c\u4e0a\u3001\u975c\u6b62\u3001\u5bd3\u8a00\u3001\u9053\u7406\u3001\u4e0d\u76f8\u5e72\u3001\u6c38\u6046\u3001\u7d93\u5178\u8f49\u63db\u3001\u7d42\u6975\u751f\u547d\u50f9\u503c\u3001\u964c\u751f\u611f\u85dd\u8853\u7684\u7576\u4ee3\u6027\u9664\u4e86\u8868\u9054\u7576\u4e0b\u4eba\u7684\u751f\u5b58\u611f\u53d7\uff0c\u9084\u6703\u628a\u7576\u4e0b\u7684\u751f\u5b58\u611f\u53d7\u8207\u6c38\u6046\u7684\u5bd3\u8a00\u5ac1\u63a5\uff0c\u7d66\u6211\u5011\u65b0\u7684\u555f\u793a\u3002\u5728\u8868\u73fe\u9019\u4e9b\u5bd3\u8a00\u6642\u591a\u63a1\u7528\u8d85\u73fe\u5be6\u7684\u624b\u6cd5\uff0c\u8b93\u964c\u751f\u7684\u300c\u4e16\u754c\u300d\u7522\u751f\u5f37\u70c8\u7684\u8c61\u5fb5\uff0c\u9019\u4e9b\u4e0d\u76f8\u5e72\u7684\u756b\u9762\u8207\u4e8b\u7269\u6df7\u96dc\u51fa\u6f5b\u610f\u8b58\uff0c\u4f5c\u54c1\u7522\u751f\u7684\u5922\u5e7b\u3001\u602a\u8a95\u3001\u975c\u6b62\u3001\u795e\u79d8\u611f\u4f86\u7d66\u6211\u5011\u8ff0\u8aaa\u751f\u5b58\u7684\u9053\u7406\uff0c\u4e5f\u662f\u5c07\u6c38\u6046\u54f2\u7406\u7684\u7576\u4ee3\u5316\u8f49\u63db\u3002<\/span><\/p>\n

Morals from Life : Rethinking universality, eternity and classics using films<\/b><\/span><\/p>\n

Designated Topic Curator: Haitao Zhang<\/b><\/span><\/p>\n

Superrealism, subconsciousness, fairytale, fantasy, metaphysics, stillness, metaphor, reasons, disengagement, eternity, transformation of classics, ultimate value of existence, otherworldliness The modernity of arts, apart from expressing the feelings of existence at the present, also combine these feelings with the everlasting fables for enlightenment. The modernization of the philosophy in many fables is also about symbolizing the strange worlds with superrealistic expressions, and embodying the arts with fairytales, fantasies, quiescence and mysteries to evoke the subconsciousness.<\/span><\/p>\n

\u5c0b\u627e\u9ed1\u5deb\u5e2b Seeking the Dark Wizard<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5305\u5efa Bao Jian<\/span>\uff0f14min\uff0f16:9\u3000\u6642\u9593\u662f\u773e\u751f\u666e\u6e21\u7684\u50e7\u4fb6 The Absent Time<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u9127\u5c1a Deng Shang\uff0f17min\uff0f16:9\u3000\u56de Hui<\/span>\uff0f\u5c0e\u6f14Director\uff1a\u65b9\u660a Fang Hao\uff0f5min\uff0f4:3\u3000\u878d\u8cab\u7684\u5e73\u9762\uff0e\u5343\u5ea7\u9ad8\u539f Plan de Consistence, Mille Plateaus<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u9ec3\u601d\u7a4e Huang Siying\uff0f6min\uff0f16:9\u3000\uff11\/\uff14<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5b6b\u7995\u7ae5 Sun Yitong\uff0f6min\uff0f16:9\u3000\u96de\u5148\u751f Mr. Cock<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u8a31\u6210 Zhu Chang\uff0f13min\uff0f16:9\u3000\u6696\u6d41 Warm Current<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u6613\u9023 Yi Lian\uff0f9min\uff0f16:9\u3000\u7fe0\u7f85\u5f4c\u8afe\u6d6e\u5f7c\u4e9e\u2160 Philomirrophobia I<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u923a\u67ef Yu Ke\uff0f24min\uff0f16:9\u3000\u5f9e\u5927\u7206\u70b8\u90a3\u523b\u8d77\u6211\u5011\u5f9e\u672a\u505c\u6b62\u904e\u9060\u96e2 From the Big Bang that Moment We Never Stop Leaving Far Away<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u8d99\u57df Zhao Yu\uff0f27min\uff0f16:9<\/span><\/p>\n

\uff08*\u672c\u55ae\u5143\u5171\u67099\u90e8\u4f5c\u54c1 \uff09<\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0<\/b><\/p>\n

12\/21(Sat)-12\/22(Sun)\u00a0 24:00 – 07:00 \u00a0 \u00a0<\/b><\/span>\u00a0 (*<\/b>\u672c\u55ae\u5143\u70ba\u8de8\u591c\u5834\u6b21<\/b>)<\/span><\/span><\/p>\n

\u3010<\/b>\u66d6\u6627\u7a7a\u9593\uff1a\u5be6\u9a57\u5287\u60c5\u7684\u4e0d\u78ba\u5b9a\u6027\u8868\u9054\u3011<\/b><\/span><\/p>\n

\u5c08\u984c\u7b56\u5283\uff1a \u5f35\u6d77\u6fe4<\/span><\/p>\n

\u9019\u4e00\u7bc4\u7587\u5177\u6709\u591a\u91cd\u884d\u751f\u6027\u542b\u7fa9\uff0c\u8af8\u5982\uff1a\u6a21\u7cca\u6027\u3001\u9593\u65b7\u6027\u3001\u82e5\u8fd1\u82e5\u96e2\u3001\u6563\u6f2b\u6027\u3001\u591a\u5143\u6027\u7b49\u7b49\u3002\u8c61\u5fb5\u300c\u66d6\u6627\u300d\u7684\u85dd\u8853\u4f5c\u54c1\u5728\u50b3\u7d71\u610f\u7fa9\u4e0a\u7684\u4e3b\u984c\u6027\u88ab\u6d88\u89e3\uff0c\u63d0\u4f9b\u66f4\u591a\u8996\u89ba\u4e0a\u7684\u4e0d\u78ba\u5b9a\u548c\u65b0\u89c0\u5ff5\u7684\u53ef\u80fd\u6027\uff0c\u6642\u5e38\u5728\u4e00\u90e8\u7247\u5b50\u4e2d\u4ee5\u591a\u7126\u9ede\u7684\u96b1\u5f62\u8108\u7d61\u8cab\u7a7f\uff0c\u6700\u7d42\u6574\u9ad4\u50b3\u9054\u601d\u60f3\u548c\u60c5\u611f\u3002\u540c\u4e00\u4ef6\u4f5c\u54c1\u5448\u73fe\u51fa\u8a9e\u8a00\u8207\u8a9e\u8a00\u3001\u5167\u5bb9\u8207\u5167\u5bb9\uff0c\u751a\u81f3\u8a9e\u8a00\u8207\u5167\u5bb9\u4e0d\u4e00\u81f4\u3001\u66d6\u6627\u4ea4\u932f\uff0c\u9019\u500b\u985e\u578b\u7684\u5f71\u7247\u4e3b\u8981\u5728\u5be6\u9a57\u5287\u60c5\u9577\u7bc7\u55ae\u5143\u88e1\u6709\u6240\u9ad4\u73fe\u3002\u5be6\u9a57\u7d00\u9304\u548c\u5be6\u9a57\u5287\u60c5\u5373\u50be\u5411\u65bc\u5c07\u6558\u4e8b\u4e2d\u878d\u5165\u6a38\u5be6\u7684\u89c0\u5ff5\uff0c\u53c8\u907f\u958b\u4e86\u72f9\u7fa9\u7684\u89c0\u5ff5\u85dd\u8853\u7684\u6982\u5ff5\u5316\u3001\u7f3a\u5c11\u60c5\u611f\u3001\u7d30\u7bc0\u8207\u611f\u6027\u7684\u7279\u5fb5\uff0c\u7d66\u89c0\u8005\u4ee5\u65b0\u7684\u8996\u89d2\u8a8d\u77e5\u73fe\u5be6\u3002\u9019\u985e\u5f71\u7247\u5728\u8a9e\u8a00\u6a38\u7d20\u7684\u57fa\u790e\u4e0a\u5f37\u5316\u4e86\u5f71\u50cf\u7d50\u69cb\u548c\u5834\u666f\u5167\u5bb9\u7684\u7570\u5316\u7279\u5fb5\uff0c\u9019\u4e5f\u662f\u672a\u4f86\u7684\u4e00\u500b\u65b9\u5411\u3002<\/span><\/p>\n

Ambiguity through Time-Space : The uncertain expressions in experimental films<\/b><\/span><\/p>\n

Designated Topic Curator: Zhang Haitao<\/b><\/span><\/p>\n

This area has multiple and extended definitions, such as: vagueness, discontinuity, tentativeness, discursiveness, diversity, etc. The artworks that are \u201cambiguous\u201d do not have firm themes in the traditional sense; instead, they provide more visual uncertainties and possibilities of forming new concepts. The inner values are often underlying currents that would only reveal the key ideas if viewed as a whole. In the same piece, there will be inconsistencies among wordings, contents, or both.<\/span><\/p>\n

\u5730\u5c641\uff1a\u4f86\u5ba2 Stratum 1: The Visitors<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u53e2\u5cf0Cong Feng\uff0f71min\uff0f16:9\u3000\u96b1\u8eab\u4eba\u5df4\u7279\u723e\u6bd4\u5230\u71c8\u5854\u53bbAn Invisible Man in Lighthouse<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u53f2\u5ee3\u667a Shi Guangzhi\uff0f61min\uff0f16:9\u3000\u7389\u9580 Yu Men<\/span>\uff0f\u5c0e\u6f14Director\uff1a\u53f2\u6770\u9d6c Zi Jaypong\uff0c\u9ec3\u9999 Huang Cheng\uff0c\u5f90\u82e5\u6fe4 Xu Ruotao\uff0f63min\uff0f4:3\u3000\u722c\u5c71\u5c0f\u8aaa Climbing fiction<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u70cf\u9752 Wu Qing\uff0f69min\uff0f16:9\u3000\u611f\u60c5\u52d5\u7269 Sentimental Animal<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u6b66\u6b0a Wu Quan\uff0f108min\uff0f16:9\u3000\u62c6\u7dda Broken Line<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5f90\u82e5\u6fe4 Xu Ruotao & \u859b\u5229 Xue Li\uff0f49min\uff0f16:9<\/span><\/p>\n

\uff08*\u672c\u55ae\u5143\u5171\u67096\u90e8\u4f5c\u54c1 \uff09 <\/span><\/p>\n

\u00a0<\/b><\/p>\n

\u00a0<\/b><\/span>12\/22(Sun)\u00a0 13:00-14:15<\/span><\/b><\/span><\/p>\n

\u3010\u7576\u4ee3\u793e\u6703\u4eba\u7fa4\u7684\u7cbe\u795e\u5e7b\u666f\u2014\u6c88\u671d\u65b9\u7684\u6df7\u5408\u7f8e\u5b78\u4e16\u754c\u3011<\/b><\/span><\/b><\/span><\/b><\/span><\/p>\n

\u5c08\u984c\u7b56\u5283\uff1a\u66f9\u6137<\/b><\/span><\/p>\n

\u6c88\u671d\u65b9\u7684\u5f71\u50cf\u4f5c\u54c1\u53cd\u6620\u4e86\u4e00\u500b\u751f\u5b58\u666f\u89c0\u8207\u5e7b\u8c61\u7684\u6046\u4e45\u4e3b\u984c\u2014\u8f1d\u714c\u8207\u5e7b\u6ec5\u3001\u5802\u7687\u8207\u843d\u5bde\u7684\u4ea4\u878d\uff0c\u5176\u5f71\u50cf\u4e0d\u662f\u5c0d\u73fe\u5be6\u7684\u76f4\u89c0\u53cd\u6620\uff0c\u800c\u662f\u5448\u73fe\u793e\u6703\u751f\u5b58\u8207\u5fc3\u7406\u5e7b\u8c61\u7684\u7cfe\u7e8f\uff0c\u800c\u9019\u7a2e\u4ea6\u771f\u4ea6\u5e7b\u7684\u666f\u8c61\u537b\u66f4\u5177\u6709\u61fe\u4eba\u5fc3\u9b44\u7684\u529b\u91cf\uff1b\u85dd\u8853\u5f62\u5f0f\u4e0a\uff0c\u6c88\u671d\u65b9\u523b\u610f\u4f7f\u7528\u50b3\u7d71\u7684\u5143\u7d20\uff0c\u4e26\u5c07\u5176\u73fe\u4ee3\u5316\u3002\u83ef\u9e97\u7684\u50b3\u7d71\u878d\u5408\u4e0d\u5354\u8abf\u7684\u73fe\u4ee3\u5143\u7d20\uff0c\u53e4\u4eca\u4ea4\u932f\u3001\u73fe\u5be6\u8207\u5c71\u5be8\u6df7\u5408\uff0c\u6b63\u662f\u6211\u5011\u9019\u500b\u98db\u901f\u904b\u884c\u537b\u5931\u53bb\u65b9\u5411\u7684\u793e\u6703\u7684\u9bae\u660e\u5beb\u7167\u3002\u6c88\u671d\u65b9\u7684\u4f5c\u54c1\u4ee5\u6b64\u69cb\u6210\u4e86\u4e00\u7a2e\u96c6\u5178\u96c5\u3001\u6dd2\u53b2\u3001\u6df7\u642d\u3001\u865b\u5e7b\u65bc\u4e00\u9ad4\u7684\u7f8e\u5b78\u7bc4\u5f0f\u3002<\/span><\/p>\n

Psychological Illusion of People in Contemporary Society: Shen Chaofang\u2019s Hybrid Aesthetic World<\/b><\/span><\/p>\n

Designated Topic Curator: Cao Kai<\/b><\/span><\/p>\n

Shen Chaofang\u2019s video works express an eternal theme of existence and illusion \u2013 the convergence of splendor and disillusion, grandeur and desolation. Shen Chaofang\u2019s works aren\u2019t a direct representation of the real world. Instead, he presents a psychological world of existence and disillusion, whose images are more powerful and intense. What Shen Chaofang tries to capture is the feeling of existence in a modern society, however, in artistic forms, he intentionally incorporates traditional elements in his works. He takes tradition into consideration of modernity. The contrast and tension between glamorous traditional forms and disharmonious modern elements, inevitably, intensifies the absurdity of the setting. The hybrid of past and present, reality and illusion, as such, is a characteristic of the aimless fast-paced society we are now in. Based on it, Shen Chaofang\u2019s works delivers a new mode of aesthetics \u2013 an integration of elegance, desolation, hybridity and illusion.<\/span><\/p>\n

\u5bae\u6a02\u5716 Framed<\/span>\uff0f38min\u00a0 \u8292\u7a2e Grain in Ear<\/span>\uff0f11min\u00a0 \u7159\u9727\u8b93\u5929\u7a7a\u8b8a\u7684\u5982\u6b64\u7f8e\u9e97 Beauty from Dust<\/span>\uff0f7min\u00a0 \u91d1\u69cd\u9b5a\u7684\u5473\u9053 In the Mood for Nostalgia<\/span>\uff0f4min\u00a0 \u5927\u5de7\u82e5\u62d9Zhuozhuo<\/span>\uff0f4min<\/span><\/p>\n

\uff08*\u672c\u55ae\u5143\u5171\u67095\u90e8\u4f5c\u54c1 \uff09<\/span><\/p>\n

\u00a0 \u00a0 \u00a0\u00a0<\/b><\/p>\n

12\/22(Sun)<\/b>\u3000<\/b>16:00-17:50<\/b><\/span><\/p>\n

\u3010\u7576\u4ee3\u85dd\u8853\u601d\u7dad\u4e2d\u7684\u65b0\u96fb\u5f71\u3011<\/b><\/span><\/b><\/span><\/p>\n

\u5c08\u984c\u7b56\u5283\uff1a\u6c88\u671d\u65b9<\/b><\/span><\/p>\n

2000\u5e74\u5f8c\u4e2d\u570b\u958b\u59cb\u51fa\u73fe\u8de8\u754c\u7576\u4ee3\u85dd\u8853\u548c\u5be6\u9a57\u96fb\u5f71\u5275\u4f5c\u7684\u5c0e\u6f14\uff0c\u4ed6\u5011\u5229\u7528\u96fb\u5f71\u7684\u8996\u807d\u8a9e\u8a00\u3001\u54f2\u5b78\u601d\u60f3\u3001\u73fe\u4ee3\u6b77\u53f2\u3001\u7576\u4ee3\u85dd\u8853\u601d\u7dad\uff0c\u901a\u904e\u6700\u65b0\u7684\u79d1\u6280\u76f4\u63a5\u6216\u9593\u63a5\u7684\u8868\u9054\u653f\u6cbb\u554f\u984c\uff0c\u4e26\u4ee5\u96fb\u5f71\u6216\u5f71\u50cf\u4f5c\u70ba\u5a92\u4ecb\u63a2\u7d22\u85dd\u8853\u65b0\u7684\u53ef\u80fd\u3002\u4ed6\u5011\u7684\u4f5c\u54c1\u51f8\u986f\u7368\u7279\u7f8e\u5b78\uff0c\u4ee5\u5f71\u50cf\u3001\u651d\u5f71\u3001\u96fb\u5f71\u5c0d\u6297\u8150\u673d\u7684\u4e3b\u6d41\u5e02\u5834\u548c\u5b98\u65b9\u610f\u8b58\u5f62\u614b\uff0c\u4ed6\u5011\u200b\u200b\u5373\u4e0d\u662f\u5177\u6709\u7968\u623f\u7684\u96fb\u5f71\u5c0e\u6f14\uff0c\u4e5f\u4e0d\u662f\u85dd\u8853\u62cd\u8ce3\u5e02\u5834\u7684\u5bf5\u5152\uff0c\u4f46\u4ed6\u5011\u662f\u5728\u5df2\u6709\u7684\u9053\u8def\u4e2d\u53e6\u95e2\u9014\u5f91\u7684\u63a2\u7d22\u8005\uff0c\u4e5f\u662f\u5728\u5404\u500b\u9818\u57df\u7684\u9ad8\u5cf0\uff0c\u4ed6\u5011\u7684\u85dd\u8853\u6563\u767c\u8457\u7368\u7279\u7684\u9b45\u529b\uff0c\u9019\u662f\u4ed6\u5011\u5f15\u8d77\u91cd\u8996\u7684\u539f\u56e0\u3002<\/span><\/p>\n

New Film In Contemporary Artistic Thoughts <\/b><\/span><\/p>\n

Designated Topic Curator: Shen Chaofang<\/b><\/span><\/p>\n

Directors have emerged to ride across modern art and experimental film making since the beginning of the noughties. They either consciously or subconsciously adopt audio-visual languages, philosophical thoughts, modern history, thoughts in contemporary art of film and the latest information technologies to voice on political issues either directly or indirectly, and in the process explore new possibilities of art via the media of film or images. Aesthetic qualities to their works are unique: they confront rotten mainstream markets and the official ideology with images, photography and films; they are not directors to make box office hits, nor are they favorites at auctions; but they are indeed explorers who look for alternative routes. They stand at on the peaks of their fields, with their art illuminating their distinctive charms, and that is the reason for the due attention they now receive.<\/span><\/p>\n

\u5f8c\u623f\uff0c\u563f\uff0c\u5929\u4eae\u4e86\uff01 Backyard, Hey! The Sun Is Rising<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u694a\u798f\u6771 Yang Fudong\uff0f13min\uff0f4:3\u00a0 \u5927\u6a4b Great Bridge<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u9ad8\u4e16\u5f37 Gao Shiqiang\uff0f28min\uff0f16:9\u00a0 \u72d7 Rabid Dog<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u66f9\u6590 Cao Fei\uff0f9min\uff0f4:3\u00a0 My Heart Laid Bare<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5468\u4f9d Yi Zhou\uff0f7min\uff0f16:9\u00a0 \u61a4\u6012\u91d1\u525b\u6838Wrathful King Kong Core<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u9678\u63da Lu Yang\uff0f15min\uff0f16:9\u00a0 \u6253\u5973\u50ad\u5c41\u80a12 \u00a0Spanking the Maid II<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u9673\u8ef8 Chen Zhou\uff0f16min\uff0f16:9\u00a0 \u4e3c\u4e3c\u8154 Dong Dong Qiang<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5b8b\u6885 Song Mei\uff0f4min\uff0f4:3\u00a0 Lost<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5316\u9d6c Hua Peng\uff0f5min\uff0f4:3\u00a0 \u5efa\u9020\u7530\u5712 Construire La Vie Idyllique<\/span>\uff0f\u5c0e\u6f14Director\uff1a\u738b\u9b6fWang Lu\uff0f4min\uff0f16:9\u00a0 Transition<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5289\u66c9\u5b87 Liu Xiaoyu\uff0f2min\uff0f4:3\u00a0 \u6d77 Sea<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5b5f\u7965\u9f8d Meng Xianglong\uff0f5min\uff0f16:9\u00a0 \u5149\u5708\u7684\u8a18\u61b6 The Aperture of the Memory<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5289\u4e39\u59dd Liu Danshu\uff0f4min\uff0f16:9\u3000\u9752\uff0e\u9396 The Brachioradialis Lock<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5f35\u666f\u6db5 Vrah Zhang\uff0f3min\uff0f16:9\u3000\u53c8\u4e00\u9663\u6625\u98a8\u4f86\u8972 Coming Another Gust of Breeze<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u8881\u8f1d Yuan Hui\uff0f6min\uff0f16:9\u3000\u4e00\u65e5\u4e4b\u8a08Daily Plan<\/span>\uff0f\u5c0e\u6f14Director\uff1a\u5bc7\u8def\u967d Kou Luyang\uff0f2min\uff0f4:3\u3000\u9a5a\u5922 Peony Pavilion<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5289\u6bc5Liu Yi\uff0f2min\uff0f16:9<\/span><\/p>\n

\uff08*\u672c\u55ae\u5143\u5171\u670916\u90e8\u4f5c\u54c1 \uff09 <\/span><\/p>\n

\u00a0<\/b><\/span>\u00a0<\/b><\/span><\/p>\n

12\/22(Sun)<\/b>\u3000<\/b>18:00-20:30<\/b><\/span>\u3000<\/b><\/span><\/p>\n

\u3010\u5f9e\u8a18\u9304\u5230\u89c0\u5ff5\u3011<\/b><\/span><\/b><\/span><\/p>\n

\u5c08\u984c\u7b56\u5283\uff1a\u6c88\u671d\u65b9<\/b><\/span><\/p>\n

\u4e16\u754c\u91cd\u8981\u7684\u6587\u737b\u5c55\u958b\u59cb\u95dc\u6ce8\u4e2d\u570b\u7684\u65b0\u5a92\u9ad4\u85dd\u8853\uff0c\u85dd\u8853\u5bb6\u6c6a\u5efa\u5049\u548c\u99ae\u5922\u6ce2\u7684\u65b0\u5a92\u9ad4\u4f5c\u54c1\u61c9\u9080\u53c3\u52a0\u4e86\u7b2c\u5341\u5c46\u5361\u585e\u723e\u6587\u737b\u5c55\uff0c\u6b21\u5e74\uff0c\u6c6a\u5efa\u5049\u548c\u5b8b\u51ac\u53c3\u52a0\u767d\u5357\u6e96\u7b56\u5283\u5149\u5dde\u300c\u4fe1\u606f\u300d\u96d9\u5e74\u5c55\u3002\u9019\u4f5c\u70ba\u4e2d\u570b\u7b2c\u4e00\u500b\u5f71\u50cf\u7684\u968e\u6bb5\uff0c\u4f34\u96a8\u8457\u5f9e\u7d00\u9304\u5230\u89c0\u5ff5\u7684\u5ef6\u4f38\uff0c\u6700\u7d42\u7372\u5f97\u570b\u969b\u6027\u6536\u7a6b\uff0c\u4e5f\u662f\u4e2d\u570b\u9304\u50cf\u767c\u5c55\u7684\u7b2c\u4e00\u968e\u6bb5\u3002\u9019\u689d\u8108\u7d61\u5ef6\u7e8c\u81f3\u4eca\uff0c\u73fe\u5834\u5beb\u751f\u7cfb\u5217\u5f71\u50cf\u4f5c\u54c1\u591a\u6d89\u53ca\u793e\u6703\u5b78\u548c\u73fe\u5be6\u7d00\u9304\u7684\u5c64\u9762\u3002\u5433\u9054\u65b0\u7684\u300a\u9577\u57ce\u8a08\u5283\u300b\u5373\u662f\u52d5\u7528\u5927\u91cf\u4eba\u529b\u5728\u9577\u57ce\u7684\u73fe\u5834\u7f6e\u666f\u7684\u89c0\u5ff5\u651d\u5f71\uff0c\u53ca\u540c\u6b65\u62cd\u651d\u5be6\u65bd\u8a08\u5283\u7684\u9304\u5f71\u4f5c\u54c1\uff0c\u800c\u6b64\u7bc4\u7587\u4e2d\uff0c\u694a\u798f\u6771\u3001\u6211\u7684\u300a\u5bae\u6a02\u5716\u300b\u5be6\u9a57\u96fb\u5f71\u3001\u9ad8\u4e16\u5f37\u3001\u9ec3\u7136\u3001\u5468\u4f9d\u3001\u9673\u8ef8\u3001\u9678\u63da\u7b49\u4eba\u7684\u4f5c\u54c1\u4e5f\u662f\u901a\u904e\u96fb\u5f71\u7684\u8996\u807d\u548c\u7576\u4ee3\u85dd\u8853\u7684\u89c0\u5ff5\u601d\u7dad\u5411\u4e16\u754c\u8f38\u51fa\u4e2d\u570b\u7f8e\u5b78\u3002<\/span><\/p>\n

From the Record to The Concept<\/b><\/span><\/p>\n

Designated Topic Curator: Shen Chaofang<\/b><\/span><\/p>\n

The most important document exhibition started to pay attention to China’s new media art in September, 1997, when artists Wang Jianwei and Feng Mengbo’s new media artworks were on display in the Tenth Kassel Documenta. In the following year, the work of Wang Jianwei and Song Dong were on display in the Gwangju Information Biennale planned by Nam June Paik. This was the first stage of China’s image, featuring the development from record to concept and further towards international achievements. This was also the first stage of China’s video development. With the development of media and technology, the second stage of images features excellent visual and aural technologies, classic film techniques, and film aesthetics produced with high quality in the digital age, among which, such works as my experimental film Gong Le Tu and works by Gao Shiqiang, Huang Ran, Zhou Yi, Chen Zhou, Lu Yang all export Chinese aesthetics to the rest of the world through film’s visual and aural effects and the concepts of contemporary art.<\/span><\/p>\n

\u6c34\uff0d\u8fad\u6d77\u6a19\u6e96\u7248 WATER: Standard Version from the Dictionary Ci Hai<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5f35\u57f9\u529b Zhang Peili\uff0f10min\uff0f4:3\u3000\u70ba\u9b5a\u5858\u589e\u9ad8\u6c34\u4f4d To Raise the Water Level in a Fishpond<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5f35\u6d39 Zhang Huan\uff0f7min\uff0f4:3\u3000\u5fb5\u5146 Symptom<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u6c6a\u5efa\u5049 Wang Jianwei\uff0f32min\uff0f16:9\u3000\u58a8\u8c61 The Shape of Ink<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5289\u65ed\u5149 Liu Xuguang\uff0f2min\uff0f16:9\u3000\u56de\u6d41 Backflow<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u7ba1\u61f7\u8cd3 Guan Huaibin\uff0f9min\uff0f4:3\u30009 to10<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u674e\u4e00\u51e1 Li Yifan\uff0f8min\uff0f16:9\u3000\u5f69\u8272\u8ced\u5c40 Gambling Party<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u8096\u96c4 Xiao Xiong\uff0f4min\uff0f4:3\u3000\u9577\u57ce\u8a08\u5283Great Wall Project<\/span>\uff0f\u5c0e\u6f14Director\uff1a\u5433\u9054\u65b0Wu Daxin\uff0f6min\uff0f16:9\u3000\u8150\u673dRotten<\/span>\uff0f\u5c0e\u6f14Director\uff1a\u65b9\u7490 Fang Lu\uff0f18min\uff0f16:9\u3000\u4e52\u4e53 Ping-pong<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5f35\u6b21\u79b9 Zhang Ciyu\uff0f4min\uff0f16:9\u00a0 something is missing<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u6590\u9e97 Pei Li\uff0f7min\uff0f16:9\u3000\u6240\u6709\u8089\u9ad4\u90fd\u662f\u6709\u6094\u6068\u7684 All The Flesh Are With Remorse<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u738b\u601d\u9806 Wang Sishun\uff0f4min\uff0f16:9\u3000\u5dee\u4e0d\u591a\u5c31\u884c Almost on the Line<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u8cc8\u7fbd\u660eGnimuy Aij\uff0f6min\uff0f16:9\u3000\u5bb6\u6625\u79cb\u2014\u6211\u7684\u5916\u516c Family Album<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u8449\u752b\u7d0d Funa Ye\uff0f12min\uff0f4:3\u3000Dalle 2 alle 3 nel’autobus In bus, from 2 pm to 3 pm<\/span>\uff0f\u5c0e\u6f14Director\uff1a\u6b50\u967d\u6eaa\u82b8 Luna\uff0f4min\uff0f16:9\u3000\u66ab\u672a\u547d\u540d To Be Titled<\/span>\uff0f\u5c0e\u6f14 Director\uff1a\u5289\u6ce2 Liu Bo & \u674e\u90c1 Li Yu\uff0f6min\uff0f16:9<\/span><\/p>\n

\uff08*\u672c\u55ae\u5143\u5171\u670916\u90e8\u4f5c\u54c1\uff09<\/span><\/p>\n

\u00a0<\/b><\/span>\u00a0 \u00a0 \u00a0 \u00a0<\/b><\/p>\n

——<\/span><\/p>\n

EX!T \u00a0Talk \u00a0Series <\/b><\/span><\/p>\n

\u5730\u9edeVenue\uff1a\u726f\u5dba\u8857\u5c0f\u5287\u5834\u85dd\u6587\u7a7a\u9593GLT 2F Gallery<\/p>\n

\u5ea7\u8ac7\u6d3b\u52d5–\u514d\u8cbb\u5165\u5834Talk Series Free Admission<\/p>\n

12\/20(Fri)\u300019:00-19:30<\/span><\/p>\n

\u7b56\u5c55\u4eba\u8a9e<\/span><\/p>\n

\u66f9\u6137\uff1a\u95dc\u65bc\u7b2c\u56db\u5c46\u53f0\u7063\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55<\/span><\/p>\n

Curator\u2019s Talk: Cao Kai for EX!T 4<\/span><\/p>\n

12\/21(Sat)\u300017:00-18:00<\/span><\/p>\n

\u5f71\u50cf\u85dd\u8853\uff0d\u5169\u5cb8\u5be6\u9a57\u52d5\u756b\u5c0d\u8a71\u9304<\/span><\/p>\n

\u5c0d\u8ac7\u4eba\uff1a\u90b1\u9eef\u96c4(\u4e0a\u6d77)\u3001\u77f3\u660c\u6770<\/span><\/p>\n

Image Art: Cross-Strait\u00a0 Connections in Experimental Animation<\/span><\/p>\n

In Conversation: Qiu Anxiong & C. Jay Shih<\/span><\/p>\n

12\/22(Sun) 1430-16:00<\/span><\/p>\n

\u5728\u53f0\u5317\u770b\u4e9e\u6d32\uff0d\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u7684\u56de\u9867\u8207\u524d\u77bb<\/span><\/p>\n

Shooting Left Asia: Experimental Media Art in Retrospect and Prospect<\/span><\/p>\n

\u8207\u8ac7\u4ebaThe Panelists: \u66f9\u6137Cao Kai\u3001\u90b1\u9eef\u96c4Qiu Anxiong\u3001\u90ed\u662d\u862dGuo Jau-Lan \u3001\u5340\u79c0\u8a52Au Sow Yee\u3001\u5433\u4fca\u8f1dTony Chun-Hui Wu<\/span><\/p>\n

\u4e3b\u6301Moderator\uff1a\u59da\u7acb\u7fa4Lee-Chun Yao<\/span><\/p>\n

<\/h1>\n<\/div>\n
\n

——<\/span><\/p>\n

\u5834\u6b21\u8868Schedule<\/b><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n
\n

12\/20(Fri)<\/span><\/p>\n<\/td>\n

\n

12\/21(Sat)<\/span><\/p>\n<\/td>\n

\n

12\/22(Sun)<\/span><\/p>\n<\/td>\n<\/tr>\n

\u00a0<\/span><\/td>\n\n

13:00-14:20<\/span><\/p>\n

\u5c4f\u5e55\u7f8e\u5b78 – \u6578\u4f4d\u85dd\u8853\u5c0d\u4e16\u754c\u7684\u6e32\u67d3\u8207\u91cd\u5efa<\/span><\/p>\n

Screen Aesthetics Digital Art\u2019s : Rendering and reconstruction of the world<\/span><\/p>\n<\/td>\n

\n

13:00-14:15<\/span><\/p>\n

\u7576\u4ee3\u793e\u6703\u4eba\u7fa4\u7684\u7cbe\u795e\u5e7b\u666f\u2014\u6c88\u671d\u65b9\u7684\u6df7\u5408\u7f8e\u5b78\u4e16\u754cPsychological Illusion of People in Contemporary Society :Shen Chaofang\u2019s Hybrid Aesthetic World<\/span><\/p>\n<\/td>\n<\/tr>\n

\u00a0<\/span><\/td>\n\n

15:00-17:00<\/span><\/p>\n

\u9109\u6101\u6b21\u97fb\uff1a\u90b1\u9eef\u96c4\u5c08\u984c<\/span><\/p>\n

Nostalgia:Qiu Anxiong<\/span><\/p>\n<\/td>\n

\n

14:30-16:00<\/span><\/p>\n

\u5728\u53f0\u5317\u770b\u4e9e\u6d32\uff0d\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u7684\u56de\u9867\u8207\u524d\u77bb<\/span><\/p>\n

Panel Discussion<\/span><\/p>\n

Shooting Left Asia: Experimental Media Art in Retrospect and Prospect<\/span><\/p>\n<\/td>\n<\/tr>\n

\u00a0<\/span><\/td>\n\n

17:00-18:00<\/span><\/p>\n

\u90b1\u9eef\u96c4\u8207\u77f3\u660c\u6770\u5c0d\u8ac7<\/span><\/p>\n

\u6578\u4f4d\u85dd\u8853\uff0d\u5169\u5cb8\u5be6\u9a57\u52d5\u756b\u4ea4\u6d41<\/span><\/p>\n

Digital Art: Cross-Strait\u00a0 Connections in Experimental Animation<\/span><\/p>\n

In Conversation: C. Jay Shih & Qiu Anxiong<\/span><\/p>\n<\/td>\n

\n

16:00-17:50<\/span><\/p>\n

\u7576\u4ee3\u85dd\u8853\u601d\u7dad\u4e2d\u7684\u65b0\u96fb\u5f71<\/span><\/p>\n

New Film in Contemporary Artistic Thoughts<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span><\/p>\n<\/td>\n

\n

\u00a0<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

19:00 EX!T 4 \u958b\u5e55\u9152\u6703<\/span><\/p>\n

\u7b56\u5c55\u4eba\u8a9e<\/span><\/p>\n

\u66f9\u6137\uff1a\u95dc\u65bc\u7b2c\u56db\u5c46\u53f0\u7063\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55<\/span><\/p>\n

Curator\u2019s Talk: Cao Kai for EX!T 4<\/span><\/p>\n

\u00a0<\/span><\/p>\n<\/td>\n

\n

19:00-20:50<\/span><\/p>\n

\u65e5\u5e38\u7570\u5e38\uff1a\u5f71\u50cf\u4e2d\u73fe\u5be6\u751f\u5b58\u611f\u53d7\u7684\u7570\u6a23\u548c\u6279\u5224\u6027\u8868\u9054Abnormalities of Common Place : Unusual interpretation and criticism of realities in film<\/span><\/p>\n<\/td>\n

\n

18:00-20:30<\/span><\/p>\n

\u5f9e\u8a18\u9304\u5230\u89c0\u5ff5<\/span><\/p>\n

From the Record to the Concept<\/span><\/p>\n<\/td>\n<\/tr>\n

\n

20:00-21:20<\/span><\/p>\n

\u77e5\u8b58\u4efd\u5b50\uff1a\u694a\u798f\u6771\u5c08\u984c<\/span><\/p>\n

Intellectual: Yang Fudong<\/span><\/p>\n<\/td>\n

\n

21:00-23:00<\/span><\/p>\n

\u751f\u547d\u5bd3\u8a00\uff1a\u666e\u4e16\u3001\u6c38\u6046\u3001\u7d93\u5178\u548c\u7d42\u6975\u751f\u547d\u50f9\u503c\u7684\u5f71\u50cf\u518d\u601d\u8003Morals from Life : Rethinking universality, eternity and classics using film<\/span><\/p>\n<\/td>\n

\u00a0<\/span><\/td>\n<\/tr>\n
\n

21:45-23:15<\/span><\/p>\n

\u8a18\u61b6\u7269\u8c61\uff1a\u5f71\u50cf\u8a18\u61b6\u7684\u7576\u4ee3\u6027\u60c5\u611f\u8f49\u63dbObjects in Memory : Contemporary empathetic translation of visual memory<\/span><\/p>\n<\/td>\n

\n

24:00-07:00(\u9694\u65e5)<\/span><\/p>\n

\u66d6\u6627\u7a7a\u9593\uff1a\u5be6\u9a57\u5287\u60c5\u7684\u4e0d\u78ba\u5b9a\u6027\u8868\u9054Ambiguity through Time-Space : The uncertain expressions in experimental films(\u66d6\u6627\u8de8\u591c\u5834)<\/span><\/p>\n<\/td>\n

\u00a0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

——<\/span><\/p>\n

\u6d3b\u52d5\u6642\u9593Date<\/span><\/p>\n

12\/20\uff08\u9031\u4e94Fri\uff09\u201312\/22\uff08\u9031\u65e5Sun\uff09<\/span><\/p>\n

\u6d3b\u52d5\u5730\u9edeVenue<\/span><\/p>\n

\u726f\u5dba\u8857\u5c0f\u5287\u5834\u85dd\u6587\u7a7a\u9593GLT 2F Gallery<\/span><\/p>\n

\u53f0\u5317\u5e02\u726f\u5dba\u8857\u4e94\u5df72\u865f No.2, LN. 5, Guling Street., Taipei City, Taiwan<\/span><\/p>\n

——<\/span><\/p>\n

\u55ae\u5834\u7968\u50f9Ticket\uff1aNT$ 150<\/span><\/p>\n

– \u726f\u5dba\u8857\u5c0f\u5287\u5834\u6703\u54e1\uff1a5\u6298 \/ GLT Membership\uff0d50% off<\/span><\/p>\n

– \u7368\u4eab\u7121\u963b\u901a\u884c\u7968All Passes ticket\uff1aNT$ 600\u5143 (\u9650\u91cf20\u7d44Limited 20 sets)<\/span><\/p>\n

– \u4efb\u90785\u5f355 Pack\uff1aNT$500\u5143<\/span><\/p>\n

– \u4efb\u90782\u5f352 Pack\uff1aNT$250\u5143<\/span><\/p>\n

\u6d3d\u5169\u5ef3\u9662\u552e\u7968\u7cfb\u7d71\u00a0For purchases:<\/strong><\/span><\/p>\n

\u00a0http:\/\/goo.gl\/1Bv2zR<\/span><\/a><\/strong><\/span><\/p>\n

——<\/span><\/p>\n

EX!T 4\u5718\u968aStaff<\/span><\/p>\n

\u85dd\u8853\u7e3d\u76e3Artistic Director\uff1a\u5433\u4fca\u8f1dTony Chun-Hui Wu<\/span><\/p>\n

\u7b56\u5c55\u4ebaCurator\uff1a\u59da\u7acb\u7fa4Lee-Chun Yao<\/span><\/p>\n

\u5171\u540c\u7b56\u5c55Co-Curator\uff1a\u66f9\u6137Cao Kai (\u5357\u4eacNanjing)\u3001EXIN\u7b56\u5c55\u7ec4Curatorial Team<\/span><\/p>\n

\u7279\u9080Special Guest\uff1a\u90b1\u9eef\u96c4Qiu Anxiong\uff08\u4e0a\u6d77Shanghai\uff09<\/span><\/p>\n

\u57f7\u884c\u88fd\u4f5cExecutive Producer\uff1a\u9ec3\u9f0e\u921eHuang,Ting-Chun\u3001\u738b\u6c38\u5b8fWang,Yung-Hung<\/span><\/p>\n

\u6280\u8853\u7d71\u7c4cTechnical Cooperator\uff1a\u6797\u80b2\u5168Lin, Yu-Quan<\/span><\/p>\n

\u6587\u5ba3\u7f8e\u8853Grapic Design\uff1a\u5f35\u5584\u5b78 Chang, San-Hsueh<\/span><\/p>\n

\u7968\u52d9Box Office<\/strong>\uff1a\u9673\u6631\u541bChen,Yu-Chun<\/span><\/p>\n

\u4e3b\u8fa6Host\uff1a\u8eab\u9ad4\u6c23\u8c61\u9928Body Phase Studio<\/span><\/p>\n

\u5408\u8fa6Organizers\uff1aEXIN\u4e9e\u6d32\u5be6\u9a57\u96fb\u5f71\u8207\u9304\u50cf\u85dd\u8853\u8ad6\u58c7\u3001CIFF\u4e2d\u570b\u7368\u7acb\u5f71\u50cf\u5e74\u5ea6\u5c55\uff08\u5357\u4eacNanjing\uff09<\/span><\/p>\n

\u5354\u8fa6Co-Organizer\uff1a\u726f\u5dba\u8857\u5c0f\u5287\u5834<\/span><\/p>\n

\u6307\u5c0eSponsors\uff1a\u6587\u5316\u90e8\u3001\u53f0\u5317\u5e02\u6587\u5316\u5c40<\/span><\/p>\n

——<\/span><\/p>\n

http: \/\/www.facebook.com\/GLTAGT<\/span><\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

EX!T 4 \u00a0 \u7b2c\u56db\u5c46\u53f0\u7063\u570b\u969b\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55 \u00a0 \u5728\u5de6\u908a\u7684\u4e9e\u6d32 – \u5357\u4eac \u4f86\u81ea\u4e2d\u570b\u7684\u5341\u7d44\u5c08\u984c \u5927 […]<\/p>\n","protected":false},"author":4,"featured_media":3710,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[210,40,20,7,39,17],"tags":[],"class_list":["post-3709","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dec","category-40","category-schedule","category-glt_program","category-39","category-programs"],"_links":{"self":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/3709","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3709"}],"version-history":[{"count":18,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/3709\/revisions"}],"predecessor-version":[{"id":8350,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/3709\/revisions\/8350"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/media\/3710"}],"wp:attachment":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3709"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}