{"id":13576,"date":"2025-11-22T19:13:47","date_gmt":"2025-11-22T11:13:47","guid":{"rendered":"https:\/\/www.glt.org.tw\/?p=13576"},"modified":"2025-11-22T19:13:47","modified_gmt":"2025-11-22T11:13:47","slug":"ext-15-%e7%ac%ac%e5%8d%81%e4%ba%94%e5%b1%86%e5%8f%b0%e7%81%a3%e5%9c%8b%e9%9a%9b%e5%af%a6%e9%a9%97%e5%aa%92%e9%ab%94%e8%97%9d%e8%a1%93%e5%b1%95%ef%bc%8d%e7%be%8e%e6%ad%90%e5%af%a6%e9%a9%97%e5%8b%95","status":"publish","type":"post","link":"https:\/\/www.glt.org.tw\/?p=13576","title":{"rendered":"EX!T 15 \u7b2c\u5341\u4e94\u5c46\u53f0\u7063\u570b\u969b\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55\uff0d\u7f8e\u6b50\u5be6\u9a57\u52d5\u756b\u7d93\u5178\uff08\u58f9\uff09\uff1a\u8d85\u73fe\u5be6\u7149\u91d1\u8853\uff0d\u77ed\u7247\u9078\u96c6 American and European Experimental Animation (i): Surreal Alchemy"},"content":{"rendered":"

EX!T 15 \u7b2c\u5341\u4e94\u5c46\u53f0\u7063\u570b\u969b\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55<\/strong><\/p>\n

\u7f8e\u6b50\u5be6\u9a57\u52d5\u756b\u7d93\u5178\uff08\u58f9\uff09\uff1a\u8d85\u73fe\u5be6\u7149\u91d1\u8853\uff0d\u77ed\u7247\u9078\u96c6 American and European Experimental Animation (i): Surreal Alchemy<\/strong><\/span><\/p>\n

\/<\/span><\/p>\n

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\/<\/span><\/p>\n

\u3010\u7bc0\u76ee\u7c21\u4ecb\u3011<\/strong><\/h4>\n

\/<\/span><\/p>\n

\u570b\u5f71\u96fb\u5f71\u7de8\u865f\uff1aM2025_12_14<\/p>\n

\u653e\u6620\u898f\u683c\uff1aDCP\ufe5116mm<\/p>\n

\u7d1a\u5225\uff1a\u666e\u904d\u7d1a<\/p>\n

\u7247\u9577\uff1a82\u5206\u9418<\/p>\n

\u767c\u97f3\uff1a\u7121\u5c0d\u767d<\/p>\n

\u5b57\u5e55\uff1a\u4e2d\u5b57\ufe51\u7121\u5b57<\/p>\n

 <\/p>\n

\u2606 \u6620\u524d\u5c0e\u8046 Pre-screening intro<\/strong><\/p>\n

\/<\/span><\/p>\n

\u2726\u3010\u8cfc\u7968\u8cc7\u8a0a\u3011\u2726<\/strong><\/p>\n

\u653e\u6620\u6642\u9593\uff1a2025.12.14 (\u65e5) 15:40-17:14<\/strong><\/p>\n

\u653e\u6620\u5ef3\uff1a\u570b\u5bb6\u96fb\u5f71\u53ca\u8996\u807d\u6587\u5316\u4e2d\u5fc3-\u5c0f\u5f71\u683c<\/strong><\/p>\n

\u7968\u50f9\uff1a220\u5143<\/strong><\/p>\n

\u8cfc\u7968\u7db2\u7ad9\uff1ahttps:\/\/www.opentix.life\/event\/1985974811028312064<\/a><\/span><\/strong><\/p>\n

\/<\/span><\/p>\n

\u3010\u5f71\u7247\u4ecb\u7d39\u3011<\/strong><\/p>\n

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  1. 1. \u7149\u91d1\u8853\u7684\u908a\u7de3 Edge of Alchemy<\/b><\/li>\n<\/ol>\n

    \u53f2\u9edb\u897f\u30fb\u53f2\u8482\u723e\u65af <\/span>Stacey Steers<\/span><\/p>\n

    USA \uff5c 2017 \uff5c 35mm to 4K digital\uff5c Color \uff5c Sound \uff5c 19min<\/span><\/p>\n

     <\/p>\n

    \u746a\u9e97\u7562\u514b\u99a5\u548c\u73cd\u59ae\u84cb\u7d0d\u7684\u5287\u60c5\u7121\u7e2b\u929c\u63a5\u4e86\u65e9\u671f\u7121\u8072\u96fb\u5f71\u7684\u98a8\u683c\uff0c\u5979\u5011\u88ab\u7f6e\u65bc\u4e00\u90e8\u8d85\u73fe\u5be6\u7684\u53f2\u8a69\u4e4b\u4e2d\uff0c\u985b\u8986\u4e86\u5f17\u862d\u80af\u65af\u5766\u7684\u6545\u4e8b\uff0c\u4e26\u6697\u6d41\u6e67\u52d5\u8457\u7576\u4ee3\u8702\u5de2\u5d29\u584c\u7684\u6697\u6d41\u3002\u5728\u9019\u90e8\u624b\u5de5\u88fd\u4f5c\u7684\u96fb\u5f71\u4e2d\uff0c\u53f2\u9edb\u897f\u30fb\u53f2\u8482\u723e\u65af\u5f9e\u65e9\u671f\u7684\u96fb\u5f71\u8cc7\u6599\u4e2d\u9078\u64c7\u4e86\u7247\u6bb5\uff0c\u5370\u88fd\u4e86\u9019\u4e9b\u756b\u9762\uff0c\u4e26\u91cd\u65b0\u8a6e\u91cb\u4e86\u52d5\u4f5c\uff0c\u4f7f\u5f97\u5f9e\u9069\u7576\u7684\u5716\u50cf\u4e2d\u7d44\u88dd\u8d77\u4f86\u7684\u300c\u6545\u4e8b\u300d\u5f97\u4ee5\u6f14\u8b8a\u3002\u5979\u5c07\u6f14\u54e1\u7f6e\u65bc\u65b0\u60f3\u50cf\u7684\u62fc\u8cbc\u74b0\u5883\u4e2d\uff0c\u9019\u4e9b\u74b0\u5883\u662f\u7528 19 \u4e16\u7d00\u7684\u96d5\u523b\u548c\u63d2\u5716\u788e\u7247\u624b\u5de5\u69cb\u5efa\u7684\u3002 \u300a\u7149\u91d1\u908a\u7de3\u300b\u662f\u63a2\u8a0e\u5973\u6027\u5167\u5fc3\u4e16\u754c\u7684\u4e09\u90e8\u66f2\u4e2d\u7684\u7b2c\u4e09\u90e8\u3002\u97f3\u6a02\u7531\u6ce2\u862d\u4f5c\u66f2\u5bb6\u840a\u8d6b\u63da\u79d1\u592b\u65af\u57fa (Lech Jankowski) \u5275\u4f5c\u3002<\/span><\/p>\n

     <\/p>\n

    \u300c\u300a\u7149\u91d1\u8853\u908a\u7de3\u300b\u662f\u53f2\u9edb\u897f\u30fb\u65af\u8482\u723e\u65af\u5c0d\u62fc\u8cbc\u91cd\u65b0\u5be9\u8996\u52d5\u756b\u7684\u7368\u7279\u8996\u89d2\u7684\u7e2e\u5f71\uff0c\u9019\u662f\u4e00\u7a2e\u5ef6\u7e8c\u8d85\u73fe\u5be6\u4e3b\u7fa9\u96fb\u5f71\u5049\u5927\u50b3\u7d71\u7684\u4e0d\u53ef\u601d\u8b70\u7684\u65b9\u5f0f\u3002\u99ac\u514b\u65af\u30fb\u6069\u65af\u7279\u6703\u5f15\u7528\u6d1b\u7279\u96f7\u963f\u8499\u7684\u7e2b\u7d09\u6a5f\u548c\u96e8\u5098\u4f86\u5b9a\u7fa9\u8d85\u73fe\u5be6\u4e3b\u7fa9\u7e6a\u756b\u7684\u7d50\u69cb\uff0c\u5373\u300e\u5c07\u5169\u500b\u5f9e\u8868\u9762\u4e0a\u770b\u6beb\u7121\u95dc\u806f\u7684\u6771\u897f\u9023\u63a5\u8d77\u4f86\uff0c\u5728\u4e00\u500b\u8868\u9762\u4e0a\u770b\u4e26\u4e0d\u9069\u5408\u5b83\u5011\u7684\u74b0\u5883\u3002\u300f\u6211\u60f3\u88dc\u5145\u7684\u662f\uff0c\u8b93\u9019\u4e00\u5207\u611f\u89ba\u5982\u6b64\u7121\u7e2b\u3001\u5fc5\u7136\u3001\u83ab\u540d\u5176\u5999\u5730\u6b63\u78ba\u2026\u2026\u300e\u5f62\u5f0f\u611f\u300f\uff0c\u6b63\u5982\u8607\u73ca\u5a1c\u30fbK\u30fb\u862d\u683c\u6240\u8aaa\u7684\u90a3\u6a23\u2026\u2026\u300d\u2014\u2014\u83f2\u723e\u30fb\u6240\u7f85\u9580<\/span><\/p>\n

     <\/p>\n

    Mary Pickford and Janet Gaynor, seamlessly lifted from early silent films, are cast into a surreal epic with an upending of the Frankenstein story and a contemporary undercurrent of hive collapse. In this handmade film, Stacey Steers selects sequences from early cinematic sources, prints the frames, and re-contextualizes the action, allowing the \u201cstory\u201d assembled from appropriated images to evolve. She inserts her actors into newly imagined collage environments, built by hand from fragments of 19th century engravings and illustrations. Edge of Alchemy is the third film in a trilogy examining women\u2019s inner worlds. Music by the Polish composer Lech Jankowski.<\/span><\/p>\n

    \/<\/span>
    \n\"\"<\/p>\n

      \n
    1. 2. \u8606\u7b4d <\/b>Asparagus<\/b><\/li>\n<\/ol>\n

      \u8607\u73ca\u30fb\u76ae\u7279 <\/span>\u00a0Suzan Pitt<\/span><\/p>\n

      USA \uff5c 1979 \uff5c 35mm to digital\uff5c Color \uff5c Sound \uff5c 18min<\/span><\/p>\n

       <\/p>\n

      \u6211\u6709\u4e00\u500b\u82b1\u5712\uff0c\u5728\u90a3\u88e1\u6211\u7a2e\u690d\u4e86\u8606\u7b4d\u2014\u2014\u9019\u662f\u4e00\u7a2e\u975e\u5e38\u539f\u59cb\u7684\u852c\u83dc\uff0c\u53ef\u4ee5\u8ffd\u6eaf\u5230\u6050\u9f8d\u6642\u4ee3\u3002\u5b83\u5f9e\u5730\u88e1\u9577\u51fa\u4f86\uff0c\u50cf\u4e00\u6839\u9670\u8396\u72c0\u7684\u8396\uff0c\u5c16\u5c16\u7684\uff0c\u7d2b\u7da0\u8272\uff0c\u662f\u7f8e\u9e97\u7537\u6027\u5f62\u614b\u7684\u7cbe\u9ad3\u3002\u4f46\u96a8\u8457\u590f\u5929\u904e\u53bb\uff0c\u5b83\u6703\u9577\u5f97\u66f4\u9ad8\uff0c\u8b8a\u6210\u4e00\u682a\u5b0c\u5ae9\u7684\u8568\u985e\u690d\u7269\uff0c\u5728\u8def\u908a\u96a8\u98a8\u6416\u66f3\uff0c\u5c31\u50cf\u5fae\u98a8\u4e2d\u98c4\u63da\u7684\u9577\u9aee\uff0c\u6563\u767c\u51fa\u5973\u6027\u7684\u672c\u8cea\u3002\u00a0 \u6211\u8a8d\u70ba\u5b83\u662f\u6027\u611f\u7684\u7f8e\u9e97\u8c61\u5fb5\u3002\u7531\u6b64\uff0c\u6211\u5275\u4f5c\u4e86\u4e00\u9996\u95dc\u65bc\u5275\u4f5c\u904e\u7a0b\u7684\u8996\u89ba\u8a69\uff0c\u4ee5\u9b54\u8853\u5e2b\/\u85dd\u8853\u5bb6\u7684\u89d2\u8272\u4f5c\u70ba\u4e3b\u89d2\uff0c\u5f15\u5c0e\u89c0\u773e\u63a2\u7d22\u4e3b\u5bb0\u548c\u9a45\u52d5\u6211\u5011\u751f\u5b58\u7684\u5275\u9020\u529b\u7684\u672c\u8cea\u3002<\/span><\/p>\n

       <\/p>\n

      I had a garden where I grew Asparagus from seed – it\u2019s a very primitive vegetable going back to the time of the dinosaurs. It comes out of the ground as a phallic stalk, pointy and purple green, the essence of a beautiful masculine form. But then as summer passes it stretches tall and becomes a delicate fern, seen on roadsides tilting in the wind, the essence of the feminine like long strands of tangled hair in the breeze.\u00a0 I thought of it as a beautiful symbol of sexuality. From that I made a visual poem about the creative process, taking the role of the magician\/artist as the protagonist who ushers the viewers through her search for the essence of the creative forces which rule and drive our existence.<\/span><\/p>\n

       <\/p>\n

      The film is a circle more than a straight-ahead experience – you could enter at any point and the meaning would be the same. The taking in and spewing out, the searching and the discovering, the desire and the contact, the ever-evolving acts of nature. There is something of the 60’s and the 70’s there in the film- acid and hallucinogens and spectacular insight and the trance of getting lost and being found- and color. All my films have been made by hand and shot under a 35mm camera – the slight jiggles and the layering of the cels and the hand-drawn animation, and the staccato vibrations of the shading and the variances of light and the medium of film itself are all a part of the way the movies look and feel. To me as different as looking at a painting and looking at a reproduction of a painting – the film quality itself is a part of the message.<\/span><\/p>\n

      \/<\/span><\/p>\n

      \"\"<\/p>\n

        \n
      1. 3. \u81ea\u4f86\u6c34 Tap Water<\/b><\/li>\n<\/ol>\n

        \u8389\u8389\u30fb\u5361\u96f7 <\/span>Lilli Carr\u00e9<\/span><\/p>\n

        USA \uff5c 2017 \uff5c Video\uff5c Color \uff5c Sound \uff5c 4min 32sec<\/span><\/p>\n

         <\/p>\n

        \u6240\u6709\u6771\u897f\u90fd\u6703\u6f0f\u4e00\u9ede\u3002\u4e00\u9996\u89f8\u89ba\u8a69\u3002<\/span><\/p>\n

         <\/p>\n

        Everything leaks at least a little.<\/span><\/p>\n

        \/<\/span>
        \n\"\"<\/p>\n

          \n
        1. <\/b>4. \u751f\u6d3b\u662f\u4e00\u7a2e\u89c0\u9ede\uff0c\u706b\u707d\u662f\u4e00\u7a2e\u4e8b\u5be6 Life is an Opinion, Fire a Fact<\/b><\/li>\n<\/ol>\n

          \u5361\u502b\u30fb\u4e9e\u8f9b\u65af\u57fa <\/span>Karen Yasinsky<\/span><\/p>\n

          USA \uff5c 2012 \uff5c Video\uff5c Color \uff5c Sound \uff5c 10min<\/span><\/p>\n

           <\/p>\n

          \u95dc\u9375\u5728\u65bc\u5f9e\u7d55\u671b\u7684\u884c\u70ba\u8d70\u5411\u67d0\u7a2e\u5e73\u975c\u7684\u6697\u793a\u3002\u7576\u6211\u5011\u770b\u5230\u53ef\u6015\u7684\u4e8b\u4ef6\uff0c\u7279\u5225\u662f\u53ea\u5728\u96fb\u8996\u6216\u96fb\u5f71\u4e2d\u770b\u5230\u7684\u81ea\u6bba\u7684\u6050\u6016\u6642\u6703\u767c\u751f\u4ec0\u9ebc\uff1f\u884c\u70ba\u53ea\u986f\u793a\u7d50\u679c\uff0c\u800c\u4e0d\u986f\u793a\u5c0e\u81f4\u7d50\u679c\u7684\u60f3\u6cd5\u548c\u611f\u53d7\u3002\u7b2c\u4e00\u5f35\u5716\u7247\u986f\u793a\u7684\u662f\u4e00\u540d\u525b\u8df3\u6a13\u81ea\u6bba\u7684\u5973\u5b50\uff08\u51fa\u81ea\u7f85\u4f2f\u7279\u30fb\u5e03\u5217\u677e\u7684\u300a\u6eab\u67d4\u7684\u5973\u4eba\u300b\uff09\u3002\u5854\u53ef\u592b\u65af\u57fa\u7684\u300a\u9109\u6101\u300b\u4e2d\u81ea\u711a\u7684\u52d5\u756b\u5834\u666f\u662f\u53cd\u5411\u62cd\u651d\u7684\uff0c\u5f9e\u800c\u5426\u5b9a\u4e86\u6558\u4e8b\u5f35\u529b\u7684\u7d2f\u7a4d\u3002\u9019\u500b\u89d2\u8272\u5c07\u81ea\u5df1\u7f6e\u65bc\u99ac\u53ef\u30fb\u5967\u52d2\u7559\u7684\u96d5\u50cf\u4e4b\u4e0a\uff0c\u300c\u751f\u6d3b\u662f\u4e00\u7a2e\u89c0\u9ede\u300d\u9019\u53e5\u8a71\u5c31\u51fa\u81ea\u99ac\u53ef\u30fb\u5967\u52d2\u7559\u4e4b\u53e3\u3002\u6211\u5011\u6700\u7d42\u5230\u9054\u4e00\u500b\u5730\u65b9\uff0c\u900f\u904e\u8072\u97f3\u6216\u5f71\u50cf\uff0c\u53ef\u4ee5\u4e86\u89e3\u5230\u5be7\u975c\u7684\u4e0d\u540c\u5b9a\u7fa9\uff08\u4e00\u7a2e\u89c0\u9ede\uff09\u3002<\/span><\/p>\n

           <\/p>\n

          Radically deconstructive in its interpretation of a famous Tarkovsky-sequence, Yaskinksy reverses the original order of the sequence and blends it with white noise and hand-drawn sequences. She also ties her act of appropriation in with a suicide scene from Bresson and other, more serene images and sounds.<\/span><\/p>\n

          \/<\/span>
          \n\"\"<\/p>\n

            \n
          1. 5. \u9670\u8b00\u8a6d\u8a08 Skullduggery\u00a0<\/b><\/li>\n<\/ol>\n

            \u53f2\u4e39\u30fb\u8303\u5fb7\u6bd4\u514b <\/span>\u00a0Stan VanDerBeek<\/span><\/p>\n

            USA \uff5c 1960 \uff5c 16mm\uff5c B&W \uff5c Sound \uff5c 5min \uff5c\u4e2d\u6587\u5b57\u5e55<\/span><\/p>\n

             <\/p>\n

            \u96d9\u91cd\u66dd\u5149\u548c\u5176\u4ed6\u65b9\u6cd5\u88ab\u7528\u4f86\u52a0\u5165\u52d5\u756b\u62fc\u8cbc\u300c\u73fe\u5834\u300d\u65b0\u805e\u7247\u6bb5\uff0c\u5c07\u73fe\u5834\u5834\u666f\u548c\u975e\u73fe\u5834\u5834\u666f\u6df7\u5408\u5728\u4e00\u8d77\uff0c\u4ee5\u8af7\u523a\u4e16\u754c\u4e0a\u6240\u8b02\u7684\u9818\u5c0e\u4eba\u3002<\/span><\/p>\n

             <\/p>\n

            \u6578\u4f4d\u6587\u4ef6\u7248\u672c\u7531\u65b0\u7f8e\u570b\u96fb\u5f71\u96c6\u5718-\u96fb\u5f71\u88fd\u4f5c\u4eba\u5408\u4f5c\u793e\u548c\u65af\u5766\u8303\u5fb7\u6bd4\u514b\u6a94\u6848\u9928\u65bc 2019 \u5e74\u900f\u904e\u570b\u5bb6\u96fb\u5f71\u4fdd\u8b77\u57fa\u91d1\u6703\u7684\u524d\u885b\u5927\u5e2b\u8cc7\u52a9\u8a08\u5283\u548c\u96fb\u5f71\u57fa\u91d1\u6703\u4fdd\u5b58\u3002\u8cc7\u91d1\u7531\u55ac\u6cbb\u76e7\u5361\u65af\u5bb6\u5ead\u57fa\u91d1\u6703\u63d0\u4f9b\u3002<\/span><\/p>\n

             <\/p>\n

            Double exposure and other methods are used to include animated collage “live” newsreel footage, mixing the eye with live scenes and unlive scenes, to jibe at world so-called leaders.<\/span><\/p>\n

             <\/p>\n

            Digital file version preserved in 2019 by New American Cinema Group-Filmmakers’ Coop and Stan VanDerBeek Archive through the National Film Preservation Foundation’s Avant-Garde Masters Grant Program and The Film Foundation. Funding provided by The George Lucas Family Foundation.<\/span><\/p>\n

            \/<\/span>
            \n\"\"<\/p>\n

              \n
            1. 6. \u592a\u967d\u77f3 Sunstone<\/b><\/li>\n<\/ol>\n

              \u827e\u5fb7\u30fb\u827e\u59c6\u4ec0\u5a01\u52d2 <\/span>\u00a0Ed Emshwiller<\/span><\/p>\n

              USA \uff5c 1979 \uff5c Videotape to 16mm\uff5c Color \uff5c Sound \uff5c 3min<\/span><\/p>\n

               <\/p>\n

              \u7d10\u7d04\u7406\u5de5\u5b78\u9662\u4f7f\u7528\u6578\u4f4d\u7e6a\u756b\u7a0b\u5f0f\u88fd\u4f5c\u7684\u96fb\u8166\u52d5\u756b\u96fb\u5f71\u7248\u672c\u3002\u6700\u521d\u4ee5\u9304\u5f71\u5e36\u767c\u884c\u3002<\/span><\/p>\n

               <\/p>\n

              A film version of computer animation done using a digital paint program at New York Institute of Technology. Originally released as a videotape.<\/span><\/p>\n

              \/
              \n\"\"<\/p>\n

                \n
              1. 7. \u6e56\u908a By the Lake (Au Bord du Lac)<\/b><\/li>\n<\/ol>\n

                \u6d3e\u5d14\u514b\u30fb\u535a\u5361\u8afe\u592b\u65af\u57fa <\/span>Patrick Bokanowski<\/span><\/p>\n

                France \uff5c 1994 \uff5c 16mm\uff5c Color \uff5c Sound \uff5c 6min\u00a0<\/span><\/p>\n

                 <\/p>\n

                \u300c\u78ba\u5be6\uff0c\u62cd\u651d\u4e2d\u8eab\u4efd\u4e0d\u660e\u7684\u4eba\u4e26\u4e0d\u50c5\u50c5\u662f\u70ba\u4e86\u8868\u6f14\uff0c\u4f46\u5b8c\u6210\u9019\u500b\u5834\u666f\u6240\u82b1\u8cbb\u7684\u6642\u9593\u4e5f\u8d85\u51fa\u4e86\u4efb\u4f55\u6b63\u5e38\u7684\u5b9a\u7fa9\u3002\u984f\u8272\u5404\u4e0d\u76f8\u540c\uff0c\u6211\u5011\u5f77\u5f7f\u56de\u5230\u4e86\u8a31\u591a\u5e74\u524d\uff0c\u6beb\u7121\u7591\u554f\uff0c\u56e0\u70ba\u9019\u500b\u93e1\u982d\u7a81\u7136\u8b93\u6211\u5011\u60f3\u8d77\u4e86\u68b5\u9ad8\u6216\u9ad8\u66f4\u4ee5\u53ca\u4ed6\u5011\u4f7f\u7528\u7684\u8272\u8abf\u3002\u6211\u5011\u4e26\u4e0d\u5728\u4efb\u4f55\u53ef\u8b58\u5225\u7684\u6e56\u6cca\u908a\uff0c\u800c\u662f\u88ab\u5149\u7dda\u3001\u904b\u52d5\u548c\u9019\u500b\u5730\u65b9\u5728\u6d3e\u5d14\u514b\u30fb\u535a\u5361\u8afe\u592b\u65af\u57fa\u4e4b\u524d\u7684\u8272\u5f69\u80cc\u666f\uff0c\u5c31\u50cf\u4ed6\u6240\u5728\u6d77\u5cb8\u7684\u96fb\u5f71\u4e2d\u6240\u559a\u8d77\u7684\u8272\u5f69\u300a\u6d77\u7058\u300b\u4e2d\u767c\u751f\u7684\u90a3\u6a23\uff0c\u5f77\u5f7f\u6c34\u7684\u63a5\u8fd1\u6539\u8b8a\u4e86\u5468\u570d\u7684\u4e00\u5207\uff0c\u5728\u6211\u5011\u6b23\u559c\u7684\u773c\u524d\u5c07\u6240\u6709\u7269\u8cea\u90fd\u8b8a\u6210\u4e86\u7121\u76e1\u7684\u87ba\u65cb\u3002\u300d<\/span><\/p>\n

                \u2014\u2014- Jacques Kermabon\uff0c \u6458\u81ea BREF \u96dc\u8a8c\uff0c1994 \u5e74 3 \u6708<\/span><\/p>\n

                 <\/p>\n

                “It is true that the unidentified people being filmed are not there simply for the actions they are performing, but the time that the scene is taking to be completed is also beyond any normal definition. The colors vary, and we are plunged many years back in time, no doubt because the shot is suddenly reminding us of Van Gogh or Gauguin and the color-tones they used. We are not at the side of any identifiable lake, we are swept up in a different sort of space-time context by the light, the movement and the colors that the place evoked in Patrick Bokanowski’s mind.\u00a0<\/span><\/p>\n

                 <\/p>\n

                The shore we are on is the quintessence of lakehood, and, as happens in his previous film, THE BEACH, it’s as if the proximity of water metamorphosed everything around, fluidizing all of the matter into endless spirals before our delighted eyes.”<\/span><\/p>\n

                – Jacques Kermabon from BREF magazine, March 1994<\/span><\/p>\n

                \/<\/span><\/p>\n

                \"\"<\/p>\n

                  \n
                1. 8<\/b>. \u9e7d\u82b1\u5712 Salt Garden\uff08Jardin du Sel\uff09<\/b><\/li>\n<\/ol>\n

                  \u863f\u7d72\u30fb\u7f85\u5fb7 Rose Lowder<\/span><\/p>\n

                  France \uff5c 2011 \uff5c 16mm\uff5c Color \uff5c Sound \uff5c 16min\u00a0<\/span><\/p>\n