{"id":13530,"date":"2025-11-22T18:26:14","date_gmt":"2025-11-22T10:26:14","guid":{"rendered":"https:\/\/www.glt.org.tw\/?p=13530"},"modified":"2025-11-28T21:44:12","modified_gmt":"2025-11-28T13:44:12","slug":"ext-15-%e7%ac%ac%e5%8d%81%e4%ba%94%e5%b1%86%e5%8f%b0%e7%81%a3%e5%9c%8b%e9%9a%9b%e5%af%a6%e9%a9%97%e5%aa%92%e9%ab%94%e8%97%9d%e8%a1%93%e5%b1%95%ef%bc%8d%e5%8f%b0%e7%81%a3%e5%af%a6%e9%a9%97%e8%80%85-2","status":"publish","type":"post","link":"https:\/\/www.glt.org.tw\/?p=13530","title":{"rendered":"EX!T 15 \u7b2c\u5341\u4e94\u5c46\u53f0\u7063\u570b\u969b\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55\uff0d\u53f0\u7063\u5be6\u9a57\u8005\u4e4b\u96fb\u5f71\u4fee\u884c\uff08\u8cb3\uff09\uff1a\u5b88\u5149\u8005\uff0d\u77ed\u7247\u9078\u96c6 Taiwan Experimenters (ii): The Light Keepers"},"content":{"rendered":"

EX!T 15 \u7b2c\u5341\u4e94\u5c46\u53f0\u7063\u570b\u969b\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55<\/strong><\/p>\n

\u53f0\u7063\u5be6\u9a57\u8005\u4e4b\u96fb\u5f71\u4fee\u884c\uff08\u8cb3\uff09\uff1a\u5b88\u5149\u8005\uff0d\u77ed\u7247\u9078\u96c6 Taiwan Experimenters (ii): The Light Keepers<\/strong><\/span><\/p>\n

\/<\/span><\/p>\n

\"\"<\/p>\n

\/<\/span><\/p>\n

\u3010\u7bc0\u76ee\u7c21\u4ecb\u3011<\/strong><\/h4>\n

\/<\/span><\/p>\n

\u570b\u5f71\u96fb\u5f71\u7de8\u865f\uff1aM2025_12_09<\/p>\n

\u653e\u6620\u898f\u683c\uff1aDCP\ufe5116mm<\/p>\n

\u7d1a\u5225\uff1a\u666e\u904d\u7d1a<\/p>\n

\u7247\u9577\uff1a80\u5206\u9418<\/p>\n

\u767c\u97f3\uff1a\u570b\u8a9e\u3001\u963f\u7f8e\u65cf\u8a9e\ufe51\u7121\u5c0d\u767d<\/p>\n

\u5b57\u5e55\uff1a\u4e2d\u82f1\u3001\u7121\u5b57\u5e55<\/p>\n

 <\/p>\n

\u2606 \u6620\u524d\u5c0e\u8046 Pre-screening intro<\/strong><\/p>\n

\/<\/span><\/p>\n

\u2726\u3010\u8cfc\u7968\u8cc7\u8a0a\u3011\u2726<\/strong><\/p>\n

\u653e\u6620\u6642\u9593\uff1a2025.12.14 (\u65e5) 18:00-19:42<\/strong><\/p>\n

\u653e\u6620\u5ef3\uff1a\u570b\u5bb6\u96fb\u5f71\u53ca\u8996\u807d\u6587\u5316\u4e2d\u5fc3-\u5c0f\u5f71\u683c<\/strong><\/p>\n

\u7968\u50f9\uff1a220\u5143<\/strong><\/p>\n

\u8cfc\u7968\u7db2\u7ad9\uff1ahttps:\/\/www.opentix.life\/event\/1985975487989084161<\/a><\/strong><\/p>\n

\/<\/span><\/p>\n

\u3010\u5f71\u7247\u4ecb\u7d39\u3011<\/strong><\/span><\/p>\n

\/<\/span><\/p>\n

\"\"<\/p>\n

    \n
  1. 1. \u986f\u5f71 Developing\u00a0<\/b><\/li>\n<\/ol>\n

    \u8a31\u5c91\u7af9 Tsen-Chu HSU <\/span>
    \n<\/b>Taiwan \uff5c 2021 \uff5cVideo \uff5c Color \uff5c Silent \uff5c 8min\u00a0<\/span><\/p>\n

     <\/p>\n

    \u9019\u662f\u4e00\u500b\u5c0f\u5c0f\u7684\u5be6\u9a57\u5f71\u7247\uff0c\u900f\u9732\u8996\u89ba\u548c\u6642\u9593\u8aaa\u597d\u7684\u79d8\u5bc6\uff0c\u5c07\u53cd\u8f49\u7247\u81a0\u5377\u5728\u85e5\u6c34\u4e2d\u6f38\u6f38<\/span><\/p>\n

    \u986f\u5f71\u7684\u904e\u7a0b\uff0c\u4ee5\u6a21\u64ec\u548c\u60f3\u50cf\u7684\u65b9\u5f0f\u5448\u73fe\u51fa\u4f86\u3002<\/span><\/p>\n

     <\/p>\n

    This is a small experiment in revealing the secret of vision and time. It simulates the hidden<\/span><\/p>\n

    process of reversal film, which gradually develops its images in darkness under water.<\/span><\/p>\n

    \/<\/span><\/p>\n

    \"\"<\/p>\n

      \n
    1. 2. \u6eff\u59b9 Man Mei<\/b><\/li>\n<\/ol>\n

      \u8b1d\u7965\u5b89 Caitlin \u201cSonny\u201d SHIEH\u00a0<\/span><\/p>\n

      Taiwan \uff5c 2025 \uff5c Video\uff5c Color \uff5c Sound \uff5c 25min\u00a0<\/span><\/p>\n

       <\/p>\n

      \u6eff\u59b9\uff0c\u4e00\u4f4d\u5ba2\u5bb6\u5973\u6027\uff0c\u51fa\u751f\u65bc\u65e5\u6cbb\u6642\u671f\u7684\u82d7\u6817\u8fb2\u6751\uff0c\u5979\u7684\u4eba\u751f\u6a6b\u8de8\u4e00\u500b\u4e16\u7d00\uff0c\u6620\u7167\u8457\u81fa\u7063\u767e\u5e74\u8f49\u8b8a\u7684\u8108\u52d5\u3002\u00a0<\/span><\/p>\n

      Man Mei, a Hakka woman born in a Miaoli farming village during the Japanese colonial era, carries a life that spans a century and traces the shifting currents of Taiwan\u2019s transformation.<\/span><\/p>\n

      \/<\/span><\/p>\n

      \"\"<\/p>\n

        \n
      1. 3. \u571f\u661f\u983b\u9053 (((O)))\u00a0<\/b><\/li>\n<\/ol>\n

        \u6797\u4ed5\u6770 Shih-Chieh LIN<\/span><\/p>\n

        Taiwan\uff5c 2022 \uff5c Video\uff5c Color \uff5c Sound \uff5c 25min\u00a0<\/span><\/p>\n

         <\/p>\n

        \u8caa\u7761\u9b27\u9418\u53eb\u4e0d\u9192\u8caa\u7761\u4e4b\u4eba\uff0c\u9234\u8072\u65bc\u662f\u8b8a\u6210\u4e00\u7a2e\u50ac\u7720\u8a0a\u865f\uff0c\u6240\u6709\u8072\u97f3\u5728\u534a\u5922\u534a\u9192\u4e2d\u91cd\u65b0\u5b9a\u7fa9\uff0c\u53ea\u6709\u5922\u904a\u8005\u80fd\u91cd\u7372\u81ea\u7531\uff1a\u5f9e\u53eb\u865f\u7cfb\u7d71\u3001\u96fb\u52d5\u6a5f\u8eca\u5230\u9632\u7a7a\u8b66\u5831\u3001\u7fa4\u773e\u6297\u722d\u22ef\u22ef\u8072\u97ff\u5f9e\u65e5\u5e38\u7684\u8edf\u571f\u4e2d\u89e3\u653e\uff0c\u751f\u9577\u51fa\u65b0\u7684\u666f\u89c0\u3002\u6bcf\u500b\u4eba\u624b\u4e2d\u90fd\u63e1\u8457\u8239\u7968\uff0c\u6240\u6709\u7761\u4e0d\u9192\u7684\u4eba\u90fd\u4e00\u540c\u4e58\u8457\u8ff7\u822a\u7684\u8239\uff0c\u99db\u5165\u983b\u7387\u6295\u5c04\u51fa\u7684\u65b0\u4e16\u754c\u3002<\/span><\/p>\n

         <\/p>\n

        A snooze alarm clock cannot wake a sleepy person. The bell of the alarm clock hence becomes a hypnotic trigger. Such an ordinary sound is redefined in our drowsy moments, and we are also liberated from the sounds that condition our lives\u2014queue management systems, electric scooters, air raid drills, and public demonstrations. These sounds are released from the soft soil of our consciousness and grow into a new scene. And we sail with those who cannot be awakened on a boat drifting off course into a new realm projected by frequency.\u00a0<\/span><\/p>\n

        \/<\/span><\/p>\n

        \"\"<\/p>\n

          \n
        1. <\/b>4. \u6e2f\u53e3\u90e8\u843d\u7684\u8b77\u9748\u8005<\/b> The Spirit Keepers of Makuta\u2019ay<\/b><\/li>\n<\/ol>\n

          \u6797\u5ef6\u662d Yen-Chao LIN\u00a0<\/span><\/p>\n

          Taiwan\/Canada \uff5c 2018 \uff5c S8mm to digital\uff5c Color \uff5c Sound \uff5c 10min 57sec \uff5c \u4e2d\u82f1\u5b57\u5e55<\/span><\/p>\n

           <\/p>\n

          \u300a\u6e2f\u53e3\u90e8\u843d\u7684\u8b77\u9748\u8005\u300b\u70ba\u6797\u5ef6\u662d\u65bc 2018 \u5e74\u5728\u82b1\u84ee\u5927\u6e2f\u53e3\u99d0\u6751\u6642\u6240\u62cd\u651d\u7684\u4f5c\u54c1\uff0c\u8b1b\u8ff0\u95dc\u65bc\u6c11\u9593\u50b3\u7d71\u5b97\u6559\u548c\u500b\u4eba\u5fc3\u9748\u6b78\u5bbf\u3002\u300cMakuta\u2019ay\u300d\u70ba\u963f\u7f8e\u65cf\u8a9e\uff0c\u6709\u6eaa\u6c34\u6df7\u6fc1\u4e4b\u610f\uff1b\u5982\u540c\u4f4d\u65bc\u7dca\u9130\u79c0\u59d1\u5dd2\u6eaa\u7684\u6e2f\u53e3\u90e8\u843d\uff0c\u9019\u4e9b\u6b77\u7d93\u6b96\u6c11\u3001\u4eba\u53e3\u9077\u5f99\u4ee5\u53ca\u878d\u5408\u5929\u7136\u5730\u5f62\uff0c\u6240\u5f62\u6210\u7684\u7368\u7279\u53c8\u5bcc\u6709\u9748\u6027\u7684\u5730\u65b9\u3002\u900f\u904e\u8a18\u61b6\u7684\u6545\u4e8b\u548c\u76f8\u7570\u7684\u5b97\u6559\u7fd2\u4fd7\uff0c\u627e\u5c0b\u500b\u4eba\u8207\u65cf\u4eba\u7684\u7cbe\u795e\u79b1\u544a\u5100\u5f0f\u3002\u4f5c\u54c1\u4f7f\u7528\u516b\u91d0\u7c73\u62cd\u651d\u4e26\u7d93\u7531\u624b\u5de5\u6c96\u6d17\uff0c\u5f71\u7247\u4e2d\u4e0d\u6642\u51fa\u73fe\u7d93\u7531\u5e95\u7247\u6240\u7522\u751f\u51fa\u7684\u7279\u6b8a\u611f\u89c0\uff0c\u9019\u4e9b\u756b\u9762\u6253\u958b\u4e86\u90a3\u4e9b\u65e2\u50cf\u7e2e\u5f71\u4ea6\u50cf\u7e6a\u756b\u822c\u5e7d\u5fae\u7684\u7cbe\u795e\u5c64\u9762\u3002<\/span><\/p>\n

           <\/p>\n

          Shot on location in the traditional Amis territory, <\/span>The Spirit Keepers of Makuta\u2019ay<\/span><\/i> travels through villages on the east coast of Taiwan, where nature, colonization and population migration merge to create a unique spiritual landscape. The hand-processed Super 8mm film unravels mixed faith expressions from Daoist ritual possession to Presbyterian funeral, from personal prayers to collective resistance, all the while attempting to trace the memories of past Amis sorcerers.<\/span><\/p>\n

          \/<\/span><\/p>\n

          \"\"<\/p>\n

          5.\uff08\u7537\u5b69\uff09\u8f49\u4e16 INCARNATION (BOY)<\/b><\/p>\n

          \u5433\u4fca\u8f1d Chun-Hui WU<\/span><\/p>\n

          Taiwan \uff5c 2003 \uff5c 16mm\uff5c Color \uff5c Silent \uff5c 6min\u00a0<\/span><\/p>\n

           <\/p>\n

          2003\u5e74\u7f8e\u570b\u91cd\u8981\u5be6\u9a57\u96fb\u5f71\u5275\u4f5c\u8005\u53f2\u5766\uff0e\u5e03\u62c9\u514b\u57fa\u904e\u901d\uff0c\u5f15\u767c\u4ed6\u60f3\u4ee5\u5e03\u62c9\u514b\u57fa\u7684\u7d93\u5178\u4f5c\u54c1\u300a\u86fe\u5f71\u300b\uff0c\u4e00\u90e8\u5728\u900f\u660e\u7684\u96fb\u5f71\u81a0\u5377\u4e0a\u62fc\u8cbc\u82b1\u74e3\u53ca\u690d\u7269\u4ee5\u7522\u751f\u8776\u86fe\u7d1b\u98db\u7684\u5947\u5999\u5f71\u50cf\u7684\u7121\u651d\u5f71\u6a5f\u96fb\u5f71\u4f5c\u70ba\u5275\u4f5c\u5f62\u5f0f\uff0c\u5ef6\u7e8c\u9019\u6a23\u7684\u524d\u885b\u7cbe\u795e\u53bb\u5275\u4f5c\u4e00\u90e8\u96fb\u5f71\u300a\uff08\u7537\u5b69\uff09\u8f49\u4e16\u300b\u4f86\u5411\u5e03\u62c9\u514b\u57fa\u81f4\u656c\u3002\u5f9e\u96fb\u5f71\u526a\u63a5\u5ba4\u7684\u5783\u573e\u6876\u4e2d\u64bf\u62fe\u88ab\u4eba\u907a\u68c4\u7684\u96fb\u5f71\u81a0\u5377\uff0c\u7136\u5f8c\u5c07\u82b1\u5712\u88e1\u73fe\u6458\u7684\u82b1\u74e3\u8449\u7247\u9ecf\u8cbc\u5728\u81a0\u5377\u4e0a\uff0c\u539f\u5148\u88ab\u68c4\u7f6e\u81a0\u5377\u4e0a\u7684\u7537\u5b69\u5f71\u50cf\u7d93\u904e\u518d\u88fd\u800c\u88ab\u91cd\u65b0\u8ce6\u4e88\u8f49\u4e16\u751f\u547d\uff0c\u5c31\u50cf\u5728\u91cd\u65b0\u51dd\u8996\u8207\u7701\u601d\u6a5f\u68b0\u8907\u88fd\u958b\u7aef\u6642\u4ee3\u7684\u6587\u660e\u3002<\/span><\/p>\n

           <\/p>\n

          Incarnation (Boy)<\/span><\/i> evokes the ghosts from Stan Brakhage\u2019s <\/span>Mothlight<\/span><\/i>. Boy images incarnate from found-footage film corpse. Boys and incarnation (boys) gaze at each other. March 2003, I received emails from fellow filmmaker friends, telling me that the experimental filmmaker Stan Brakhage just passed away. Brakhage, I can\u2019t forget about him. I can\u2019t forget about those youthful years when I started to view his films; I was so stunned and enlightened. His <\/span>Mothlight<\/span><\/i> is the one made without a camera, but with petals and leaves glued on clear leader, made by Brakhage\u2019s own hands. Along his hands with petals and leaves through cinematic lights, the film creates beautiful and magic illusion. June 2003, I stayed upstate in New York. I plucked petals on campus and glued them on the deserted found-footages that were collected from the trash cans in the editing room. On the found-footages there was an unknown boy, and his shadow, his in\/out movements and his eyes stare. The plucked flowers then ghostly awoke the boy\u2019s soul into a whole new incarnation. Natural and organic plant mingled with the illusion of the boy, passing through different cinematic space (surfaces of film strips, three-dimensional plants, negative and positive images, illusionary space of film). <\/span>Incarnation (Boy)<\/span><\/i> is optically printed and reprinted into negative and positive images. Two images, negative and positive will be double projected together. This form echoes the history of experimental filmmaking, and, at the same time, pays homage to the master Stan Brakhage.<\/span><\/p>\n

           <\/p>\n

          Total Runtime:\u00a0 75 minutes<\/span><\/p>\n

           <\/p>\n

          \u2593\u00a0 \u95dc\u65bc\u5c0e\u6f14 About the filmmakers:\u00a0\u00a0<\/b><\/p>\n

           <\/p>\n

          \u2726 \u8a31\u5c91\u7af9 Tsen-Chu HSU\u00a0<\/strong><\/span><\/p>\n

           <\/p>\n

          \u7f8e\u570b\u820a\u91d1\u5c71\u85dd\u8853\u5b78\u9662\u96fb\u5f71\u5275\u4f5c\u78a9\u58eb\uff0c\u71b1\u611b\u63a2\u7d22\u96fb\u5f71\u8207\u624b\u5de5\u85dd\u7684\u7d50\u5408\u3002\u591a\u5e74\u5f9e<\/span><\/p>\n

          \u4e8b\u96fb\u5f71\u6559\u80b2\u5de5\u4f5c\uff0c\u5c08\u6ce8\u96fb\u5f71\u8207\u5176\u5b83\u85dd\u8853\u5f62\u5f0f\u7684\u8de8\u9818\u57df\u95dc\u806f\u3002<\/span><\/p>\n

           <\/p>\n

          Tsen-Chu Hsu received her MFA in Film at the San Francisco Art Institute. She is an<\/span><\/p>\n

          experimental filmmaker and devoted to exploring the intersection of handcrafting and<\/span><\/p>\n

          filmmaking. She also works as a film educator focusing on film arts and film preservation.<\/span><\/p>\n

           <\/p>\n

          \u2726 \u8b1d\u7965\u5b89 Caitlin \u201cSonny\u201d SHIEH<\/strong><\/p>\n

           <\/p>\n

          \u8b1d\u7965\u5b89\uff08b. 1991\uff09\u662f\u4e00\u4f4d\u7f8e\u81fa\u5f71\u50cf\u5275\u4f5c\u8005\uff0c\u5979\u7684\u4f5c\u54c1\u900f\u904e\u5f71\u50cf\u63a2\u7d22\u8a18\u61b6\u3001\u6027\u5225\u8207\u570b\u65cf\u8a8d\u540c\u7684\u4ea4\u932f\uff0c\u4e26\u53cd\u601d\u500b\u4eba\u8207\u96c6\u9ad4\u6b77\u53f2\u7684\u6d41\u52d5\u6027\u3002<\/span><\/p>\n

           <\/p>\n

          Caitlin ‘Sonny’ Shieh (b. 1991) is a US- and Taiwan-based video artist whose work explores the intersections of memory, gender, and national identity through moving images, reflecting on the fluidity of personal and collective histories.<\/span><\/p>\n

           <\/p>\n

          \u2726 \u6797\u4ed5\u6770 Shih-Chieh LIN<\/strong><\/p>\n

           <\/p>\n

          \u7f8e\u570b\u52a0\u5dde\u85dd\u8853\u5b78\u9662\u96fb\u5f71\u8207\u9304\u50cf\u7814\u7a76\u6240\u7562\u696d\uff0c\u96fb\u5f71\u5275\u4f5c\u8005\u53ca\u85dd\u8853\u5bb6\u3002\u5e38\u4ee5\u8a18\u61b6\u4f5c\u70ba\u6bcd\u984c\uff0c\u7531\u65e5\u5e38\u8a9e\u5883\u4e2d\u7684\u8c61\u5fb5\u4f86\u63a2\u7d22\u4e0d\u540c\u6642\u9593\u7dad\u5ea6\u4e2d\u7684\u610f\u8b58\uff0c\u904b\u7528\u8072\u756b\u932f\u4f4d\u4f86\u91cd\u7d44\u611f\u5b98\u7d93\u9a57\u3002\u8fd1\u671f\u591a\u4ee5\u96fb\u5f71\u4f5c\u70ba\u539f\u578b\uff0c\u9023\u7d50\u8868\u6f14\u85dd\u8853\u3001\u97f3\u6a02\u3001\u5c55\u6f14\u7b49\u8de8\u9818\u57df\u5408\u4f5c\u3002<\/span><\/p>\n

           <\/p>\n

          Lin Sanmu is a filmmaker and audiovisual artist based in Taipei. He earned an MFA in Film and Video from California Institute of the Arts. His practice spans experimental film, documentary, and sound, with a focus on synchresis\u2014displacing and re-arranging sound and image, sometimes playfully, to reveal everyday symbols through another layer of subjective consciousness. Through this process, he opens pathways into the realms of memory and dreams. He approaches each act of cinema as the making of a prototype, continually renewing its experimental spirit through cross-disciplinary collaboration.<\/span><\/p>\n

           <\/p>\n

          \u2726 \u6797\u5ef6\u662d Yen-Chao LIN<\/strong><\/p>\n


          \n<\/span>\u6797\u5ef6\u662d\u662f\u53f0\u5317\u51fa\u751f\uff0c\u5b9a\u5c45\u8499\u7279\u5a41\u7684\u8de8\u9818\u57df\u85dd\u8853\u5bb6\uff0c\u5979\u7684\u5275\u4f5c\u63a2\u7d22\u8a18\u61b6\u8207\u6b77\u53f2\u7684\u6b98\u7559\u75d5\u8de1\u3002\u81ea\u5341\u4e09\u6b72\u5f9e\u53f0\u5317\u79fb\u5c45\u8499\u7279\u5a41\u4ee5\u4f86\uff0c\u5ef6\u662d\u4e00\u76f4\u5728\u4f5c\u70ba\u53f0\u7063\u4eba\u548c\u52a0\u62ff\u5927\u6709\u8272\u4eba\u7a2e\u7684\u79fb\u5c45\u8005\u9019\u5169\u500b\u96d9\u91cd\u8eab\u5206\u4e4b\u9593\u5f98\u5f8a\u3002\u5979\u7684\u4f5c\u54c1\u7d93\u5e38\u63a2\u8a0e\u6587\u5316\u907a\u7522\u8207\u500b\u4eba\u5e7d\u9748\u5b78\u7684\u4ea4\u4e92\u95dc\u4fc2\uff0c\u7bc4\u570d\u6d89\u53ca\u5b97\u6559\u3001\u80fd\u91cf\u3001\u5360\u535c\u3001\u582a\u8f3f\u5b78 (\u5360\u535c\u6756\u63a2\u5c0b\u6c34\u6e90 \/ \u7926\u8108) \u3001\u7149\u91d1\u8853\u3001\u6c11\u9593\u50b3\u8aaa\u4ee5\u53ca\u88ab\u907a\u5fd8\u7684\u50b3\u7d71\u5100\u5f0f\u3002\u4f5c\u70ba\u4e00\u500b\u81ea\u7136\u6b77\u53f2\u611b\u597d\u8005\u548c\u7a4d\u6975\u7684\u6536\u85cf\u5bb6\uff0c\u6797\u5ef6\u662d\u8490\u96c6\u4f86\u81ea\u7926\u7269\u3001\u690d\u7269\u3001\u52d5\u7269\u548c\u5de5\u696d\u7684\u6a19\u672c\u3002\u900f\u904e\u76f4\u89ba\u7684\u4e3b\u5c0e\u3001\u5408\u4f5c\u3001\u5c0b\u8993\u548c\u6536\u96c6\uff0c\u5979\u7684\u4f5c\u54c1\u5e38\u5e38\u7d50\u5408\u591a\u7a2e\u5de5\u85dd\u6280\u8853\uff0c\u5982\u73d0\u7405\u3001\u91d1\u5de5\u548c\u73bb\u7483\uff1b\u5275\u9020\u51fa\u88dd\u7f6e\u85dd\u8853\u3001\u96d5\u5851\u548c\u5be6\u9a57\u96fb\u5f71\u3002 \u5ef6\u662d\u66fe\u5728\u591a\u500b\u6a5f\u69cb\u516c\u958b\u767c\u8868\uff0c\u5305\u62ec\u6eab\u54e5\u83ef\u570b\u969b\u7576\u4ee3\u4e9e\u6d32\u85dd\u8853\u4e2d\u5fc3 Centre A\u3001GAX \u4e9e\u6d32\u539f\u4f4f\u6c11\u7576\u4ee3\u85dd\u8853\uff08\u8499\u7279\u5a41)\u3001PHI \u57fa\u91d1\u6703\uff08\u8499\u7279\u5a41\uff09\u7b49\u3002 \u5979\u7684\u4f5c\u54c1\u66fe\u5728\u591a\u500b\u5834\u5730\u5c55\u51fa\uff0c\u5305\u62ec\u67cf\u6797\u5f71\u5c55\uff08Berlinale\uff09\u3001\u9cf3\u7532\u7f8e\u8853\u9928\uff08Hong-gah Museum\uff0cTaipei\uff09\u3001\u8499\u7279\u5a41\u7576\u4ee3\u85dd\u8853\u535a\u7269\u9928\uff08Mus\u00e9e d\u2019art contemporain de Montr\u00e9al\uff09\u3001OBORO\uff08\u8499\u7279\u5a41\uff09\u3001SAVVY Contemporary\uff08\u67cf\u6797\uff09\u7b49\u3002<\/span><\/p>\n

           <\/p>\n

          Yen-Chao Lin is a Taipei-born Montreal-based multidisciplinary artist. Having grown up in a multifaith family, she is interested in religion, spirituality, divination arts, dowsing, occult sciences, alchemy, Feng Shui, oral tradition, and power – everything that can be sensed, but not necessarily seen. As a natural history enthusiast and an avid collector, Yen-Chao gathers specimens of mineral, botanical, animal and industrial origins, including objects that stare at the vestiges of a recent or distant past, with a story to tell. Through means of intuitive play, collaboration, scavenging and collecting, her tactile practice often incorporates various craft techniques, such as copper enameling, ceramic, textile, and gilding; creating installations, sculptures, and experimental films.<\/span><\/p>\n

           <\/p>\n

          Yen-Chao has been invited to give public presentations at Artexte (Montreal), Centre A (Vancouver), GAX Asian Indigenous Relations in Contemporary Art (Montreal), PHI Foundation (Montreal), among others. Her works have been shown at Art Metropole (Toronto), Berlinale, Edinburgh International Film Festival, Hong-gah Museum (Taipei), Mus\u00e9e d\u2019art contemporain de Montr\u00e9al, OBORO (Montreal), SAVVY Contemporary (Berlin), SBC Gallery of Contemporary Art (Montreal), among others.<\/span><\/p>\n

           <\/p>\n

          \u2726 \u5433\u4fca\u8f1d Chun-Hui Tony WU<\/strong><\/p>\n

           <\/p>\n

          \u9577\u671f\u5728\u53f0\u7063\u81f4\u529b\u65bc\u5be6\u9a57\u96fb\u5f71\u7684\u5275\u4f5c\u3001\u7814\u7a76\u3001\u6559\u5b78\u3001\u63a8\u5ee3\u8207\u570b\u969b\u4ea4\u6d41\u3002\u7d10\u7d04\u5df4\u5fb7\u5b78\u9662\u7c73\u723e\u9813\uff0e\u827e\u4f5b\u5229\u85dd\u8853\u7814\u7a76\u6240\u85dd\u8853\u5275\u4f5c\u78a9\u58eb\u3002\u820a\u91d1\u5c71\u85dd\u8853\u5b78\u9662\u85dd\u8853\u5275\u4f5c\u5b78\u58eb\u3002\u4f5c\u54c1\u4ee5\u73fe\u6210\u5f71\u50cf\u91cd\u88fd\u3001\u8de8\u96fb\u5f71\u898f\u683c\u3001\u96fb\u5f71\u8207\u6578\u4f4d\u6750\u8cea\u7684\u6574\u5408\u3001\u8de8\u9818\u57df\u85dd\u8853\u89c0\u5ff5\u5275\u4f5c\u7684\u5be6\u9a57\u63a2\u7d22\u8207\u5be6\u8e10\u70ba\u5275\u4f5c\u4e3b\u8ef8\uff0c\u64c5\u9577\u904b\u7528\u820a\u6709\u7684\u96fb\u5f71\u81a0\u5377\u3001\u5f71\u50cf\u8cc7\u6599\u6a94\u6848\uff0c\u4f7f\u5176\u4f5c\u70ba\u4ecb\u8cea\u4ee5\u91cd\u65b0\u7701\u601d\u6aa2\u8996\u81ea\u6211\u3001\u5f71\u50cf\u5a92\u4ecb\u8207\u6b77\u53f2\u7684\u95dc\u4fc2\uff0c\u9032\u800c\u91cd\u65b0\u7ffb\u8f49\u5f71\u50cf\u5a92\u9ad4\u3001\u5a92\u6750\u8207\u96fb\u5f71\u53f2\u7684\u5b9a\u4f4d\u3002\u4f5c\u54c1\u66fe\u65bc\u7d10\u7d04\u73fe\u4ee3\u7f8e\u8853\u9928\u3001\u5df4\u9ece\u9f90\u7562\u5ea6\u4e2d\u5fc3\u653e\u6620\u3002\u66fe\u65bc\u7f8e\u570b\u820a\u91d1\u5c71\u3001\u7d10\u7d04\u3001\u99ac\u4f86\u897f\u4e9e\u5409\u9686\u5761\u3001\u5357\u97d3\u9996\u723e\u8209\u8fa6\u500b\u4eba\u96fb\u5f71\u5c55\u30022006\u53f0\u5317\u96d9\u5e74\u5c55\u300c\uff08\u9650\u5236\u7d1a\uff09\u745c\u73c8\u300d\u30012012\u5e74\u53f0\u5317\u96d9\u5e74\u5c55\u300c\u73fe\u4ee3\u602a\u7378\/\u60f3\u50cf\u7684\u6b7b\u800c\u5fa9\u751f\u300d\u53c3\u5c55\u85dd\u8853\u5bb6\u3002\u300a\u611f\u50b7\u4e4b\u65c5\u300b\u73722003\u5e74\u53f0\u5317\u96fb\u5f71\u7bc0\u53f0\u5317\u96fb\u5f71\u734e\u6700\u4f73\u5be6\u9a57\u7247\u734e\uff1b\u300a\u8afe\u4e9e\u8afe\u4e9e\u300b\u73722004\u5e74\u53f0\u5317\u96fb\u5f71\u7bc0\u53f0\u5317\u96fb\u5f71\u734e\u6700\u4f73\u5be6\u9a57\u7247\u734e\u8207\u91d1\u7a57\u734e\u512a\u7b49\u5f71\u7247\u734e\u3002EX!T\u53f0\u7063\u570b\u969b\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55\u7b56\u5c55\u4eba\u5f9e2010\u5e74\u81f3\u4eca\u30022013\u5e74\u51fa\u7248\u300a\u6bd4\u53f0\u7063\u96fb\u5f71\u66f4\u964c\u751f\u2014\u53f0\u7063\u5be6\u9a57\u96fb\u5f71\u7814\u7a76\u300b\u30022015\u5e74\u51fa\u7248\u300a\u53f0\u7063\u4ee5\u5de6\uff0c\u4e9e\u6d32\u4e4b\u53f3\u2014\u5be6\u9a57\u96fb\u5f71\u7684\u4e9e\u6d32\u5be6\u8e10\u8207\u7814\u7a76\u300b\u3002<\/span><\/p>\n

           <\/p>\n

          Dedicated to the making, studying, teaching and advocacy of experimental film in Taiwan, and promotes exchange of this kind with the international community. He received his BFA with a major in Filmmaking at San Francisco Art Institute and MFA in Film\/Video, Milton Avery Graduate School of the Arts, Bard College, New York. His experimental films experiment with and explore new concepts of found footage filmmaking, film reproduction, cross-film formats, and the integration of film and digital media within interdisciplinary art. They are adept at utilizing existing film celluloid and archival images, serving as channels for reconsidering the relationship between self, medium, and history. Through this process, they redefine the positioning of visual media, film material, and film history. His films have been shown at the Museum of Modern Art in New York, Centre Pompidou in Paris, San Francisco Cinematheque, and Robert Beck Memorial Cinema in New York etc. He has held solo film exhibitions in various locations including San Francisco and New York in the United States, Kuala Lumpur in Malaysia, and Seoul in South Korea.<\/span><\/p>\n

           <\/p>\n

          He is a program director for EX!T -Experimental Media Art Festival in Taiwan. He publishes \u201cStranger than Cinema: A Study of Taiwanese Experimental Film\u201d in 2013 and \u201cWest of Taiwan, East of Asia \u2013 A Study of Asian Experimental Film\u201d in 2015.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

          EX!T 15 \u7b2c\u5341\u4e94\u5c46\u53f0\u7063\u570b\u969b\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55 \u53f0\u7063\u5be6\u9a57\u8005\u4e4b\u96fb\u5f71\u4fee\u884c\uff08\u8cb3\uff09\uff1a\u5b88\u5149\u8005\uff0d\u77ed\u7247\u9078\u96c6 Taiwan E […]<\/p>\n","protected":false},"author":4,"featured_media":13531,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[210,219,20,7,39,17],"tags":[],"class_list":["post-13530","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dec","category-219","category-schedule","category-glt_program","category-39","category-programs"],"_links":{"self":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/13530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13530"}],"version-history":[{"count":5,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/13530\/revisions"}],"predecessor-version":[{"id":13618,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/13530\/revisions\/13618"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/media\/13531"}],"wp:attachment":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13530"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13530"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}