{"id":13471,"date":"2025-11-22T16:55:10","date_gmt":"2025-11-22T08:55:10","guid":{"rendered":"https:\/\/www.glt.org.tw\/?p=13471"},"modified":"2025-12-02T15:59:35","modified_gmt":"2025-12-02T07:59:35","slug":"ext-15-%e7%ac%ac%e5%8d%81%e4%ba%94%e5%b1%86%e5%8f%b0%e7%81%a3%e5%9c%8b%e9%9a%9b%e5%af%a6%e9%a9%97%e5%aa%92%e9%ab%94%e8%97%9d%e8%a1%93%e5%b1%95%ef%bc%8d%e4%b8%80%e9%9a%bb%e7%8b%bc%e5%9c%a8%e6%94%be-2","status":"publish","type":"post","link":"https:\/\/www.glt.org.tw\/?p=13471","title":{"rendered":"EX!T 15 \u7b2c\u5341\u4e94\u5c46\u53f0\u7063\u570b\u969b\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55\uff0d\u4e00\u96bb\u72fc\u5728\u653e\u54e8"},"content":{"rendered":"

EX!T 15 \u7b2c\u5341\u4e94\u5c46\u53f0\u7063\u570b\u969b\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55\uff0d\u4e00\u96bb\u72fc\u5728\u653e\u54e8<\/strong><\/h3>\n

EX!T 15 \u2013 Experimental Media Art Festival in Taiwan 2025<\/strong><\/p>\n

\/<\/span><\/p>\n

\"\"<\/p>\n

\/<\/span><\/p>\n

\u4e00\u96bb\u72fc\u5728\u653e\u54e8\uff0c\u51dd\u795e\u975c\u807d\uff0c\u842c\u7269\u7d30\u5fae\u4e4b\u60c5\uff0c\u4e4b\u4e2d\u6216\u6709\u5371\u96aa\u6642\u523b\uff0c\u9b06\u61c8\u6642\u523b\uff0c\u6216\u751f\u6216\u6ec5\u7684\u6642\u523b\u3002\u9663\u98a8\u5439\u4f86\uff0c\u4e00\u51dc\u4e00\u6696\uff0c\u5076\u6709\u7375\u4eba\u8def\u904e\u7684\u6c23\u606f\uff0c\u5929\u7a7a\u85cd\u85cd\u5730\u767c\u4eae\uff0c\u5348\u5f8c\u6709\u9663\u96e8\uff0c\u591c\u9593\u6709\u96d9\u773c\u775b\u5982\u661f\uff0c\u4f3a\u6a5f\u800c\u52d5\uff0c\u8209\u8d77\u4e00\u96bb\u76f8\u6a5f\u5c0d\u6e96\u7684\u77ac\u9593\uff0c\u4eba\u4e8b\u7269\u5728\u84bc\u7a79\u4e4b\u4e0b\u751f\u6d3b\u8457\u3002<\/span><\/p>\n

 <\/p>\n

\u4eca\u5e74 EX!T \u5f71\u5c55\u69ae\u5e78\u5730\u9080\u8acb\u53f0\u7063\u548c\u7f8e\u570b\u7684\u5be6\u9a57\u5c0e\u6f14\u4f86\u5206\u4eab\u4ed6\u5011\u7684\u4f5c\u54c1\u3002\u9019\u4e9b\u5275\u4f5c\u8005\u9577\u4e45\u4ee5\u4f86\u5805\u6301\u81ea\u5df1\u7684\u85dd\u8853\u9053\u8def\uff0c\u9ed8\u9ed8\u884c\u65c5\uff0c\u5982\u4e00\u96bb\u5b64\u7368\u7684\u72fc\u3002\u4e00\u500b\u4eba\u80cc\u8457\u76f8\u6a5f\u548c\u8173\u67b6\u8dcb\u5c71\u6d89\u6c34\uff0c\u4e00\u500b\u4eba\u8e72\u5728\u6697\u623f\u88e1\u8abf\u88fd\u85e5\u6c34\u7b49\u5f85\u986f\u5f71\uff0c\u4e00\u500b\u4eba\u4f0f\u5728\u5de5\u4f5c\u5ba4\u756b\u53f0\u4e0a\u9010\u683c\u62fc\u8cbc\u3001\u9010\u5e40\u62cd\u651d\uff0c\u4e00\u500b\u4eba\u99dd\u8eab\u526a\u63a5\u3002\u4ed6\u5011\u90fd\u662f\u5728\u8cc7\u6e90\u6975\u5c11\u7684\u689d\u4ef6\u4e0b\uff0c\u4e00\u530d\u4e00\u5310\u5730\u5b8c\u6210\u4e86\u9019\u4e9b\u975e\u51e1\u7684\u4f5c\u54c1\u3002<\/span><\/p>\n

 <\/p>\n

\u7126\u9ede\u5c0e\u6f14\uff1a\u9ec3\u5ead\u8f14\u3001\u912d\u7acb\u660e\u3001\u5289\u6613\u65af\u30fb\u514b\u62c9\u723e\u3001\u5609\u59ae\u30fb\u51f1\u745f\uff0c\u5c07\u5e36\u4f86\u7cbe\u5f69\u4f5c\u54c1\u548c\u5206\u4eab\u5275\u4f5c\u904e\u7a0b\u3002 \u7cbe\u9078\u7cfb\u5217\u300a\u53f0\u7063\u5be6\u9a57\u8005\u4e4b\u96fb\u5f71\u4fee\u884c \u300b\uff0c\u5c55\u51fa\u5f9e\u5148\u92d2\u5230\u5e74\u8f15\u4e00\u4ee3\u5c0e\u6f14\u5982\uff1a\u5433\u7c73\u68ee\u3001\u9ec3\u5ead\u8f14\u3001\u9ec3\u4e9e\u6b77\u3001\u6797\u4ed5\u6770\u7b49\u5275\u4f5c\uff1b\u300a\u7f8e\u6b50\u5be6\u9a57\u52d5\u756b\u7d93\u5178\u300b\u6536\u9304\u4e86\u7f8e\u6b50\u8fd1\u4ee3\u52d5\u756b\u5927\u5e2b\u5982\uff1a\u840a\u6069\u30fb\u840a Len Lye\u3001\u53f2\u4e39\u30fb\u8303\u5fb7\u6bd4\u514b Stan VanDerBeek\u3001\u7f85\u4f2f\u7279\u30fb\u5e03\u91cc\u723e Robert Breer\u3001\u827e\u5fb7\u30fb\u827e\u59c6\u4ec0\u5a01\u52d2 Ed Emshwiller\u3001\u8607\u73ca\u30fb\u76ae\u7279 Suzan Pitt\u3001\u8ca2\u6c83\u30fb\u5c3c\u723e\u68ee Gunvor Nelson\u3001\u897f\u5ddd\u667a\u4e5f Tomonari Nishikawa \u7b49\u4ee3\u8868\u4f5c\u3002<\/span><\/p>\n

 <\/p>\n

\u5f71\u5c55\u984c\u76ee\u9748\u611f\u4f86\u81ea\u963f\u5df4\u65af\u30fb\u57fa\u963f\u9b6f\u65af\u9054\u7c73 Abbas Kiarostami \u540c\u540d\u8a69\u96c6\u3002<\/span><\/p>\n

 <\/p>\n

\u4e00\u96bb\u72fc\u5728\u653e\u54e8\u3002\u5728\u539f\u91ce\uff0c\u5728\u57ce\u5e02\uff0c\u5728\u5927\u87a2\u5e55\u4e0a\u2014\u2014\u00a0<\/span><\/p>\n

\/<\/span><\/p>\n

\u2591\u2592\u2593\u2588 12\/11 (\u56db)\uff5c\u726f\u5dba\u8857\u5c0f\u5287\u5834 \u2588\u2593\u2592\u2591<\/strong><\/p>\n

\u2591\u2592\u2593\u2588 12\/12 (\u4e94) ~ 12\/14 (\u65e5)\uff5c\u570b\u5bb6\u96fb\u5f71\u53ca\u8996\u807d\u6587\u5316\u4e2d\u5fc3 \u2588\u2593\u2592\u2591<\/strong><\/p>\n

\/<\/span><\/p>\n

A wolf stands sentinel, listening intently, reading the subtle emotions of all things, moments of danger, moments of relaxation, moments of life and death. A gust of wind, chilling and warming, carries the occasional scent of a passing hunter. The sky glows a brilliant blue, afternoon showers arrive, and at night, eyes like stars await their opportunity. In the moment a camera is raised and aimed, people, things, and events live beneath the vast expanse of the sky.<\/span><\/p>\n

 <\/p>\n

This year, the film festival is honored to invite artist-filmmakers from Taiwan and the United States to showcase their films. These artists are committed to their artistic journeys, patiently forging ahead like lone wolves, carrying a camera and a tripod, hiking across mountains and rivers; crouching in a darkroom, mixing chemicals, waiting out the development process; creating collages, shooting frame by frame, and editing. All completed these remarkable pieces working with minimal resources.<\/span><\/p>\n

 <\/p>\n

Filmmakers in focus: Ting-Fu Huang, Li-Ming Cheng, Lewis Klahr, and Janie Geiser will present their films and discuss their creative processes. The “Taiwan Experimenters (I) and (II)” series features works by avant-garde and emerging Taiwanese directors, while the “American and European Experimental Animation” series includes works by Len Lye, Stan VanDerBeek, Robert Breer, Ed Emshwiller, Suzan Pitt, Gunvor Nelson, and Tomonari Nishikawa, among others.\u00a0<\/span><\/p>\n

 <\/p>\n

The title of the festival was inspired by the poetry collection with the same title by Abbas Kiarostami.<\/span><\/p>\n

 <\/p>\n

A wolf on watch. In the wilderness, in the city, on the big screen\u2014\u2014<\/span><\/p>\n

\/<\/span><\/p>\n

\n

\u64f4\u5ef6\u55ae\u5143<\/strong><\/h1>\n

\/<\/span><\/p>\n

\u25b6 EX!T 15 \u5de5\u4f5c\u574a Workshop\uff1a\u62fe\u7372\u7269\u9ad4\u8868\u6f14\u2014\u8207\u5609\u59ae\u30fb\u51f1\u745f\u7684\u6703\u9762<\/a><\/span><\/strong><\/p>\n

Found Object Performance\u2014meeting with Janie Geiser<\/p>\n

\/<\/span><\/p>\n

\u6642\u9593\uff5c<\/strong>\u00a02025\/12\/11<\/strong>\uff08\u56db\uff09<\/strong>\u00a014:30-17:00<\/strong><\/p>\n

\u5730\u9ede\uff5c\u726f\u5dba\u8857\u5c0f\u5287\u5834<\/strong>\u00a0\u4e8c\u6a13\u85dd\u6587\u7a7a\u9593<\/strong><\/p>\n

\u8b1b\u5e2b\uff5c\u5609\u59ae\u30fb\u51f1\u745f<\/strong>\u00a0Janie Geiser<\/strong><\/p>\n

\u8cbb\u7528\uff5c<\/strong>500<\/strong>\u5143<\/strong><\/p>\n

\u53c3\u8207\u689d\u4ef6\uff5c<\/strong>18\u00a0<\/strong>\u6b72\u4ee5\u4e0a\u3002\u5982\u679c\u6709\u4e00\u4e9b\u85dd\u8853\u3001\u96fb\u5f71\u6216\u8868\u6f14\u7d93\u9a57\u4f73\uff0c\u4f46\u4e0d\u662f\u5fc5\u9700\u7684<\/strong>\u2014\u2014<\/strong>\u6709\u8208\u8da3\u5c31\u884c\u3002\u4e0d\u9700\u8981\u8868\u6f14\u7d93\u9a57\uff0c\u4e5f\u4e0d\u9700\u8981\u4f7f\u7528\u53e3\u8aaa\u6587\u5b57<\/strong>\u2014\u2014<\/strong>\u6240\u6709\u8072\u97f3\u90fd\u5c07\u4f86\u81ea\u7269\u9ad4\u3002<\/strong><\/p>\n

\u4eba\u6578\uff5c<\/strong>15\u00a0<\/strong>\u4f4d<\/strong><\/p>\n

\/<\/span><\/p>\n

\u25b6\u00a0EX!T 15 \u7b2c\u5341\u4e94\u5c46\u53f0\u7063\u570b\u969b\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55\uff0d\u4e00\u96bb\u72fc\u5728\u653e\u54e8 \u2013 \u8ad6\u58c7<\/a><\/span><\/strong><\/p>\n

EX!T 15 \u2013 Experimental Media Art Festival in Taiwan 2025\u00a0<\/strong>\u00a0Forum<\/strong><\/p>\n

\/<\/span><\/p>\n

\u259e \u5f71\u4eba\u8ad6\u58c7\uff1a\u9ec3\u5ead\u8f14 x \u912d\u7acb\u660e \u259a<\/strong><\/p>\n

\u8b1b\u8005\uff1a\u9ec3\u5ead\u8f14\uff08\u7d00\u9304\u7247\u5c0e\u6f14\uff09\u3001\u912d\u7acb\u660e\uff08\u6587\u5b57\u8207\u5f71\u50cf\u5275\u4f5c\u8005\uff09\u3001\u5433\u4fca\u8f1d\uff08\u53f0\u7063\u5be6\u9a57\u96fb\u5f71\u5275\u4f5c\u8005\uff09<\/strong><\/p>\n

\u258c \u6642\u9593\uff1a12\u670813\u65e5 (\u516d) 13:20-14:20<\/strong><\/p>\n

\u258c \u5730\u9ede\uff1a\u5f71\u8996\u807d\u4e2d\u5fc3\u5c0f\u5f71\u683c<\/strong><\/p>\n

\u3010\u63d0\u9192\u4e8b\u9805\u3011<\/h4>\n
\n

\u81ea\u7531\u5165\u5ea7\uff0c\u5ea7\u4f4d\u6709\u9650\uff0c\u984d\u6eff\u70ba\u6b62\u3002<\/p>\n

\/<\/span><\/p>\n

\u2593\u00a0 \u5f71\u4eba\u8ad6\u58c7\uff1a\u5609\u59ae\u30fb\u51f1\u745f x \u5289\u6613\u65af\u30fb\u514b\u62c9\u723e\u00a0 \u2593<\/strong><\/p>\n

\u4e3b\u6301\u4eba\uff1a\u5289\u884c\u6b23\uff08EX!T15 \u7b56\u5c55\u4eba, \u96fb\u5f71\u5c0e\u6f14\u8207\u85dd\u8853\u5bb6\uff09<\/p>\n

\u8b1b\u8005\uff1a\u5609\u59ae\u51f1\u745f\uff08\u96fb\u5f71\u5c0e\u6f14\u8207\u85dd\u8853\u5bb6\uff09\u3001\u5289\u6613\u65af\u514b\u62c9\u723e\uff08\u62fc\u8cbc\u96fb\u5f71\u85dd\u8853\u5bb6\uff09\u3001\u77f3\u660c\u6770\uff08\u7368\u7acb\u52d5\u756b\u5275\u4f5c\u8005&\u52d5\u756b\u5f71\u5c55\u7b56\u5c55\u4eba\uff09<\/p>\n

\u258c \u6642\u9593\uff1a12\u670814\u65e5 (\u65e5) 13:40-14:40<\/p>\n

\u258c \u5730\u9ede\uff1a\u5f71\u8996\u807d\u4e2d\u5fc3\u5c0f\u5f71\u683c<\/p>\n

\u3010\u63d0\u9192\u4e8b\u9805\u3011<\/h4>\n
\n

\u81ea\u7531\u5165\u5ea7\uff0c\u5ea7\u4f4d\u6709\u9650\uff0c\u984d\u6eff\u70ba\u6b62\u3002<\/p>\n

\/<\/span><\/p>\n

\n

EX!T 2025 \u7bc0\u76ee\u7e3d\u89bd Program Overview<\/strong><\/h1>\n

\/<\/span><\/p>\n

\u7126\u9ede\u5c0e\u6f14\uff1a\u4eba\u7b97 \uff0d \u9ec3\u5ead\u8f14 5 \u90e8\u7cbe\u9078\u96fb\u5f71\u00a0<\/strong><\/a><\/span><\/p>\n

Filmmaker in Focus: Calculations \uff0d 5 Films by Huang Ting-Fu<\/strong><\/p>\n

 <\/p>\n

\u912d\u7acb\u660e \uff0d\u300aMATA\uff0d\u5f71\u50cf\u4e4b\u521d\u300b<\/a><\/strong><\/span><\/p>\n

MATA \uff0d The Island’s Gaze by Cheng Li-Ming\u00a0<\/span><\/p>\n

 <\/p>\n

\u7126\u9ede\u5c0e\u6f14\uff1a\u50b7\u57ce \uff0d \u912d\u7acb\u660e 4 \u90e8\u7cbe\u9078\u96fb\u5f71<\/a><\/strong><\/span><\/p>\n

Filmmaker in Focus: City Of Sorrow \uff0d 4 Selected Films by Cheng Li-Ming\u00a0<\/span><\/p>\n

 <\/p>\n

\u53f0\u7063\u5be6\u9a57\u8005\u4e4b\u96fb\u5f71\u4fee\u884c\uff08\u58f9\uff09\uff1a\u8868\u9762\u7684\u5875\u3001\u5e95\u4e0b\u7684\u8a69\uff0d\u77ed\u7247\u9078\u96c6<\/a><\/strong><\/span><\/p>\n

Taiwan Experimenters (i): Dust on the Surface, Poetry Beneath<\/span><\/p>\n

 <\/p>\n

\u53f0\u7063\u5be6\u9a57\u8005\u4e4b\u96fb\u5f71\u4fee\u884c\uff08\u8cb3\uff09\uff1a\u5b88\u5149\u8005\uff0d\u77ed\u7247\u9078\u96c6<\/a><\/strong><\/span><\/p>\n

Taiwan Experimenters (ii): The Light Keepers<\/span><\/p>\n

 <\/p>\n

\u805a\u7126\u5f71\u4eba\uff1a\u767d\u9280\u6642\u4ee3\uff0d\u5289\u6613\u65af\u30fb\u514b\u62c9\u723e 9 \u90e8\u7cbe\u9078\u96fb\u5f71\u00a0<\/a><\/strong><\/span><\/p>\n

Filmmaker in Focus: The Silver Age \u2013 9 Selected Films by Lewis Klahr\u00a0<\/span><\/p>\n

 <\/p>\n

\u5289\u6613\u65af\u30fb\u514b\u62c9\u723e \uff0d\u300a\u5fd8\u537b\u7684\u85cd\u73ab\u7470\u300b<\/a><\/strong><\/span><\/p>\n

Lewis Klahr – The Blue Rose of Forgetfulness\u00a0<\/span><\/p>\n

 <\/p>\n

\u805a\u7126\u5f71\u4eba\uff1a\u4e16\u754c\u7684\u5730\u677f \uff0d \u5609\u59ae\u30fb\u51f1\u745f 8 \u90e8\u7cbe\u9078\u96fb\u5f71<\/a><\/span><\/strong><\/p>\n

Filmmaker in Focus: The Floor of the World \u2013 8 Selected Films by Janie Geiser\u00a0<\/span><\/p>\n

 <\/p>\n

\u7f8e\u6b50\u5be6\u9a57\u52d5\u756b\u7d93\u5178\uff08\u58f9\uff09\uff1a\u8d85\u73fe\u5be6\u7149\u91d1\u8853\uff0d\u77ed\u7247\u9078\u96c6<\/a><\/strong><\/span><\/p>\n

American and European Experimental Animation (i): Surreal Alchemy<\/span><\/p>\n

 <\/p>\n

\u7f8e\u6b50\u5be6\u9a57\u52d5\u756b\u7d93\u5178\uff08\u8cb3\uff09\uff1a\u91cb\u653e\u904e\u7a0b\uff0d\u77ed\u7247\u9078\u96c6<\/strong><\/a><\/span><\/p>\n

American and European Experimental Animation (ii): Freeing Process<\/span><\/p>\n

 <\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

EX!T 15 \u7b2c\u5341\u4e94\u5c46\u53f0\u7063\u570b\u969b\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55\uff0d\u4e00\u96bb\u72fc\u5728\u653e\u54e8 EX!T 15 \u2013 Experimental M […]<\/p>\n","protected":false},"author":4,"featured_media":13450,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[210,219,20,7,39,21],"tags":[],"class_list":["post-13471","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dec","category-219","category-schedule","category-glt_program","category-39","category-21"],"_links":{"self":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/13471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13471"}],"version-history":[{"count":20,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/13471\/revisions"}],"predecessor-version":[{"id":13603,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/13471\/revisions\/13603"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/media\/13450"}],"wp:attachment":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}