{"id":12659,"date":"2025-01-04T12:04:49","date_gmt":"2025-01-04T04:04:49","guid":{"rendered":"https:\/\/www.glt.org.tw\/?p=12659"},"modified":"2025-03-08T12:00:44","modified_gmt":"2025-03-08T04:00:44","slug":"%e3%80%90%e5%b7%b4%e5%8b%92%e6%96%af%e5%9d%a6%e5%8b%9f%e8%b3%87%e6%94%be%e6%98%a0%e6%9c%83%e3%80%91%e5%be%a9%e7%94%a6%e5%8a%a0%e8%96%a9%e8%be%b2%e7%94%b0-%e3%80%90support-palestine-film-screening","status":"publish","type":"post","link":"https:\/\/www.glt.org.tw\/?p=12659","title":{"rendered":"\u3010\u5df4\u52d2\u65af\u5766\u52df\u8cc7\u653e\u6620\u6703\u3011\u5fa9\u7526\u52a0\u85a9\u8fb2\u7530 \u3010Support Palestine – Film Screening\u3011Revive Gaza\u2019s Farmland"},"content":{"rendered":"

\u3010\u5df4\u52d2\u65af\u5766\u52df\u8cc7\u653e\u6620\u6703\u3011\u5fa9\u7526\u52a0\u85a9\u8fb2\u7530<\/strong>
\u3010Support Palestine – Film Screening\u3011Revive Gaza\u2019s Farmland<\/strong><\/p>\n

\"\"<\/p>\n

 <\/p>\n

\"\"<\/span>\u3010\u7b2c\u4e00\u5834\u6b21\u3011<\/strong>
2025\u5e7401\u670818\u65e5\uff08\u516d\uff09\u53f0\u7063\u6642\u9593\u4e0b\u5348\u5169\u9ede\u534a\u81f3\u4e94\u9ede<\/strong>
\u726f\u5dba\u8857\u5c0f\u5287\u5834 \uff08https:\/\/maps.app.goo.gl\/PvLMD2JR3Vs9siGb7<\/a>\uff09<\/strong>
\u53f0\u5317\u5e02\u4e2d\u6b63\u5340\u726f\u5dba\u88575\u5df72\u865f2\u6a13\uff08\u6377\u904b\u7da0\u7dda\uff0c\u4e2d\u6b63\u7d00\u5ff5\u5802\u7ad9\uff09<\/strong><\/div>\n
\/<\/span><\/div>\n
\"\"\u3010\u7b2c\u4e8c\u5834\u6b21\u3011<\/span><\/span>2025\u5e7401\u670819\u65e5\uff08\u65e5\uff09\u53f0\u7063\u6642\u9593\u4e0b\u5348\u5169\u9ede\u534a\u81f3\u4e94\u9ede<\/strong>
\u96dc \u8349\u753a \uff08https:\/\/maps.app.goo.gl\/r9iE5aDeUVjwxkEVA<\/a>\uff09<\/strong>
\u81fa\u5317\u5e02\u5927\u540c\u5340\u5ef6\u5e73\u5317\u8def\u4e09\u6bb552\u865f \uff08\u6377\u904b\u4e2d\u548c\u65b0\u8606\u7dda\uff0c\u5927\u6a4b\u982d\u7ad91A\u51fa\u53e3\uff09<\/strong>
\u25cd \u96dc\u8349\u753a\u5834\u6b21\uff1a\u5165\u5834\u4f4e\u92b7\u4e00\u676f\u96dc\u8349\u8336\u98f2\u3002<\/strong><\/div>\n
<\/div>\n
\/<\/span><\/div>\n
\u25cd \u672c\u653e\u6620\u6d3b\u52d5\u8207 wave~form~projects \u548c re:assemblage Collective \u5408\u4f5c\u7b56\u756b\uff0c\u4ee5\u53ca\u7b2c\u4e00\u5834\u6b21\u653e\u6620\u70ba\u8207\u726f\u5dba\u8857\u5c0f\u5287\u5834\u4e4b\u5834\u5730\u5408\u4f5c\u3002<\/div>\n
\/<\/span><\/div>\n
<\/div>\n
\"\u25b6\"<\/span>\u00a0\u5831\u540d\u9023\u7d50\uff1ahttps:\/\/forms.gle\/oLcCeWDW2mZsmWnh9<\/a><\/div>\n
\"\u25b6\"<\/span> \u672c\u5834\u6d3b\u52d5\u5305\u542b\u3010\u5f71\u7247\u653e\u6620\u3011\u8207\u3010\u89c0\u5f8c\u5fc3\u5f97\u5206\u4eab\u3011<\/div>\n
\"\u25b6\"<\/span>\u00a0\u5f71\u7247\u50c5\u6709\u82f1\u6587\u5b57\u5e55<\/div>\n
<\/div>\n
\"\u25b6\"<\/span>\u00a0\u64ad\u653e\u5f71\u7247\uff1a\u300a\u5df4\u52d2\u65af\u5766\u7a2e\u5b50\u4e4b\u6b4c\u300b\uff5c\u7e3d\u9577\u517174\u5206\u9418<\/div>\n

\"\u25b6\"<\/span>\u00a0\u5f71\u7247\u4ecb\u7d39\uff1a<\/div>\n
\u300a\u5df4\u52d2\u65af\u5766\u7a2e\u5b50\u4e4b\u6b4c\u300b\u532f\u805a\u4e86\u4e00\u7cfb\u5217\u77ed\u7247\uff0c\u65e8\u5728\u63a2\u8a0e\u300c\u7a2e\u5b50\u300d\u7684\u4e3b\u6b0a\u8207\u539f\u751f\u97cc\u6027\uff0c\u5f37\u8abf\u571f\u5730\u3001\u6587\u5316\u8207\u81ea\u6c7a\u4e4b\u9593\u7684\u7dca\u5bc6\u806f\u7e6b\u3002\u5f71\u7247\u5f9e\u8c61\u5fb5\u8207\u5be6\u52d9\u89d2\u5ea6\u8a0e\u8ad6\u7a2e\u5b50\u3001\u690d\u7269\u751f\u547d\u8207\u571f\u5730\u4e4b\u9593\u7684\u95dc\u4fc2\uff0c\u5c55\u73fe\u539f\u751f\u793e\u7fa4\u5728\u62b5\u6297\u8207\u50b3\u627f\u4e2d\u7684\u529b\u91cf\uff0c\u9762\u5c0d\u74b0\u5883\u5a01\u8105\u8207\u6b96\u6c11\u58d3\u8feb\uff0c\u9019\u4e9b\u5f71\u7247\u63a2\u7d22\u722d\u53d6\u81ea\u7531\u8207\u751f\u5b58\u7684\u52d5\u529b\uff0c\u555f\u767c\u5c0d\u65bc\u5b58\u5728\u7684\u8106\u5f31\u6027\u8207\u97cc\u6027\u7684\u6df1\u523b\u53cd\u601d\u3002\u300a\u5df4\u52d2\u65af\u5766\u7a2e\u5b50\u4e4b\u6b4c\u300b\u95e1\u660e\u300c\u7a2e\u5b50\u4e3b\u6b0a\u300d\u5728\u4fdd\u969c\u539f\u751f\u793e\u7fa4\u6b0a\u5229\u8207\u6587\u5316\u907a\u7522\u4e2d\u7684\u95dc\u9375\u89d2\u8272\uff0c\u878d\u5408\u4e86\u81ea\u53e4\u4ee5\u4f86\u7684\u591a\u5143\u8072\u97f3\u8207\u524d\u885b\u89c0\u9ede\uff0c\u53cd\u601d\u300c\u751f\u614b\u7ba1\u7406\u300d\u8207\u300c\u81ea\u6c7a\u300d\u8b70\u984c\u5982\u4f55\u5728\u9019\u7247\u8c50\u9952\u571f\u5730\u4e0a\u6301\u7e8c\u919e\u91c0\u8207\u767c\u5c55\u3002<\/div>\n
\u273a Cecilia Vicu\u00f1a, Semiya (Seed song) (2015, Chile, 8 mins)
\u273a Alanis Obomsawin, Farming (1975, Canada, 2 mins)
\u273a Rana Nazzal Hamadeh, We Would Be Freer (2023, Palestine\/Canada, 9 mins)
\u273a Marwa Arsanios, Who is Afraid of Ideology, Part I & II (2017-2019, Lebanon\/Iraqi
\u273a Kurdistan, North and East Syria, 39 mins)
\u273a Ryley Williams, it\u2019s amazing that you still exist (2021, Canada, 4 mins)
\u273a Nicol\u00e1s Grandi and Lata Mani, Nocturne I (2013, India, 5 mins)<\/div>\n
\/<\/span><\/div>\n
\"\u25b6\"<\/span>\u00a0\u52df\u8cc7\u904b\u7528\uff1a \uff08 \u66f4\u591a\u8a0a\u606f:\u00a0https:\/\/reurl.cc\/WAGg7D<\/a>\u00a0\uff09<\/div>\n
\/<\/span><\/div>\n
\u963f\u62c9\u4f2f\u81ea\u7136\u4fdd\u8b77\u7d44\u7e54\uff08APN\uff09\u8207 Khidr Collective \u651c\u624b\u767c\u8d77\u4e86\u300c\u5fa9\u7526\u52a0\u85a9\u8fb2\u7530\u300d\u8a08\u756b\uff0c\u81f4\u529b\u65bc\u5c0d\u6297\u932b\u5b89\u4e3b\u7fa9\u8005\u767c\u52d5\u7684\u591a\u9762\u5411\u975e\u6cd5\u571f\u5730\u5fb5\u6536\u3001\u8fb2\u696d\u7834\u58de\u53ca\u300c\u7ce7\u98df\u6b66\u5668\u5316\u300d\u7b49\u884c\u70ba\u3002\u8a72\u8a08\u756b\u7d9c\u5408\u8003\u91cf\u6d41\u52d5\u6027\u3001\u8cc7\u6e90\u53d6\u5f97\u6e20\u9053\u548c\u8fb2\u6c11\u9700\u6c42\u7b49\u56e0\u7d20\uff0c\u900f\u904e\u5fa9\u80b2\u53d7\u640d\u7684\u8fb2\u5730\u3001\u63d0\u4f9b\u5fc5\u8981\u8cc7\u6e90\uff0c\u63a8\u52d5\u5efa\u7acb\u66f4\u6c38\u7e8c\u4e14\u81ea\u7d66\u81ea\u8db3\u7684\u7cfb\u7d71\uff0c\u64fa\u812b\u570b\u969b\u63f4\u52a9\u7684\u4f9d\u8cf4\u3002\u82e5\u60a8\u9858\u610f\u652f\u6301\u6b64\u8a08\u756b\uff0c\u53ef\u900f\u904e\u6350\u6b3e\uff0c\u6216\u767c\u8d77\u5728\u5730\u6d3b\u52d5\uff08\u5982\u96fb\u5f71\u653e\u6620\u3001\u8b80\u66f8\u6703\u3001\u665a\u5bb4\u7b49\uff09\u9032\u884c\u52df\u6b3e\u3002<\/div>\n
<\/div>\n
\u273a \u300c\u5fa9\u7526\u52a0\u85a9\u8fb2\u7530\u300d\u8a08\u756b\u662f\u7531 Golo Besmlah \u8207 APN \u5408\u4f5c\u767c\u8d77\u7684\u3002<\/div>\n
\u6350\u6b3e\u9023\u7d50\uff1ahttps:\/\/www.apnature.org\/en\/gaza<\/a><\/div>\n
\/<\/span><\/div>\n
\"\u25b6\"<\/span>\u00a0\u767c\u8d77\u55ae\u4f4d\uff1a<\/div>\n
\"\"<\/span>Khidr:\u00a0https:\/\/www.instagram.com\/golobesmlah\/<\/a><\/div>\n
\"\"<\/span>re:assemblage collective
https:\/\/reassemblage.ca\/<\/a>
https:\/\/www.instagram.com\/reassemblagecollective\/<\/a><\/div>\n
<\/div>\n
\u81ea 2016 \u5e74\u8d77\uff0cre:assemblage \u4e00\u76f4\u81f4\u529b\u65bc\u900f\u904e\u300c\u516c\u958b\u5f71\u50cf\u653e\u6620\u300d\u4f86\u652f\u6301\u5c11\u6578\u65cf\u7fa4\u7684\u8072\u97f3\u8207\u8996\u89d2\u3002\u6211\u5011\u7684\u884c\u52d5\u5177\u6709\u9ad8\u5ea6\u6d41\u52d5\u6027\u4e14\u76ee\u6a19\u660e\u78ba\uff0c\u65e8\u5728\u300c\u91cd\u7d44 \/ \u91cd\u65b0\u8a6e\u91cb\u300d\u6709\u95dc\u85dd\u8853\u96fb\u5f71\u8207\u5f71\u50cf\u7684\u65e2\u5b9a\u5047\u8a2d\uff0c\u5305\u62ec\u6240\u63cf\u7e6a\u7684\u4eba\u7269\u4ee5\u53ca\u6240\u5021\u5c0e\u7684\u4f5c\u54c1\u5f62\u5f0f\u3002re:assemblage \u7531 Christina Battle \u548c Scott Miller Berry \u5171\u540c\u5275\u7acb\uff0c\u76ee\u524d\u7531 Faraz Anoushahpour \u8207 Scott Miller Berry \u7d93\u71df\uff0c\u4e26\u4ee5\u7279\u5361\u502b\u6258\/\u591a\u502b\u591a\u70ba\u4e3b\u8981\u57fa\u5730\u3002<\/div>\n
\/<\/span><\/div>\n
\"\"<\/span>Wave~form~projects
https:\/\/www.instagram.com\/waveformprojects\/<\/a><\/div>\n
\u7b56\u5c55\u4eba Toleen Touq \u548c Liz Ikiriko \u81ea 2018 \u5e74\u8d77\u5171\u540c\u7d93\u71df\u300c\u6ce2\u5f62\u8a08\u756b\u300d\uff08wave~form~projects\uff09\u3002\u76ee\u524d\u5b9a\u5c45\u65bc\u591a\u502b\u591a\uff0c\u4ed6\u5011\u81f4\u529b\u65bc\u8207\u5c11\u6578\u7fa4\u9ad4\u7684\u85dd\u8853\u5bb6\u3001\u7b56\u5c55\u4eba\u53ca\u85dd\u8853\u5de5\u4f5c\u8005\u5408\u4f5c\uff0c\u4ed6\u5011\u7684\u4f5c\u54c1\u878d\u5408\u4e86\u76f8\u4e92\u6276\u6301\u3001\u4eba\u969b\u9023\u7d50\u4ee5\u53ca\u6279\u5224\u6027\u7684\u63a2\u7a76\u7cbe\u795e\u30022021 \u5e74\u81f3 2023 \u5e74\u9593\uff0c\u4ed6\u5011\u7d44\u7e54\u4e86\u300cWays of Attuning\u300d\u7814\u7a76\u5c0f\u7d44\uff0c\u652f\u6301\u6d77\u9f9c\u5cf6\uff08Turtle Island\uff09\u5404\u5730\u7684\u53c3\u8207\u8005\u5c55\u958b\u591a\u5143\u800c\u7dca\u5bc6\u7684\u7b56\u5c55\u5be6\u8e10\u3002\u81ea\u6b64\uff0c\u4ed6\u5011\u8207 Critical Distance Centre for Curators\u3001Gallery TPW\u3001Images Festival \u53ca re:assemblage Collective \u5408\u4f5c\uff0c\u8209\u8fa6\u4e86\u591a\u5834\u6559\u80b2\u5de5\u4f5c\u574a\u3001\u8996\u89ba\u85dd\u8853\u53ca\u96fb\u5f71\u76f8\u95dc\u8a08\u756b\u3002<\/div>\n
\/<\/span><\/div>\n
\"\"<\/span>\u963f\u62c9\u4f2f\u81ea\u7136\u4fdd\u8b77\u7d44\u7e54\uff08APN\uff09
Arab Group for the Protection of Nature (APN)
https:\/\/www.apnature.org\/en<\/a>
https:\/\/www.instagram.com\/apnorg\/<\/a><\/div>\n
APN\u70ba\u4e00\u9593\u975e\u71df\u5229\u7d44\u7e54\uff0c\u81f4\u529b\u65bc\u4fdd\u8b77\u963f\u62c9\u4f2f\u570b\u5bb6\u7684\u74b0\u5883\u53ca\u81ea\u7136\u8cc7\u6e90\uff0c\u9632\u7bc4\u5404\u985e\u5371\u5bb3\uff0c\u5305\u62ec\u6230\u722d\u548c\u5916\u4f86\u8005\u5c0d\u751f\u614b\u9020\u6210\u7684\u8ca0\u9762\u5f71\u97ff\u3002APN \u65bc 2003 \u5e74 4 \u6708\u7531\u4e00\u7fa4\u5145\u6eff\u71b1\u60c5\u7684\u4eba\u58eb\u6210\u7acb\uff0c\u76ee\u6a19\u662f\u8207\u5340\u57df\u6027\u548c\u570b\u969b\u7d44\u7e54\u5408\u4f5c\uff0c\u4fdd\u8b77\u963f\u62c9\u4f2f\u74b0\u5883\u3002<\/div>\n
<\/div>\n
\u2014– English information as below \u2014-<\/div>\n
<\/div>\n
\"\"<\/span>\u30101st Event \u3011
18th Jan 2025 (Sat) \/ 14:30-17:00\uff08Taiwan time \/ GMT+8\uff09
Guling Street Avant-garde Theatre \uff08https:\/\/maps.app.goo.gl\/PvLMD2JR3Vs9siGb7<\/a>\uff09
No. 2, Lane 5, Guling St, Zhongzheng District, Taipei City, 100<\/div>\n
\"\"<\/span>\u30102nd Event \u3011
19th Jan 2025 (Sun) \/ 14:30-17:00\uff08Taiwan time \/ GMT+8\uff09
Grassland \uff08https:\/\/maps.app.goo.gl\/r9iE5aDeUVjwxkEVA<\/a>\uff09
No. 52, Section 3, Yanping N Rd, Datong District, Taipei City, 103<\/div>\n
\u25cd Grassland Venue: There is a minimum charge of one drink per person for admission.
\u25cd Curated by wave~form~projects and re:assemblage collective.<\/div>\n
—-<\/div>\n
\"\u25b6\"<\/span>\u00a0Event registration link\uff1ahttps:\/\/forms.gle\/oLcCeWDW2mZsmWnh9<\/a>
\"\u25b6\"<\/span>\u00a0The film is with English subtitles only.<\/div>\n
\"\u25b6\"<\/span>\u00a0Film: \u300aSeed Songs for Palestine\u300b<\/div>\n
\u273a Cecilia Vicu\u00f1a, Semiya (Seed song) (2015, Chile, 8 mins)
\u273a Alanis Obomsawin, Farming (1975, Canada, 2 mins)
\u273a Rana Nazzal Hamadeh, We Would Be Freer (2023, Palestine\/Canada, 9 mins)
\u273a Marwa Arsanios, Who is Afraid of Ideology, Part I & II (2017-2019, Lebanon\/Iraqi
\u273a Kurdistan, North and East Syria, 39 mins)
\u273a Ryley Williams, it\u2019s amazing that you still exist (2021, Canada, 4 mins)
\u273a Nicol\u00e1s Grandi and Lata Mani, Nocturne I (2013, India, 5 mins)<\/div>\n
Total time: 74 mins | English subtitle only.<\/div>\n
\/<\/span><\/div>\n
\"\u25b6\"<\/span>\u00a0Description:<\/div>\n
The films in Seed Songs for Palestine engage themes of seed sovereignty and Indigenous resilience, highlighting the intrinsic connections between land, culture, and self-determination. Delving into the symbolic and practical importance of seeds, plant life, and relations with land as forms of resistance and continuity for Indigenous communities, the films interrogate the dynamics of freedom and survival in the face of environmental and colonial oppression, while also offering poignant reflections on both the fragility and resilience of existence. Collectively, they illuminate the vital role of seed sovereignty in asserting Indigenous rights and preserving cultural heritage. This collection of shorts presents a rich tapestry of voices and radical perspectives that have existed from time immemorial, considering the intersections of ecological stewardship and self determination which continue to disperse across fertile lands.<\/div>\n
Curated by wave~form~projects and re:assemblage collective.<\/div>\n
\/<\/span><\/div>\n
\"\u25b6\"<\/span>\u00a0How to use fundings? \uff08More details:\u00a0https:\/\/reurl.cc\/WAGg7D<\/a>\uff09<\/div>\n
In collaboration with Khidr Collective, The Arab Group for the Protection of Nature (APN) is launching the \u00abRevive Gaza’s Farmland\u00bb project to advocate for the resistance against the multifaceted illegal confiscation of land, destruction of the agriculture sector, and the weaponisation of food by the Zionist Entity. By rehabilitating damaged farms and providing essential materials for agricultural production we aim to support existing efforts that strive for a more sustainable and self-reliant system, free from dependence on foreign entities.<\/div>\n
<\/div>\n
Our project systematically addresses this, taking into account factors like mobility, resource access, and farmers’ needs. Support the project through direct donation or through self-organised events such as film screenings, readings, dinners, etc.<\/div>\n
<\/div>\n
\u273a The Revive Gaza’s Farmlands is initiated by Golo Besmlah in collaboration with APN.
\u273a Support Farmers in Gaza\uff1ahttps:\/\/www.apnature.org\/en\/gaza<\/a><\/div>\n
\/<\/span><\/div>\n
\"\u25b6\"<\/span>\u00a0Curation parties<\/div>\n
\"\"<\/span>Khidr:\u00a0https:\/\/www.instagram.com\/golobesmlah\/<\/a><\/div>\n
\"\"<\/span>re:assemblage collective
https:\/\/reassemblage.ca\/<\/a>
https:\/\/www.instagram.com\/reassemblagecollective\/<\/a><\/div>\n
\/<\/span><\/div>\n
Since 2016 this collective has been committed to championing underrepresented voices and perspectives through public film\/video screenings. We are itinerant and intentional. We are “reassembling” assumptions about artist film\/video practices: who is shown and the forms of works championed. The re:assemblage collective was co-instigated by Christina Battle and Scott Miller Berry and is currently composed of Faraz Anoushahpour with Miller Berry and calls Tkaronto\/Toronto home.<\/div>\n
\/<\/span><\/div>\n
\"\"<\/span>wave~form~projects
https:\/\/www.instagram.com\/waveformprojects\/<\/a><\/div>\n
Since 2018 curators Toleen Touq and Liz Ikiriko have been working together as wave~form~projects. Currently based in Toronto, their practice embodies collaboration, relationality, and critical inquiry alongside communities of underrepresented artists, curators and arts workers. From 2021 to 2023, they facilitated Ways of Attuning, a study group which supported intimate and expansive curatorial practice with a group of participants across Turtle Island. Since then, they have presented pedagogical workshops and visual arts and film programs with Critical Distance Centre for Curators, Gallery TPW, Images Festival, and re:assemblage collective.<\/div>\n
\/<\/span><\/div>\n
\"\"<\/span>Arab Group for the Protection of Nature (APN)
https:\/\/www.apnature.org\/en<\/a>
https:\/\/www.instagram.com\/apnorg\/<\/a><\/div>\n
The Arab Group for the Protection of Nature (APN) is an independent non-profit organization concerned with the protection of the environment and the natural resources of Arab countries against all hazards, including the destructive impacts of wars and foreign occupations. APN was established in April, 2003 by a group of motivated people who aim to protect the Arab environment alongside regional and international organizations.<\/div>\n
<\/div>\n
\u2014—-<\/div>\n

\"\u25b6\"<\/span>\u00a0\u53f0\u7063\u7c4c\u5099\u5718\u968a Organisers in Taiwan<\/div>\n
\u300a\u96e3\u6c11\u8def\u5f91\u300b\u7531\u5169\u4f4d\u767c\u8d77\u8005\u6731\u7b71\u742a\uff08Weave the Edge \u767c\u8d77\u8005\uff09\u8207\u80e1\u921e\u5a9b\uff08Refugee 101 Taiwan \u767c\u8d77\u8005\uff09\u5171\u540c\u767c\u8d77\uff0c\u7d50\u5408\u4ed6\u5011\u5728\u5f37\u8feb\u9077\u5f99\u8207\u96e3\u6c11\u7814\u7a76\u9818\u57df\u7684\u5c08\u696d\u80cc\u666f\uff0c\u4ee5\u53ca\u5728\u4e2d\u6771\u3001\u4e9e\u6d32\u3001\u975e\u6d32\u548c\u6b50\u6d32\u7684\u7530\u91ce\u7d93\u9a57\u3002\u85c9\u7531\u63a8\u52d5\u5f37\u8feb\u9077\u5f99\u8207\u96e3\u6c11\u8b70\u984c\u7684\u5de5\u4f5c\u574a\uff0c\u5e0c\u671b\u900f\u904e\u300c\u7cfb\u5217\u5171\u7b46\u8a0e\u8ad6\u5de5\u4f5c\u574a\u300d\u7684\u6848\u4f8b\u8a0e\u8ad6\uff0c\u9010\u6b65\u5efa\u7acb\u4e00\u500b\u95dc\u65bc\u5f37\u8feb\u9077\u5f99\u8207\u96e3\u6c11\u8b70\u984c\u7684\u77e5\u8b58\u6574\u5408\u5e73\u53f0\u2014\u2014\u300a\u5f37\u8feb\u9077\u5f99\u8cc7\u6599\u5eab\u300b\u3002<\/div>\n
\/<\/span><\/div>\n
Refugee Path is led by Hsiao-Chi Chu, the founder of Weave the Edge, and Chun-Yuan Hu, the founder of Refugee 101 Taiwan. Drawing on their extensive research experience in forced migration and refugees, as well as their fieldwork across the Middle East, Asia, Africa, and Europe, they aim to create a knowledge-driven platform called the ‘Forced Migration Database’ in Taiwan. This platform will involve workshop participants and contributors from various disciplines.<\/div>\n
<\/div>\n
\u2014—-<\/div>\n

\u7279\u5225\u611f\u8b1d\u726f\u5dba\u8857\u5c0f\u5287\u5834\u8207\u96dc\u8349\u753a\u4e4b\u5834\u5730\u652f\u63f4\uff0c\u4ee5\u53ca\u738b\u8679\u51f1\u7684\u5354\u52a9\u3002
Many thanks for the support from Guling Street Avant-garde Theatre and Grassland, and the facilitation of Hong-Kai Wang.<\/div>\n","protected":false},"excerpt":{"rendered":"

\u3010\u5df4\u52d2\u65af\u5766\u52df\u8cc7\u653e\u6620\u6703\u3011\u5fa9\u7526\u52a0\u85a9\u8fb2\u7530\u3010Support Palestine – Film Screen […]<\/p>\n","protected":false},"author":4,"featured_media":12660,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[199,219,20,39],"tags":[],"class_list":["post-12659","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jan","category-219","category-schedule","category-39"],"_links":{"self":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/12659","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12659"}],"version-history":[{"count":9,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/12659\/revisions"}],"predecessor-version":[{"id":12669,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/12659\/revisions\/12669"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/media\/12660"}],"wp:attachment":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12659"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}