{"id":12614,"date":"2024-12-03T12:12:14","date_gmt":"2024-12-03T04:12:14","guid":{"rendered":"https:\/\/www.glt.org.tw\/?p=12614"},"modified":"2024-12-17T13:07:30","modified_gmt":"2024-12-17T05:07:30","slug":"body-quartet%e8%ba%ab%e9%ab%94%e9%87%8d%e5%a5%8f","status":"publish","type":"post","link":"https:\/\/www.glt.org.tw\/?p=12614","title":{"rendered":"Body QUARTET\u8eab\u9ad4\u91cd\u594f"},"content":{"rendered":"

\"\"<\/p>\n

Body QUARTET\u8eab\u9ad4\u91cd\u594f<\/strong><\/p>\n

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Body QUARTET\u8eab\u9ad4\u91cd\u594f\u8a08\u756b\uff0c\u6df1\u5165\u63a2\u7d22\u8eab\u9ad4\u7684\u591a\u6a23\u3001\u8907\u96dc\u6027\uff0c\u4ee5\u53ca\u5176\u5b58\u5728\u3001\u7f3a\u5e2d\u8207\u9593\u9699\u7684\u72c0\u614b\u3002\u4e0d\u540c\u7684\u8eab\u9ad4\uff08\u5178\u578b\u8207\u975e\u5178\u578b\uff09\u5982\u4f55\u900f\u904e\u5373\u8208\u7684\u60f3\u6cd5\uff0c\u5171\u540c\u821e\u52d5 \u3002\u5169\u7a2e\u622a\u7136\u4e0d\u540c\u7684\u8eab\u9ad4\u5982\u4f55\u76f8\u4e92\u6311\u91c1\u3001\u5c0d\u6297\u3001\u5438\u5f15\uff0c\u6700\u7d42\u7de8\u7e54\u6210\u4e00\u66f2\u56db\u91cd\u594f\uff1f<\/p>\n

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\u6f14\u51fa\u6642\u9593\uff1a2024\/12\/15 (\u65e5) 13:00<\/strong><\/p>\n

\u6f14\u51fa\u5730\u9ede\uff1a\u726f\u5dba\u8857\u5c0f\u5287\u5834 3\u6a13\u6392\u7df4\u5834<\/strong><\/p>\n

\u6f14\u51fa\u5168\u9577<\/strong>\uff1a<\/strong>30<\/strong>\u5206\u9418<\/strong><\/p>\n

\u5165\u5834\u65b9\u5f0f<\/strong>\uff1a\u73fe\u5834\u6295\u6b3e\u8d0a\u52a9\u7bb1<\/strong><\/p>\n

\u6f14\u51fa\u6d3b\u52d5 \u7db2\u8def\u9023\u7d50<\/strong>\uff1a<\/strong>https:\/\/shorturl.at\/tAnjy<\/a><\/strong><\/p>\n

\u7968\u50f9<\/strong>\uff1a<\/strong> \u767b\u8a18\u8868\u55ae\u5c07\u8aaa\u660e\u300c\u6b61\u8fce\u8d0a\u52a9\uff08<\/strong>200<\/strong>\u5143\u6216\u4ee5\u4e0a\uff09<\/strong><\/p>\n

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\u3010\u8868\u6f14\u8005\u4ecb\u7d39\u3011<\/p>\n

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\u6881\u4fca\u6587\uff08\u53f0\u7063\uff09<\/p>\n

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\u8463\u5bb6\u5a01\uff08\u65b0\u52a0\u5761\uff09<\/p>\n

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\u672c\u8a08\u756b\u7279\u5225\u611f\u8b1d\u5169\u4f4d\u5c0e\u5e2b\uff0c\u912d\u5fd7\u5fe0\uff08\u53f0\u7063\uff09\u3001\u6797\u632f\u767c\uff08\u65b0\u52a0\u5761\uff09\u5c0d\u8a08\u756b\u53c3\u8207\u8005\u7684\u63d0\u9192\u8207\u6311\u6230\u3002\u611f\u8b1dSigma\u7684\u6d2a\u570b\u5cf0\u8207\u8521\u5353\u6069\uff0c\u5728\u65b0\u52a0\u5761\u7684\u5de5\u4f5c\u671f\u9593\u63d0\u4f9b\u7121\u5fae\u4e0d\u81f3\u7684\u7167\u9867\uff0c\u4ee5\u53ca\u5b89\u6392\u7b56\u756b\u5404\u500b\u7d30\u7bc0\u3002\u8b1d\u8b1d\u4eca\u5e74\u66fe\u51fa\u5e2d\u726f\u5dba\u8857\u5c0f\u5287\u5834\u4e09\u6a13\u6392\u7df4\u5834\u300cBody QUARTET (Live)\u300d\u8eab\u9ad4\u91cd\u594f\u73fe\u5834\u7684\u8868\u6f14\u8005\u6797\u5b50\u5be7\u3001\u9ec3\u6674\u6021\uff08\u516b\u6708\u5834\u6b21\uff09\uff0c\u674e\u65b0\u5bf6\u3001\u67f3\u6625\u6625\u5287\u793e\u7389\u6cc9\u5c0f\u968a\u6210\u54e1\u8a79\u51f1\u5b89\u3001\u912d\u5fd7\u5fe0\uff08\u4e5d\u6708\u5834\u6b21\uff09\u3002<\/p>\n

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Body QUARTET<\/p>\n

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Body QUARTET delves into the intricacies of body diversity – its presence, absence and the state of liminality. How do two distinct bodies provoke, confront, and allure each other to be woven into a QUARTET?<\/p>\n

Join Liang Chun-Wen (TW) and Tung Ka Wai (SG) for a Work-in-Progress sharing session as part of their cross-border collaboration. Bring your presence, energy, and feedback to be part of this research.<\/p>\n

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Performers<\/p>\n

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\uff0dLiang Chun-Wen. Completed a 3-year Dance Program from Taipei Little Theatre School in 2016. A member from a little theatre company – Oz Theatre Company’s Yuquan Squat for Actor. Currently working at Taipei Guling Street Avant-Garde Theatre as a newsletter editor.<\/p>\n

In recent years, Liang has attempted to cooperate with choreographers, theater directors, practitioners in performance art, and visual artists in Taiwan, accumulating movement experiences and dialectical body activation methods and aesthetics from various live performance experiences. Selected works include Cheng Chih-Chung’s “The Beautiful”, Chou Shu-yi’s choreography “Dance a Dance From My Yellow Skin”, Yao Li-Chun’s “The Steps”, Val Lee’s “Severing, Fracturing, Uniting, Pulverizing, Policing” and “Charting the Contours of Time”.<\/p>\n

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\uff0dTung Ka Wai. Graduated from National Taipei University of the Arts -Theater Arts Creation Institute (Master’s Program in Playwriting), and the National University of Singapore’s Department of Chinese Language and Literature. Ka Wai’s artistic interest lies in theatre, text and body.<\/p>\n

Selected works include Dance a Dance From My Yellow Skin by Chou Shu-yi (Co-commissioned and co-produced by Esplanade \u2013 Theatres on the Bay and National Kaohsiung Center for the Arts Weiwuying), A Space for Everybody by Candoco Dance Company (da:ns focus, Esplanade), Glimpse by Access Path Productions and RJ Thomson (Light to Night Festival 2023), Love Talk Show by Love 97.2 (2022), P\u00e1n by T.H.E Dance Company (2021), Dance at Dusk: Parallel by T.H.E Second Company (2021).<\/p>\n

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*Special thanks to the two mentors, Cheng Chih-Chung (Taiwan) and Lin Chin Huat (Singapore), for their reminders and challenges to the participants, and to Sigma’s Guofeng and Chiok for their meticulous care and planning during the residency in Singapore. Also thanks to the performers Lin Tzu-Ning, Huang Ching (August session), and Chan Kai-An, Cheng Chih-Chung, Lee Hsin-Bao (September session) for attending the body ensemble at the “Body QUARTET (Live)” on the third floor of the Guling Street Small Theatre this year.<\/p>\n

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\u7b56\u5283\u4eba\uff1a\u6881\u4fca\u6587 a60812waynee@gmail.com<\/a><\/strong><\/p>\n

\u6d3b\u52d5\u8a0a\u606f\u7db2\u5740<\/strong>\uff1a<\/strong>https:\/\/www.facebook.com\/share\/19TionaLJi\/<\/a><\/strong><\/p>\n

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 <\/p>\n","protected":false},"excerpt":{"rendered":"

Body QUARTET\u8eab\u9ad4\u91cd\u594f   Body QUARTET\u8eab\u9ad4\u91cd\u594f\u8a08\u756b\uff0c\u6df1\u5165\u63a2\u7d22\u8eab\u9ad4\u7684\u591a\u6a23\u3001\u8907\u96dc […]<\/p>\n","protected":false},"author":4,"featured_media":12615,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[210,218,20,37],"tags":[],"class_list":["post-12614","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dec","category-218","category-schedule","category-37"],"_links":{"self":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/12614","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12614"}],"version-history":[{"count":5,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/12614\/revisions"}],"predecessor-version":[{"id":12632,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/12614\/revisions\/12632"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/media\/12615"}],"wp:attachment":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12614"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12614"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}