{"id":12453,"date":"2024-11-14T21:55:36","date_gmt":"2024-11-14T13:55:36","guid":{"rendered":"https:\/\/www.glt.org.tw\/?p=12453"},"modified":"2024-11-17T15:26:12","modified_gmt":"2024-11-17T07:26:12","slug":"ext-14-%e5%b9%bd%e6%9a%97%e4%b8%ad%e4%b8%8d%e5%8f%af%e8%a6%8b%e7%9a%84%e5%8f%af%e8%a6%8b-%e9%95%b7%e7%89%87%e6%94%be%e6%98%a0-%e7%84%a6%e9%bb%9e%e8%97%9d%e8%a1%93%e5%ae%b6-gaelle-r","status":"publish","type":"post","link":"https:\/\/www.glt.org.tw\/?p=12453","title":{"rendered":"EX!T 14 – \u5e7d\u6697\u4e2d\u4e0d\u53ef\u898b\u7684\u53ef\u898b\u2014\u2014\u9577\u7247\u653e\u6620 \u7126\u9ede\u85dd\u8853\u5bb6 Ga\u00eblle Rouard"},"content":{"rendered":"\n

EX!T 14 – <\/strong>\u5e7d\u6697\u4e2d\u4e0d\u53ef\u898b\u7684\u53ef\u898b\u2014\u2014\u9577\u7247\u653e\u6620 \u7126\u9ede\u85dd\u8853\u5bb6 Ga\u00eblle Rouard<\/strong><\/p>\n\n\n\n

Darkness, Darkness Burning Bright<\/strong><\/p>\n\n\n\n

\/<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u570b\u5bb6\u96fb\u5f71\u53ca\u8996\u807d\u6587\u5316\u4e2d\u5fc3 \u5c0f\u5f71\u683c Cinema B<\/strong><\/p>\n\n\n\n

12.07 SAT 12:40<\/strong><\/p>\n\n\n\n

\/<\/p>\n\n\n\n

\u9ed1\u591c\uff0c\u71e6\u721b\u71c3\u71d2\u7684\u9ed1\u591c  Darkness, Darkness Burning Bright<\/strong><\/strong><\/strong><\/p>\n\n\n\n

\u84cb\u5152\u00b7\u80e1\u4e9e Ga\u00ebll\u00eb Rouard\uff5c\u6cd5\u570b France\uff5c2022\uff5cDCP\uff5cb&w \uff5c70min<\/p>\n\n\n\n

2022 25FPS\u5f71\u5c55 \u64f4\u5ef6\u96fb\u5f71\u55ae\u5143 25FPS. Expanded Cinema<\/p>\n\n\n\n

2022 \u9e7f\u7279\u4e39\u570b\u969b\u96fb\u5f71\u7bc0   International Film Festival Rotterdam P&I selection<\/p>\n\n\n\n

1996\u5e74\u52302006\u5e74\u9593\uff0c\u80e1\u4e9e\u4e3b\u5c0e\u6cd5\u570b\u683c\u52d2\u8afe\u52c3\u7684\u85dd\u8853\u5bb6\u81ea\u71df\u6c96\u5370\u5ba4MTK\uff0c\u5728\u96fb\u5f71\u6578\u4f4d\u5316\u8da8\u52e2\u4e0b\uff0cMTK\u6210\u70ba\u6b50\u6d32\u6307\u6a19\u6027\u7684\u5149\u5316\u5b78\u5f71\u50cf\u85dd\u8853\u793e\u5718\u3002\u5176\u5f8c\uff0c\u5979\u6301\u7e8c\u6d3b\u8e8d\u65bc\u73fe\u5834\u96fb\u5f71\u5c55\u6f14\u548c\u624b\u5de5\u5de5\u4f5c\u574a\u3002\u300a\u9ed1\u591c\uff0c\u71e6\u721b\u71c3\u71d2\u7684\u9ed1\u591c\u300b\u662f\u80e1\u4e9e\u7684\u7b2c\u4e00\u90e8\u9577\u7247\u3002<\/p>\n\n\n\n

\u9019\u90e8\u4f5c\u54c1\u5206\u70ba\u4e0a\u4e0b\u5169\u90e8\u66f2\u3008\u524d\u594f\u3009\u548c\u3008\u7948\u79b1\u3009\uff0c\u3008\u524d\u594f\u3009\u570d\u7e5e\u8457\u88ab\u8272\u5f69\u3001\u5f71\u5b50\u7a7f\u900f\u7684\u98a8\u666f\uff0c\u5f15\u767c\u4e00\u7cfb\u5217\u7684\u611f\u89ba\u7247\u6bb5\u3002\u6bcf\u4e00\u5e40\u5f71\u683c\u90fd\u662f\u4e00\u5e45\u975c\u7269\u756b\uff0c\u611f\u5149\u4e73\u5291\u986f\u50cf\u5982\u540c\u65b0\u751f\u3002<\/p>\n\n\n\n

\u7136\u800c\uff0c\u5982\u7b2c\u4e8c\u5e55\u6a19\u984c\u3008\u7948\u79b1\u3009\u6240\u6697\u793a\uff0c\u6b7b\u4ea1\u7684\u9670\u5f71\u4f7f\u4eba\u505c\u4e0b\u8173\u6b65\uff0c\u53cd\u601d\u751f\u547d\u3002\u81a0\u5377\u5982\u68f1\u93e1\u822c\u5c07\u611f\u77e5\u5e36\u5165\u5149\u4eae\uff0c\u6298\u5c04\u7368\u5c6c\u65bc\u5149\u5316\u5b78\u96fb\u5f71\u7684\u96b1\u55bb\u3002<\/p>\n\n\n\n

Between 1996 and 2006, Ga\u00eblle Rouard led the artist-run lab MTK in Grenoble, France. Amid the trend of digital cinema, MTK became a significant hub for photochemical film art in Europe. From then on, Rouard has been active in live performances and hand-made film workshops. This is her first feature film.
The work is composed of two parts. Prelude<\/em> dives into landscapes penetrated by colors and shadows. Each frame is like a still life; the emulsion mirrors the state of the newly born. In Oraison<\/em>, the shadow of death causes one to pause and reflect on life, a metaphor proper to photochemical film.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\n","protected":false},"excerpt":{"rendered":"

EX!T 14 – \u5e7d\u6697\u4e2d\u4e0d\u53ef\u898b\u7684\u53ef\u898b\u2014\u2014\u9577\u7247\u653e\u6620 \u7126\u9ede\u85dd\u8853\u5bb6 Ga\u00eblle Rouard Dar […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[210,218,7,17],"tags":[],"class_list":["post-12453","post","type-post","status-publish","format-standard","hentry","category-dec","category-218","category-glt_program","category-programs"],"_links":{"self":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/12453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12453"}],"version-history":[{"count":2,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/12453\/revisions"}],"predecessor-version":[{"id":12510,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/12453\/revisions\/12510"}],"wp:attachment":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}