{"id":12429,"date":"2024-11-14T21:32:36","date_gmt":"2024-11-14T13:32:36","guid":{"rendered":"https:\/\/www.glt.org.tw\/?p=12429"},"modified":"2024-11-17T15:28:48","modified_gmt":"2024-11-17T07:28:48","slug":"ext-14-%e5%a4%9a%e9%9d%a2%e9%ab%94-i-polyhedron%ef%bd%89","status":"publish","type":"post","link":"https:\/\/www.glt.org.tw\/?p=12429","title":{"rendered":"EX!T 14 – \u591a\u9762\u9ad4 I\u00a0 Polyhedron\uff29"},"content":{"rendered":"\n

EX!T 14 – \u591a\u9762\u9ad4 I <\/strong> Polyhedron\uff29<\/strong><\/strong><\/p>\n\n\n\n

\/<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u570b\u5bb6\u96fb\u5f71\u53ca\u8996\u807d\u6587\u5316\u4e2d\u5fc3 \u5c0f\u5f71\u683c Cinema B<\/strong><\/p>\n\n\n\n

12.07 SAT 17:30<\/strong><\/p>\n\n\n\n

\/<\/p>\n\n\n\n

BIPM  BIPM<\/strong><\/strong><\/p>\n\n\n\n

\u9673\u7701\u807f Chen, Hsin-yu\uff5c\u6cd5\u570b\u3001\u53f0\u7063 France, Taiwan\uff5c2023\uff5cHD\uff5cb&w \uff5c3min<\/p>\n\n\n\n

2024 BIDEODROMO \u96fb\u5f71\u8207\u9304\u50cf\u85dd\u8853\u7bc0  BIDEODROMO International Experimental  Film and Video Festival<\/p>\n\n\n\n

2023 \u5317\u4eac\u570b\u969b\u77ed\u7247\u96fb\u5f71\u7bc0  Beijing International Short Film Festival<\/p>\n\n\n\n

\u5728\u8d858\u5e95\u2f5a\u4e0a\uff0c15\u516c\u5c3a\u7b49\u540c\u65bc2.5\u5206\u9418\u9577\u5ea6\u3002\u6211\u5728\u5df4\u9ece\u5e02\u90ca\u7684\u570b\u969b\u5ea6\u8861\u5c40\u5916\uff0c\u4ee5\u2f00\u5377\u8d858\u6beb\u2f76\u5e95\u2f5a\u70ba\u9577\u5ea6\uff0c\u2f8f\u2f9b\u82072.5\u5206\u9418\u5e95\u2f5a\u7b49\u9577\u768415\u516c\u5c3a\u8ddd\u96e2\uff0c\u4ee5\u55ae\u2f00\u93e1\u982d\u62cd\u4e0b\u6b64\u904e\u7a0b\u3002\u900f\u904e\u5f37\u2f8f\u758a\u5408\u7684\u6642\u9593\u8207\u7a7a\u9593\u6e2c\u5b9a\uff0c\u601d\u7d22\u6a19\u6e96\u5316\u3001\u9069\u61c9\u548c\u8eab\u9ad4\u7d93\u9a57\u7b49\u6982\u5ff5\u3002<\/p>\n\n\n\n

On Super 8 film, 15m equals 2.5 minutes. Outside the Bureau International des Poids et Mesures in Paris, I walked this length in one shot. This forced synchronicity of film, time, and space examines standardization, adaptation, and embodied experience.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\n\n\n\n

\/<\/p>\n\n\n\n

\u8996\u5dee Parallax<\/strong><\/strong><\/p>\n\n\n\n

\u9673\u7701\u807f Chen, Hsin-yu\uff5c\u7f8e\u570b\u3001\u53f0\u7063 USA, Taiwan\uff5c2023\uff5cHD\uff5ccolor \uff5c9min<\/p>\n\n\n\n

2023 Ground Level Cinema \u53f0\u65e5\u5be6\u9a57\u7247\u81ea\u4e3b\u653e\u6620<\/p>\n\n\n\n

\u5149\u5b78\u8ddd\u96e2\u7684\u6e2c\u548c\u2f3c\u7406\u8ddd\u96e2\u758a\u5408\u78b0\u649e\uff0c\u8996\u2f12\u6aa2\u6e2c\u7684\u7d93\u9a57\u9000\u5f8c\u81f3\u6606\u87f2\u52d5\u614b\u8996\u89ba\u5be6\u9a57\uff0c\u6211\u5011\u7a7f\u8d8a\u6697\u7bb1\u2f9b\u9032\u62c9\u5ca1\u7684\u8efc\u4e8b\uff0c\u5167\u5916\u7a7a\u9593\u9010\u6f38\u6a21\u7cca\uff0c\u9019\u662f\u2f00\u500b\u5f9e\u5916\u90e8\u5b9a\u9328\u2f83\u2f30\u7684\u904e\u7a0b\u3002<\/p>\n\n\n\n

Optical distance collides with psychological proximity. We walk through a camera obscura to a Lacanian anecdote, where interior and exterior space blur\u2014a process of anchoring oneself from the outside.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\n\n\n\n

\/<\/p>\n\n\n\n

100\u82f1\u5c3a 100 ft.<\/strong><\/strong><\/p>\n\n\n\n

\u91d1\u65fc\u8c9e Kim Minjung\uff5c\u97d3\u570b South Korea\uff5c2016\uff5cHD\uff5ccolor \uff5c3min<\/p>\n\n\n\n

2017 \u591a\u502b\u591a\u570b\u969b\u5f71\u5c55 Toronto International Film Festival Official Selection<\/p>\n\n\n\n

2017 \u82f1\u570b\u611b\u4e01\u5821\u570b\u969b\u5f71\u5c55 Edinburgh International Film Festival Official Selection<\/p>\n\n\n\n

\uff08100\u82f1\u5c3a\uff09\u4ee5\u4e00\u6574\u5377100\u82f1\u5c3a\u768416\u6beb\u7c73\u81a0\u7247\u55ae\u4e00\u93e1\u982d\u62cd\u651d\uff1a\u5169\u4f4d\u8173\u638c\u5927\u5c0f\u4e0d\u540c\u7684\u4eba\u7269\u4e00\u8d77\u7a7f\u8d8a\u4e00\u7247\u5ee3\u95ca\u4e4b\u5730\u3002<\/p>\n\n\n\n

Minjung Kim\u2019s (100ft) consists of a single uninterrupted shot, lasting an entire 100ft roll of 16mm film, as two figures with different sized feet traverse a vast, striated landscape.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\n\n\n\n

\/<\/p>\n\n\n\n

\u7576\u7d05\u8272\u6ffe\u93e1\u62bd\u96e2\u4e4b\u5f8c The Red Filter is Withdrawn.<\/strong><\/strong><\/p>\n\n\n\n

\u91d1\u65fc\u8c9e Kim Minjung\uff5c\u97d3\u570b South Korea\uff5c2020\uff5cHD\uff5ccolor \uff5c12min<\/p>\n\n\n\n

2021 \u5fb7\u570b\u67cf\u6797\u5f71\u5c55 Berlin International Film Festival Official Selection<\/p>\n\n\n\n

2020 \u591a\u502b\u591a\u570b\u969b\u5f71\u5c55 Toronto International Film Festival Official Selection<\/p>\n\n\n\n

\u51dd\u8996\u8457\u6fdf\u5dde\u5cf6\u7684\u5404\u500b\u89d2\u843d\u5145\u6eff\u6b96\u6c11\u907a\u8de1\uff0c\u53ec\u559a\u8d77\u4e0d\u7fa9\u8207\u5c60\u6bba\u7684\u8a18\u61b6\u3002\u672c\u7247\u9748\u611f\u4f86\u81ea\u96f7\u5167\u00b7\u99ac\u683c\u5229\u7279\u7684\u756b\u4f5c\u300a\u4eba\u985e\u7684\u5883\u6cc1\u300b\uff0c\u5c07\u6d1e\u7a74\u5916\u7684\u666f\u8272\u6295\u5c04\u5728\u756b\u5e03\u4e0a\uff0c\u5f62\u6210\u5167\u5916\u91cd\u758a\u7684\u8996\u89d2\u3002<\/p>\n\n\n\n

Colonial sites and memories of uprisings and massacres fill every corner of Jeju. Inspired by Ren\u00e9 Magritte\u2019s La condition humaine, the film offers a view of the outside of the cave superimposed on a canvas.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\n\n\n\n

\/<\/p>\n\n\n\n

\u7a1c\u93e1 Prisms<\/strong><\/strong><\/p>\n\n\n\n

\u4e01\u6615 Sandy Ding\uff5c\u4e2d\u570b\u3001\u7f8e\u570b China, USA\uff5c2012\uff5c16mm\uff5ccolor \uff5c20min<\/p>\n\n\n\n

\u5fae\u5149\u7a7f\u900f\u900f\u660e\u7d50\u69cb\u7684\u788e\u7247\uff0c\u5728\u6642\u9593\u4e4b\u5edf\u88e1\uff0c\u89c0\u8005\u6c89\u5165\u4e86\u6df1\u5c64\u6f5b\u610f\u8b58\u3002\u5973\u795e\u3001\u795e\u6bbf\u8207\u968e\u68af\u7e08\u7e5e\u4e0d\u53bb\uff0c\u5b9b\u5982\u6df1\u9083\u5b87\u5b99\u4e2d\u7684\u9bae\u660e\u5e7b\u8c61\u3002<\/p>\n\n\n\n

An abstract film of marginal light seeping through fragments of transparent structures. Inside the time temple, observers sink into subconscious realms where goddess, temple, and stairs become haunting yet luminous images in the dark cosmos.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\n\n\n\n

\/<\/p>\n\n\n\n

\u5149\u6253\u5728\u6211\u773c\u4e0a Reflection<\/strong><\/strong><\/p>\n\n\n\n

\u6797\u739f\u4f36 Lin, Wen-ling\uff5c\u53f0\u7063 Taiwan\uff5c2023\uff5cHD\uff5ccolor \uff5c8min<\/p>\n\n\n\n

2024 \u5357\u65b9\u5f71\u5c55 South Taiwan Film Festival<\/p>\n\n\n\n

\u59b9\u59b9\u7684\u4e00\u6372\u5e95\u7247\u958b\u555f\u4e86\u6211\u5c0d\u65bc\u7167\u7247\u8207\u5bb6\u9109\u7684\u60f3\u50cf\uff0c\u7576\u7167\u7247\u4e2d\u7684\u6a39\u662f\u6a39\u3001\u6d77\u662f\u6d77\u3001\u624b\u5c31\u662f\u624b\u7684\u6642\u5019\uff0c\u6211\u53ef\u4ee5\u600e\u9ebc\u85c9\u7531\u5979\u7684\u89c0\u770b\u65b9\u5f0f\u65b0\u56de\u770b\u9019\u500b\u5df2\u751f\u6d3b\u904e\u4e8c\u5341\u5e7e\u5e74\u7684\u5730\u65b9\uff1f<\/p>\n\n\n\n

Inspired by my sister\u2019s roll of film, I reflected on my relationship with images. Curious about how she saw landscapes, I revisited those scenes. Imagining her perspective, we began a game of shared views.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

EX!T 14 – \u591a\u9762\u9ad4 I  Polyhedron\uff29 \/ \u570b\u5bb6\u96fb\u5f71\u53ca\u8996\u807d\u6587\u5316\u4e2d\u5fc3 \u5c0f […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[210,218,7,17,1],"tags":[],"class_list":["post-12429","post","type-post","status-publish","format-standard","hentry","category-dec","category-218","category-glt_program","category-programs","category-1"],"_links":{"self":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/12429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12429"}],"version-history":[{"count":10,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/12429\/revisions"}],"predecessor-version":[{"id":12512,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/12429\/revisions\/12512"}],"wp:attachment":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}