{"id":12406,"date":"2024-11-14T21:03:03","date_gmt":"2024-11-14T13:03:03","guid":{"rendered":"https:\/\/www.glt.org.tw\/?p=12406"},"modified":"2024-11-17T14:46:31","modified_gmt":"2024-11-17T06:46:31","slug":"ext-14-%e6%89%8b%e5%b7%a5%e9%9b%bb%e5%bd%b1%e5%8f%8a%e5%85%b6%e4%bd%9c%e8%80%85-handmade-films-and-their-makers","status":"publish","type":"post","link":"https:\/\/www.glt.org.tw\/?p=12406","title":{"rendered":"EX!T 14 &#8211; \u624b\u5de5\u96fb\u5f71\u53ca\u5176\u4f5c\u8005 Handmade Films and Their Makers"},"content":{"rendered":"\n<p class=\"has-white-color has-text-color has-link-color wp-elements-5397be9e4b2a7a20a4b85867eee9836d\">\/<\/p>\n\n\n\n<p class=\"has-white-color has-black-background-color has-text-color has-background has-link-color wp-elements-7c167d4c761e845d14eabb10163c8cd6\"><strong>EX!T 14 &#8211; \u624b\u5de5\u96fb\u5f71\u53ca\u5176\u4f5c\u8005 Handmade Films and Their Makers<\/strong><\/p>\n\n\n\n<p class=\"has-white-color has-text-color has-link-color wp-elements-5397be9e4b2a7a20a4b85867eee9836d\">\/<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"443\" src=\"https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/\u624b\u5de5\u96fb\u5f71\u53ca\u5176\u4f5c\u8005_1320x570-1024x443.jpg\" alt=\"\" class=\"wp-image-12407\" srcset=\"https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/\u624b\u5de5\u96fb\u5f71\u53ca\u5176\u4f5c\u8005_1320x570-1024x443.jpg 1024w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/\u624b\u5de5\u96fb\u5f71\u53ca\u5176\u4f5c\u8005_1320x570-300x130.jpg 300w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/\u624b\u5de5\u96fb\u5f71\u53ca\u5176\u4f5c\u8005_1320x570-768x332.jpg 768w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/\u624b\u5de5\u96fb\u5f71\u53ca\u5176\u4f5c\u8005_1320x570-170x73.jpg 170w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/\u624b\u5de5\u96fb\u5f71\u53ca\u5176\u4f5c\u8005_1320x570-135x58.jpg 135w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/\u624b\u5de5\u96fb\u5f71\u53ca\u5176\u4f5c\u8005_1320x570-75x32.jpg 75w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/\u624b\u5de5\u96fb\u5f71\u53ca\u5176\u4f5c\u8005_1320x570-130x56.jpg 130w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/\u624b\u5de5\u96fb\u5f71\u53ca\u5176\u4f5c\u8005_1320x570.jpg 1321w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center has-white-color has-black-background-color has-text-color has-background has-link-color wp-elements-8704cdc54637a6300e1a716253c893fd\"><strong>\u570b\u5bb6\u96fb\u5f71\u53ca\u8996\u807d\u6587\u5316\u4e2d\u5fc3 \u5c0f\u5f71\u683c Cinema B<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-white-color has-black-background-color has-text-color has-background has-link-color wp-elements-7306c818f8f7549f5f9f6f88fcf43dc5\"><strong>12.07 SAT 15:20 \u00a0              12.08 SUN 19:40<\/strong><\/p>\n\n\n\n<p class=\"has-white-color has-text-color has-link-color wp-elements-5397be9e4b2a7a20a4b85867eee9836d\">\/<\/p>\n\n\n\n<p><strong>\u99ac\u5eab\u65af\u7684\u5c71\u5f71\u4e0b In the Shadow of Marcus Mountain<\/strong><\/p>\n\n\n\n<p>\u7f85\u4f2f\uff0e\u8b1d\u52d2 Robert Schaller\uff5c\u7f8e\u570b USA\uff5c2011\uff5c16mm\uff5cb&amp;w\uff5c6min<\/p>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color has-link-color wp-elements-2bfd74201118fc9b5885b5e0a6d85ac0\">2012 \u9e7f\u7279\u4e39\u570b\u969b\u5f71\u5c55 \u5149\u8b5c\u77ed\u7247\u55ae\u5143 International Film Festival Rotterdam. Spectrum Shorts<\/p>\n\n\n\n<p>\u8b1d\u52d2\u4ee5\u81ea\u88fd\u91dd\u5b54\u76f8\u6a5f\u6355\u6349\u98a8\u666f\uff0c\u5617\u8a66\u53cd\u601d\u8655\u65bc\u601d\u7dad\u548c\u611f\u77e5\u4e4b\u9593\u7684\u534a\u5922\u534a\u9192\u72c0\u614b\u3002\u5149\u5f71\u6d41\u52d5\u4e4b\u9593\uff0c\u8b1d\u52d2\u601d\u7d22\u5152\u5b50\u5c0d\u751f\u547d\u5e36\u4f86\u7684\u91cd\u5927\u8f49\u8b8a\u3002<\/p>\n\n\n\n<p>Schaller uses his homemade pinhole camera to capture the landscape, attempting to reflect on the hypnogogic state between thought and perception. It is also a meditation on the profound changes that his son has brought to his life.\/<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"480\" src=\"https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/8346.jpg\" alt=\"\" class=\"wp-image-12408\" srcset=\"https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/8346.jpg 720w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/8346-300x200.jpg 300w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/8346-170x113.jpg 170w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/8346-135x90.jpg 135w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/8346-75x50.jpg 75w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/8346-130x87.jpg 130w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<p class=\"has-white-color has-text-color has-link-color wp-elements-5397be9e4b2a7a20a4b85867eee9836d\">\/<\/p>\n\n\n\n<p><strong>\u5929\u4e0a\u5730\u4e0b&nbsp; Dans les cieux et sur la terre (In the Heavens and on Earth)<\/strong><\/p>\n\n\n\n<p>\u827e\u6587\uff0e\u61f7\u65af\u683c\u4f2f Erin Weisgerber\uff5c\u52a0\u62ff\u5927 Canada \uff5c2022\uff5c16mm\uff5c color-b&amp;w\uff5c12min<\/p>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color has-link-color wp-elements-1d8e2ac9db28d448a5492ef548c40e17\">2023 \u5361\u7f85\u7dad\u74e6\u5229\u5f71\u5c55 \u60f3\u50cf\u55ae\u5143 Karlovy Vary International Film Festival. Imagina<\/p>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color has-link-color wp-elements-b7215a8ff7e551b76c0a21fd455521dc\">2023 \u65b0\u96fb\u5f71\u5f71\u5c55 \u65b0\u7149\u91d1\u8853\u7af6\u8cfd\u55ae\u5143 Festival du nouveau cin\u00e9ma. Comp\u00e9tition Les nouveaux alchimistes<\/p>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color has-link-color wp-elements-69128ae2c80ac679caa8dbc857e4a6f5\">2023 \u9996\u723e\u5be6\u9a57\u96fb\u5f71\u8207\u9304\u50cf\u5f71\u5c55 \u570b\u969b\u7af6\u8cfd Experimental Film and Video Festival in Seoul. International Competition<\/p>\n\n\n\n<p>16\u6beb\u7c73\u53cd\u8f49\u7247\u62cd\u651d\u3001\u624b\u5de5\u6c96\u5370\uff0c\u6240\u6709\u7684\u758a\u5408\u5f71\u683c\u90fd\u662f\u5728\u651d\u5f71\u6a5f\u88e1\u88ab\u5275\u9020\u51fa\u4f86\uff0c\u93e1\u982d\u671d\u5411\u8499\u7279\u5a41\u7684\u820a\u5efa\u7bc9\u4ee5\u53ca\u57ce\u5e02\u690d\u88ab\u3002\u61f7\u65af\u683c\u4f2f\u4ee5\u651d\u5f71\u773c\u7684\u975e\u5e38\u614b\u8996\u89d2\u548c\u96a8\u6642\u6b63\u5728\u91cd\u7d44\u7684\u6d41\u52d5\u5f71\u50cf\uff0c\u74e6\u89e3\u65e5\u5e38\u53ef\u898b\u666f\u7269\u7684\u79e9\u5e8f\u3002<\/p>\n\n\n\n<p>All the images are created in-camera, shot and hand-processed on reversal film. The unconventional sightline of the camera eye and constant recomposition dissolve the hierarchies between the Montreal monument and urban flora.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Weisgerber_2022-1024x576.jpg\" alt=\"\" class=\"wp-image-12410\" srcset=\"https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Weisgerber_2022-1024x576.jpg 1024w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Weisgerber_2022-300x169.jpg 300w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Weisgerber_2022-768x432.jpg 768w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Weisgerber_2022-170x96.jpg 170w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Weisgerber_2022-135x76.jpg 135w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Weisgerber_2022-75x42.jpg 75w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Weisgerber_2022-130x73.jpg 130w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Weisgerber_2022.jpg 1400w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<p class=\"has-white-color has-text-color has-link-color wp-elements-5397be9e4b2a7a20a4b85867eee9836d\">\/<\/p>\n\n\n\n<p><strong>\u4f60\u7684\u7d42\u9ede\u7ad9 Terminus For You<\/strong><\/p>\n\n\n\n<p>\u5c3c\u53e4\u62c9\u65af\uff0e\u96f7 Nicolas Rey\uff5c\u6cd5\u570b France\uff5c1996\uff5c16mm\uff5cb&amp;w\uff5c10min<\/p>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color has-link-color wp-elements-8656dfda709c77725f502d03e75de38e\">2021 \u91cc\u65af\u570b\u969b\u672c\u7368\u7acb\u96fb\u5f71\u7bc0&nbsp; \u89c0\u6469\u55ae\u5143 IndieLisboa International Independent Film Festival. Silvestre<\/p>\n\n\n\n<p>\u5df4\u9ece\u5730\u9435\u4e58\u5ba2\u5728\u6708\u53f0\u9593\u7684\u624b\u6276\u68af\u4e0a\u79fb\u52d5\uff0c\u6211\u5011\u770b\u898b\u4e86\u4ec0\u9ebc\uff1f\u9ed1\u767d\u5f71\u50cf\u7684\u7c97\u7c92\u5b50\u52fe\u52d2\u5982\u756b\u822c\u7684\u5716\u50cf\uff0c\u5e7e\u4f55\u5716\u6848\u4f86\u4f86\u53bb\u53bb\uff0c\u4eba\u5011\u7684\u81c9\u9583\u73fe\u53c8\u98db\u96e2\u3002\u6587\u5b57\u3001\u6d77\u5831\u6a19\u8a9e\u593e\u96dc\u5728\u4e16\u9593\u76f8\u9047\u4e4b\u9593\uff0c\u70ba\u5404\u500b\u7ae0\u7bc0\u9053\u51fa\u5f15\u8a00\u3002<\/p>\n\n\n\n<p>Passengers in the Paris metro move from one platform to another. Glimpses of words, titles torn from posters, are interspersed between these fleeting encounters. This playfully introduces different chapters.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"391\" height=\"260\" src=\"https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/906.jpg\" alt=\"\" class=\"wp-image-12413\" srcset=\"https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/906.jpg 391w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/906-300x199.jpg 300w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/906-170x113.jpg 170w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/906-135x90.jpg 135w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/906-75x50.jpg 75w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/906-130x86.jpg 130w\" sizes=\"auto, (max-width: 391px) 100vw, 391px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<p class=\"has-white-color has-text-color has-link-color wp-elements-5397be9e4b2a7a20a4b85867eee9836d\">\/<\/p>\n\n\n\n<p><strong>\u5411\u967d Heliotropy<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-c39c798c8c68c775519cf46e64bb5b58\">\u4e9e\u6b77\u73ca\u5353\uff0e\u6469\u62c9\u857e\u7d22\u74e6\u3001\u55ac\u57fa\uff0e\u5df4\u683c\u9054\u85a9\u6d1b\u592b\uff08Labodoble\uff09&nbsp; Alexandra Moralesova\/Georgy Bagdasarov (aka Labodoble)\uff5c\u6377\u514b Czech Republic\uff5c2023\uff5c16mm\uff5ccolor \uff5c5min<\/p>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color has-link-color wp-elements-1b2de26a40cdf4d86b14838e0bce5759\">2023 \u6cd5\u570b\u5357\u7279 \u7a1c\u93e1#6\u2014\u672a\u4f86\u7684\u9280\u9e7d Prisme 6\u2014Argentique du futur<\/p>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color has-link-color wp-elements-457f408bcafefe684433d776ba259f70\">2023 \u8377\u862d\u9e7f\u7279\u4e39 \u56de\u5230\u672a\u4f86\u985e\u6bd4\u5f71\u97f3\u85dd\u8853\u7bc0 Back to the Future<\/p>\n\n\n\n<p>\u5728\u590f\u81f3\u90a3\u5929\uff0c\u300a\u5411\u967d\u300b\u4ee5\u690d\u7269-\u4eba\u985e\u7684\u59ff\u614b\u628a\u5c0d\u592a\u967d\u7684\u5d07\u656c\u8f49\u5370\u5728\u81a0\u5377\u4e0a\uff0c\u592a\u967d\u990a\u80b2\u7684\u690d\u682a\u63d0\u4f9b\u4e86\u90e8\u5206\u7684\u986f\u5f71\u5291\uff0c\u9032\u800c\u6c96\u5370\u51fa\u81ea\u8eab\u7684\u5f71\u50cf\u3002<\/p>\n\n\n\n<p><em>Heliotropy<\/em> is a veneration of the Sun impressed on film during the summer solstice observed from the plant-human perspective. The flora nourished by the sun passes from the image into a solution and with its juices develops its own image.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"826\" height=\"580\" src=\"https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Labodoble_2023.png\" alt=\"\" class=\"wp-image-12416\" srcset=\"https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Labodoble_2023.png 826w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Labodoble_2023-300x211.png 300w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Labodoble_2023-768x539.png 768w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Labodoble_2023-170x120.png 170w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Labodoble_2023-135x95.png 135w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Labodoble_2023-71x50.png 71w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Labodoble_2023-130x91.png 130w\" sizes=\"auto, (max-width: 826px) 100vw, 826px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<p class=\"has-white-color has-text-color has-link-color wp-elements-5397be9e4b2a7a20a4b85867eee9836d\">\/<\/p>\n\n\n\n<p><strong>\u5373\u6642\u751f\u6d3b&nbsp; Instant Life<\/strong><\/p>\n\n\n\n<p>\u5b89\u4e9e\uff0e\u591a\u5c3c\u767b\u3001\u749c\uff0e\u5927\u885b\uff0e\u5ca1\u85a9\u96f7\u65af\uff0e\u6469\u6d1b\u4f0a\u3001\u5b89\u5fb7\u9b6f\uff0e\u91d1 Anja Dornieden &amp; Juan David Gonz\u00e1lez Monroy &amp; Andrew Kim\uff5c\u5fb7\u570b\u3001\u7f8e\u570b Germany, USA\uff5c2022\uff5c16mm\uff5ccolor \uff5c27min<\/p>\n\n\n\n<p class=\"has-luminous-vivid-orange-color has-text-color has-link-color wp-elements-5add27ddadf7ba7da90f6a22c93fed6a\">2022 \u67cf\u6797\u5f71\u5c55 \u8ad6\u58c7\u5ef6\u5c55 Biennale&nbsp; Forum Expanded&nbsp;<\/p>\n\n\n\n<p>1941\u5e74\u539f\u7248\u300a\u5373\u6642\u751f\u6d3b\u300b\u653e\u6620\u7d50\u675f\u5f8c\uff0c\u5c0e\u6f14\u767c\u7d66\u89c0\u773e\u6c92\u6709\u8b0e\u5e95\u7684\u8b0e\u984c\u7d19\u7247\u30021981\u5e74\uff0c\u4e09\u90e8\u91cd\u62cd\u7248\u5b8c\u6210\uff0c\u6c92\u6709\u4eba\u770b\u904e\u30022014\u5e74\uff0c\u8df3\u86a4\u5e02\u5834\u51fa\u73fe\u4e00\u6372\u300a\u5373\u6642\u751f\u6d3b\u300b\u9304\u5f71\u5e36\uff0c\u73fe\u5728\u8981\u89c0\u770b\u7684\u662f\u6839\u64da\u9304\u5f71\u5e36\u7684\u91cd\u65b0\u5275\u4f5c\u3002<\/p>\n\n\n\n<p>In each screening of the 1941 <em>Instant Life<\/em>, the director would hand out a slip of paper with riddles. In 1981, the remakes were completed but no one ever saw it. The film you are about to watch is a recreation based on a VHS tape.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"764\" src=\"https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/33844.png\" alt=\"\" class=\"wp-image-12418\" srcset=\"https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/33844.png 1000w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/33844-300x229.png 300w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/33844-768x587.png 768w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/33844-157x120.png 157w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/33844-135x103.png 135w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/33844-65x50.png 65w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/33844-130x99.png 130w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<p class=\"has-white-color has-text-color has-link-color wp-elements-5397be9e4b2a7a20a4b85867eee9836d\">\/<\/p>\n\n\n\n<p><strong>\u8c9d\u723e\u52a0\u6728 balga<\/strong><\/p>\n\n\n\n<p>\u66fe\u8389\u73fa Lichun Tseng\uff5c\u81fa\u7063\u3001\u8377\u862d Taiwan, The Netherlands\uff5c2010\uff5c16mm\uff5cb&amp;w \uff5c5min<\/p>\n\n\n\n<p class=\"has-luminous-vivid-amber-color has-text-color has-link-color wp-elements-42203315399e7304211ca2a61d9c8c7f\">2013 \u7d10\u7d04\u96fb\u5f71\u7bc0 \u524d\u885b\u4e4b\u773c New York Film Festival. Views from the Avant-Garde<\/p>\n\n\n\n<p>\u501f\u7531\u9ad8\u53cd\u5dee\u9ed1\u767d\u81a0\u5377\u7684\u8a9e\u8a00\uff0c\u5448\u73fe\u8a69\u610f\u7684\u8996\u89ba\u5f71\u50cf\uff0c\u56de\u61c9\u5c0d\u6fb3\u6d32\u539f\u751f\u8349\u6a39\u7684\u611f\u53d7\u3002\u4ed6\u4f3c\u8349\u4e5f\u4f3c\u6a39\uff0c\u751f\u9577\u901f\u5ea6\u6975\u7de9\u6162\uff0c\u548c\u571f\u5730\u8207\u4eba\u6709\u5f88\u6df1\u7684\u95dc\u806f\uff0c\u4ed6\u88ab\u7a31\u70baXanthorrhoea preissii\uff0c\u539f\u4f4f\u6c11\u7a31\u4ed6\u70ba\u8c9d\u723e\u52a0\u6728\u3002<\/p>\n\n\n\n<p>High contrast black and white film was used to capture and document the movement of the grass tree, as a way to reflect their visual poetry. The scientific name of the grass tree is Xanthorrhoea preissii. People also call it Balga.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"770\" src=\"https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Tseng_2010-1024x770.png\" alt=\"\" class=\"wp-image-12419\" srcset=\"https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Tseng_2010-1024x770.png 1024w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Tseng_2010-300x226.png 300w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Tseng_2010-768x577.png 768w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Tseng_2010-160x120.png 160w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Tseng_2010-135x102.png 135w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Tseng_2010-67x50.png 67w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Tseng_2010-130x98.png 130w, https:\/\/www.glt.org.tw\/wp-content\/uploads\/2024\/11\/Copy-of-Tseng_2010.png 1064w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\/ EX!T 14 &#8211; \u624b\u5de5\u96fb\u5f71\u53ca\u5176\u4f5c\u8005 Handmade Films and Their Mak [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[210,219,7,17,1],"tags":[],"class_list":["post-12406","post","type-post","status-publish","format-standard","hentry","category-dec","category-219","category-glt_program","category-programs","category-1"],"_links":{"self":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/12406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12406"}],"version-history":[{"count":17,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/12406\/revisions"}],"predecessor-version":[{"id":12509,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/12406\/revisions\/12509"}],"wp:attachment":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12406"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12406"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}