{"id":11504,"date":"2023-08-31T12:00:00","date_gmt":"2023-08-31T04:00:00","guid":{"rendered":"https:\/\/www.glt.org.tw\/?p=11504"},"modified":"2023-09-22T13:11:11","modified_gmt":"2023-09-22T05:11:11","slug":"post-dynamic-%e5%90%b6%e5%96%8a%e5%9c%a82023-call-to-arms-performance-art-festival","status":"publish","type":"post","link":"https:\/\/www.glt.org.tw\/?p=11504","title":{"rendered":"Post-dynamic \u5436\u558a\u57282023 Call To Arms performance art festival"},"content":{"rendered":"\n
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Post-dynamic \u5436\u558a\u57282023 Call To Arms performance art festival<\/strong><\/p>\n\n\n\n

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\u5728\u300a\u5436\u558a\u300b\u51fa\u7248\u4e00\u767e\u5e74\u4e4b\u969b \uff0c<\/p>\n\n\n\n

\u53d6\u4e4b\u7cbe\u795e\uff0c\u5f7c\u6b64\u5728\u73fe\u5834\u76f8\u9047 \uff0c<\/p>\n\n\n\n

\u57282023\u5e74 \u5728\u65b0\u820a\u518d\u6b21\u8f49\u63db\u5287\u70c8\u7684\u8b8a\u5316\u6642\u523b\uff0c\u5168\u7403\u5371\u6a5f\u91cd\u91cd\u3002<\/p>\n\n\n\n

\u4e00\u8072\u5436\u558a\uff0c\u6307\u5411\u7684\u662f\u4e16\u754c\u4e0a\u7121\u6578\u71c3\u71d2\u8457\u7684\u6df1\u6df5\u3002<\/p>\n\n\n\n

\u6211\u5011\u4ee5\u5436\u558a\u70ba\u984c\uff0c\u7528\u96c6\u9ad4\u884c\u70ba\u85dd\u8853\u73fe\u5834\u91cd\u69cb\u6211\u5011\u7684\u73fe\u5be6\u548c\u610f\u5916\u7684\u7570\u7aef\u3002<\/p>\n\n\n\n

\u6b77\u53f2\u6642\u9593\u5982\u4f55\u900f\u904e\u8eab\u9ad4\u986f\u5f71\uff1f<\/p>\n\n\n\n

\u5436\u558a\u5982\u4f55\u7a7f\u900f\u6b77\u53f2\uff0c\u56de\u61c9\u7576\u524d? Call To Arms \u8eab\u9ad4\u5728\u7121\u8072\u5436\u558a<\/p>\n\n\n\n

\u6642\u4ee3\u7684\u5436\u558a\uff0c\u751f\u614b\u7684\u5436\u558a\uff0c\u6230\u722d\u908a\u754c\u7684\u5436\u558a\uff0c\u4e94\u6307\u5c71\u4e0b\u7684\u5436\u558a\uff0c\u87a2\u5e55\u88e1\u9762\u7684\u5436\u558a<\/p>\n\n\n\n

\u8089\u8eab\u6620\u5c04\u51fa\u7684\u5e7b\u5f71\uff0c\u7167\u4eae\u7070\u5875\u4e2d\u7030\u6f2b\u8457\u7684\u9ed1\u6697\u3002<\/p>\n\n\n\n

\u5728\u884c\u70ba\u548c\u5287\u5834\u4e4b\u9593\u7684\u52d5\u614b\u3002<\/p>\n\n\n\n

L:\u62cd\u4e86\u62cd\u66f8\u4e0a\u7684\u7070\u5875\u3002<\/p>\n\n\n\n

\uff5c\u7834\u52d5\u614b Post-Dynamic<\/p>\n\n\n\n

\u52d5\u614b \u6642\u5831\uff1a\u73fe\u5be6 \u52d5\u614b \u7cfb\u5217\uff1a \u5f9e\u89c0\u5ff5\u51fa\u767c\u901a\u904e\u8eab\u9ad4\u7684\u78b0\u649e\uff0c\u6e38\u64ca\u5f0f\u7684\u79fb\u52d5\uff0c\u6750\u6599\u548c\u96c6\u9ad4\u884c\u70ba\u7684\u96dc\u4ea4\uff0c\u9080\u8acb\u4e0d\u540c\u85dd\u8853\u5bb6 \u751f\u547d\u9ad4\u5011\u6301\u7e8c\u4e0d\u65b7\u7684\u6fc0\u60c5\u5171\u69cb\u51fa\u4e00\u500b\u74b0\u5883\u73fe\u5be6\u60f3\u50cf\u4ea4\u4e92\u9ad8\u6f6e\u6216\u53cd\u9ad8\u6f6e\u7684\u5c55\u6f14\u73fe\u5834\u3002<\/p>\n\n\n\n

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\u6f14\u51fa\u6642\u9593
2023\/09\/16 (\u516d) 14:30
2023\/09\/17 (\u65e5) 14:30<\/p>\n\n\n\n

\u6f14\u51fa\u5834\u5730
\u726f\u5dba\u8857\u5c0f\u5287\u5834 \u4e8c\u6a13\u85dd\u6587\u7a7a\u9593\uff08\u53f0\u5317\u5e02\u4e2d\u6b63\u5340\u726f\u5dba\u88575\u5df72\u865f\uff09<\/p>\n\n\n\n

Guling Street Avant-Garde Theatre 2nd floor<\/p>\n\n\n\n

( No. 2, Lane 5, Guling Street, Zhongzheng District, Taipei City )<\/p>\n\n\n\n

go\u7968\u53bb :<\/strong> https:\/\/reurl.cc\/51xpkV<\/a><\/p>\n\n\n\n

\u9810\u552e\u7968 500 \/ Advance Ticket for 500<\/strong><\/p>\n\n\n\n

\u73fe\u5834\u7968 600<\/strong><\/p>\n\n\n\n

\u6d3b\u52d5\u5168\u9577\uff1a\u96c6\u9ad4\u884c\u70ba\u552e\u7968\u6f14\u51fa\u7d04100\u5206\u9418<\/strong><\/p>\n\n\n\n

\u4e0b\u534815:40\u5f8c\u884c\u70ba\u85dd\u8853\u65e5\u514d\u8cbb\u5165\u5834<\/strong><\/p>\n\n\n\n

(\u540d\u984d\u6709\u9650\uff0c\u552e\u5b8c\u70ba\u6b62\uff0c#\u6c92\u6709\u7533\u8acb\u4efb\u4f55\u88dc\u52a9 #\u4e0d\u61fc\u6350\u737b\uff09<\/p>\n\n\n\n

\uff08\u672c\u6f14\u51fa\u5305\u542b\u4e00\u5834\u552e\u7968\u6f14\u51fa\u548c\u5e7e\u500b\u884c\u70ba\u85dd\u8853\u8868\u6f14\uff0c\u5169\u5929\u884c\u70ba\u85dd\u8853\u8868\u6f14\u6709\u9ede\u4e0d\u540c\uff0c\u552e\u7968\u6f14\u51fa\u6642\u9593\u5b8c \u7686\u53ef\u81ea\u7531\u805a\u6703\u89c0\u5c55\u4ea4\u6d41 \u3002\uff09<\/p>\n\n\n\n

\n\n\n\n

\u5c55\u6f14\u85dd\u8853\u5bb6\u7fa4 (Artists) \uff1a<\/strong><\/p>\n\n\n\n

\u674e\u672c\u5584 LI Pen Shan<\/p>\n\n\n\n

\u6881\u4fca\u6587 LIANG Chun Wen<\/p>\n\n\n\n

\u6e38\u80b2\u6b46 YU Yu Hsin<\/p>\n\n\n\n

\u7ae5\u4fde\u7444 Yu Syuan Tung<\/p>\n\n\n\n

\u6797\u84ee\u73cd Lin Lien Chen<\/p>\n\n\n\n

\u6e38\u7504\u59ae NiNi Yu<\/p>\n\n\n\n

\u718a\u4e16\u7fd4 Alex Hsiung<\/p>\n\n\n\n

\u9673\u61b6\u73b2 Yilling Chen<\/p>\n\n\n\n

\u8d99\u66fc\u541b Chao Man Chun<\/p>\n\n\n\n

\u5f6d\u5a01\u5143 Wei Yuan Peng<\/p>\n\n\n\n

\u9673\u6cd3\u5b87 Hong-Yu Chen<\/p>\n\n\n\n

\u5f90\u5609\u99ff Chia-Chun Xu<\/p>\n\n\n\n

\u6234\u5411\u8af6 Immanuel Dannenbring<\/p>\n\n\n\n

\u6c5f\u6e90\u7965 Chiang Yuan-Hsiang<\/p>\n\n\n\n

..\u9678\u7e8c\u91cb\u51fa\u4e2d…<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

\u6c5f\u6e90\u7965 \uff5c \u200b \u200b\u200b\u5c0e\u6f14 \u200b<\/strong> \u200b \u200b \u200b<\/p>\n\n\n\n

\u5de5\u4f5c\u751f\u6d3b\u65bc\u53f0\u7063\u3002\u884c\u70ba\u85dd\u8853 \u5275\u4f5c\u8005\u3001\u85dd\u8853\u5718\u9ad4 \u7834\u7a7a\u9593 The Post-Theatre \u5275\u59cb\u4eba\u548c \u6d2a\u8352\u4e4b\u529b Potestas Creative \u6587\u5275\u5de5\u4f5c\u5ba4\u5275\u8fa6\u4eba\u3002\u66fe\u70ba\u971c\u7530\u8aa0\u4e8c\u548cBoris Nieslony\u884c\u70ba\u85dd\u8853\u5de5\u4f5c\u574a\u6210\u54e1\u4e26\u548c\u6c34\u7530\u90e8\u843d\u6709\u5bc6\u5207\u5408\u4f5c\u3002 \u4e26\u65bc\u53f0\u7063\u5404\u8655\u767c\u52d5\u7d44\u7e54\u7d20\u4eba\u73fe\u5834\u85dd\u8853\u5de5\u4f5c\u574a\uff0c\u5275\u4f5c\u5c08\u6ce8\u65bc \u73fe\u5834\u85dd\u8853\u8207\u95dc\u6ce8\u7576\u4ee3\u8eab\u9ad4\u52de\u52d5\u8655\u5883\u548c\u74b0\u5883\u751f\u614b\u7684\u79fb\u52d5\u8b8a\u5316\u3002\u4ee5\u96c6\u9ad4\u884c\u52d5\u89e3\u69cb\u7a7a\u9593\u3001\u4ecb\u5165\u793e\u6703\u73fe\u5834\uff0c\u91cd\u555f\u904e\u6e21\u5730\u5e36\u7684\u5ee2\u7f6e\u7a7a\u9593\uff0c\u89f8\u767c\u6b77\u53f2\u6027\u8207\u73fe\u5834\u6027\u7684\u5c0d\u649e\uff0c\u5be6\u9a57\u4e0d\u540c\u7684\u8eab\u9ad4\u5a92\u4ecb\u6750\u6599\uff0c\u751f\u7522\u975e\u65e5\u5e38\u7684\u7570\u8cea\u666f\u89c0\u3002 \u8fd1\u5e74\u61c9\u9080\u53c3\u52a0\u884c\u70ba\u85dd\u8853\u6d3b\u52d5\u6709\u8fd4\u8eab\u5357\u5cf6\u4e9e\u6d32\u884c\u70ba\u85dd\u8853\u7bc0\u3001\u82b1\u84ee\u5189\u800c\u5c71\u570b\u969b\u884c\u70ba\u85dd\u8853\u7bc0\uff082020-2023\uff09\uff0c\u4ee5\u53ca\u6f14\u51fa\u300a\u54c8\u59c6\u96f7\u7279\u6a5f\u5668\u8a6e\u91cb\u5b78\u300b\uff082015\u4e0a\u6d77\u7576\u4ee3\u85dd\u8853\u535a\u7269\u9928\u300cPSA\u2502\u5be6\u9a57\u8868\u6f14\uff1a\u805a\u88c2\uff08ReActor\uff09\u300d\uff0f2016\u53f0\u5317\u96d9\u5e74\u5c55\u3001\u97d3\u570b\u5927\u90b1\u570b\u969b\u6050\u6016\u6232\u5287\u7bc0\uff0f2018\u5c71\u6771\u6ff0\u574a\uff09\u3002 \u53e6\u5916\uff0c2020\u5e74\uff0c\u5275\u4f5c\uff0d\u5c55\u6f14\u4f5c\u54c1\u300a\u53f0\u5317\u9761\u9761\u300b\uff08\u7834\u7a7a\u9593\u300c\u7834\u52d5\u614b\u7cfb\u5217\u300d\uff09\u7372\u7b2c\u5341\u4e5d\u5c46\u53f0\u65b0\u85dd\u8853\u734e\u63d0\u540d\uff08\u7b2c\u56db\u5b63\uff09\uff1b2022\u5e74\uff0c\u70ba\u65b0\u71df\u6587\u5316\u4e2d\u5fc3\u300c\u9280\u9f61\u5de5\u4f5c\u574a\u300d\u5c0e\u6f14\u4f5c\u54c1\u300a\u65b0\u71df_\u6d77\u9dd7\u300b\u7372\u7b2c\u4e8c\u5341\u4e00\u5c46\u53f0\u65b0\u85dd\u8853\u734e\u63d0\u540d\uff08\u7b2c\u4e8c\u5b63\uff09\u3002\u4e26\u65bc2023\u5e74\u53c3\u8207\u5169\u5ef3\u9662Taiwan Week \u300a\u77f3\uff0e\u6d1e\u300b\u74e6\u65e6\u5862\u746a \uff38 \u66fe\u5553\u660e \uff38 \u6c5f\u6e90\u7965(\u726f\u5dba\u8857\u5c0f\u5287\u5834)\u4ee5\u53ca2023\u53f0\u5317\u4ea4\u969b\u5834 \u300a\u65b0\u71df_\u6d77\u9dd7\u300b\u53f0\u5317\u7248\u5c0e\u6f14\uff08\u726f\u5dba\u8857\u5c0f\u5287\u5834\uff09<\/p>\n\n\n\n

Call To Arms<\/p>\n\n\n\n

In the year 2023, the old and the new once again transition to a moment of drastic change<\/p>\n\n\n\n

We use the theme of Call to arms, using collective actions to reconstruct our reality and accident.<\/p>\n\n\n\n

How does historical time manifest through the body?<\/p>\n\n\n\n

How does Call to arms cut through history and respond to the present?<\/p>\n\n\n\n

The cry of The Times, the cry of ecology, the cry of the border of war, the cry under the five Points Mountain, the cry inside the screen<\/p>\n\n\n\n

The shadows of the flesh illuminate the darkness that pervades the dust.<\/p>\n\n\n\n

The dynamic between performance and theater.<\/p>\n\n\n\n

\uff5cPost-Dynamic<\/p>\n\n\n\n

From this point of view, through the collision of bodies, the movement of guerrilla, the hybridization of materials and collective behavior, it invites the continuous passion of different artists and living bodies to construct an environmental reality and imaginative interactive climax or anti-climax exhibition site.<\/p>\n\n\n\n

Chiang Yuan Hsiang \uff5c director<\/p>\n\n\n\n

is a performance artist and the founder of the live art group The Post-Theater. His practices revolve around the creation and curation of live art. CHIANG’s works often focus on the contemporary phenomenon of the body, deconstruct space with action, intervene in the social scene, experiment with the body, and hyper-link to literature and texts. He’s interested in challenging the boundaries between spectators and performance and producing heterogeneous landscapes.In a highly live performance , it explores violence in the war, colonial and industrial ages, while also reflecting the body as the object of violence and its abandonment, and the human\/spiritual living conditions that reside within it. Learn from the em-bodied mode of translation\/embodiment of literary works, and emerge into a headless body formed by a hood or binding, or a genderless body formed by a dress. Since then, this “sculpture” of the self has not only been exhibited in theaters and art galleries, but also entered communities and social movement sites.<\/p>\n\n\n\n

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\u7b56\u5283\uff5c\u6d2a\u8352\u4e4b\u529b\u6587\u5275\u5de5\u4f5c\u5ba4<\/p>\n\n\n\n

\u5168\u540d\u70ba \u6d2a\u8352\u4e4b\u529b\u6587\u5316\u5275\u50b7\u5de5\u4f5c\u5ba4<\/p>\n\n\n\n

\u884c\u70ba\u85dd\u8853\u5bb6\u5011\u7d44\u6210\u7684\u884c\u52d5\u5718\u9ad4\uff0c<\/p>\n\n\n\n

\u793e\u6703\u73fe\u5834\u7684\u85dd\u8853\u52de\u52d5\u3002<\/p>\n\n\n\n

\u81f4\u529b\u65bc\u6253\u958b\u904e\u6e21\u5730\u5e36\u7684\u5ee2\u7f6e\u7a7a\u9593\uff0c<\/p>\n\n\n\n

\u4fc3\u9032\u6b77\u53f2\u6027\u8207\u73fe\u5834\u6027\u7684\u76f8\u4e92\u649e\u64ca\uff0c\u751f\u6210\u65b0\u7684\u7f8e\u5b78\u53ef\u80fd\u3002<\/p>\n\n\n\n

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\uff5c\u6d2a\u8352\u4e4b\u529b\u6587\u5316\u5275\u50b7\u5de5\u4f5c\u5ba4<\/strong> Potestas Creative<\/strong><\/p>\n\n\n\n

\u5354\u529b\u55ae\u4f4d\uff5c\u6c34\u7530\u90e8\u843d\u884c\u70ba\u85dd\u8853\u71df<\/strong><\/p>\n\n\n\n

\u6d3b\u52d5\u8cfc\u7968<\/strong>\uff1a<\/strong>https:\/\/reurl.cc\/51xpkV<\/a><\/strong><\/p>\n\n\n\n

\u6d3b\u52d5\u8a0a\u606f\u7db2\u5740<\/strong>\uff1a<\/strong>https:\/\/www.instagram.com\/potestas__experiment<\/a><\/strong><\/p>\n\n\n\n

https:\/\/www.facebook.com\/potestascreative<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Post-dynamic \u5436\u558a\u57282023 Call To Arms performance art festi […]<\/p>\n","protected":false},"author":4,"featured_media":11506,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[207,217,20,39,1],"tags":[],"class_list":["post-11504","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sep","category-217","category-schedule","category-39","category-1"],"_links":{"self":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/11504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11504"}],"version-history":[{"count":7,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/11504\/revisions"}],"predecessor-version":[{"id":11513,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/11504\/revisions\/11513"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/media\/11506"}],"wp:attachment":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}