{"id":10908,"date":"2022-11-01T15:18:55","date_gmt":"2022-11-01T07:18:55","guid":{"rendered":"https:\/\/www.glt.org.tw\/?p=10908"},"modified":"2023-02-09T11:54:28","modified_gmt":"2023-02-09T03:54:28","slug":"ext-12%e7%ac%ac%e5%8d%81%e4%ba%8c%e5%b1%86%e5%8f%b0%e7%81%a3%e5%9c%8b%e9%9a%9b%e5%af%a6%e9%a9%97%e5%aa%92%e9%ab%94%e8%97%9d%e8%a1%93%e5%b1%95%ef%bc%9a%e6%88%91%e8%a6%aa%e6%84%9b%e7%9a%84%e7%b1%b3","status":"publish","type":"post","link":"https:\/\/www.glt.org.tw\/?p=10908","title":{"rendered":"EX!T 12\u7b2c\u5341\u4e8c\u5c46\u53f0\u7063\u570b\u969b\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55\uff1a\u6211\u89aa\u611b\u7684\u7c73\u958b\u65af\uff08My Own Private Mekas\uff09"},"content":{"rendered":"\n

EX!T 12\u7b2c\u5341\u4e8c\u5c46\u53f0\u7063\u570b\u969b\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55\uff1a\u6211\u89aa\u611b\u7684\u7c73\u958b\u65af\uff08My Own Private Mekas\uff09<\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\/<\/p>\n\n\n\n

\u300cEX!T 12\u7b2c\u5341\u4e8c\u5c46\u53f0\u7063\u570b\u969b\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55\uff1a\u6211\u89aa\u611b\u7684\u7c73\u958b\u65af\uff08My Own Private Mekas\uff09\u300d\u5c07\u5c55\u51fa\u591a\u90e8\u9bae\u5c11\u516c\u958b\u653e\u6620\u7684\u7c73\u958b\u65af\u96fb\u5f71\u4f5c\u54c1\u3002<\/p>\n\n\n\n

\u5728\u904e\u53bb\u5e7e\u5e74\uff0c\u53f0\u7063\u5728\u5e7e\u500b\u5f71\u5c55\u6216\u85dd\u8853\u5c55\u7686\u6709\u653e\u6620\u904e\u7c73\u958b\u65af\u7684\u91cd\u8981\u4f5c\u54c1\uff0c\u5305\u62ec\u300a\u6e56\u6ff1\u6563\u8a18\u300b\uff08Walden\uff09\u3001\u300a\u7acb\u9676\u5b9b\u4e4b\u65c5\u300b\uff08Reminiscences of a Journey to Lithuania\uff09\u3001\u300aLost, Lost, Lost\u300b\u3001\u300a\u5929\u5802\u5f7c\u7aef\u300b\uff08This Side of Paradise\uff09\u3001\u300a\u897f\u98a8\u6b78\u4f86\uff08\u55ac\u6cbb\u30fb\u99ac\u4fee\u7d0d\u65af\u7684\u751f\u6d3b\u7247\u6bb5\uff09\u300b\uff08Zefiro Torna or Scenes from the Life of George Maciunas\uff09\u3001\u300a\u5091\u5b8f\u96a8\u7b46\u300b\uff08Notes for Jerome\uff09\u3001\u300a\u65c5\u884c\u4e4b\u6b4c\u300b\uff08Travel Songs\uff09\u7b49\u3002\u9019\u5e7e\u90e8\u4f5c\u54c1\u5728\u7c73\u958b\u65af\u7684\u96fb\u5f71\u5275\u4f5c\u751f\u6daf\u7576\u4e2d\u7576\u7136\u90fd\u6709\u8457\u91cd\u8981\u7684\u5730\u4f4d\u548c\u6307\u6a19\u6027\u3002<\/p>\n\n\n\n

\/<\/p>\n\n\n\n

\u7136\u800c\uff0c\u6b642022\u5e74EX!T 12\u4e2d\uff0c\u6211\u5011\u5e0c\u671b\u80fd\u5728\u9019\u500b\u57fa\u790e\u4e0a\u518d\u5f80\u524d\u8de8\u51fa\u4e00\u5927\u6b65\u3002<\/p>\n\n\n\n

\u4e5f\u56e0\u6b64\u9664\u4e86\u300a\u7acb\u9676\u5b9b\u4e4b\u65c5\u300b\u4e4b\u5916\uff0c\u6211\u5011\u6709\u4e86\u300a\u8ffd\u61b6\u5fb7\u570b\u4e4b\u65c5\u300b\uff08Reminiszenzen Aus Deutschland, 1971\/1993, 2012)\uff0c\u5728\u5176\u4e2d\u7c73\u958b\u65af\u91cd\u56de\u7576\u5e74\u9003\u51fa\u7acb\u9676\u5b9b\u4e4b\u5f8c\uff0c\u5728\u5fb7\u570b\u6240\u5ea6\u904e\u7684\u6b72\u6708\uff1b\u6211\u5011\u4e5f\u6709\u7c73\u958b\u65af\u91cd\u65b0\u63a2\u8a2aAndy Warhol\u7684\u5de5\u5ee0\uff08The Factory\uff09\u539f\u5740\u7684\u300a\u5de5\u5ee0\u96a8\u7b46\u300b(A Few Notes on the Factory, 1999)\u3001\u672a\u6536\u9304\u5728\u300a\u6e56\u6ff1\u6563\u8a18\u300b\u7684\u96fb\u5f71\u65e5\u8a18\u7247\u6bb5\u96c6\u7d50\u800c\u6210\u7684\u4f5c\u54c1\u300a\u4e4b\u9593\u300b\uff08In Between, 1978\uff09\u3001\u7c73\u958b\u65af\u65e9\u671f\u5c0d\u65bcVideo\u7684\u63a2\u7d22\u4f5c\u54c1\u300a\u6f2b\u6b65\u300b\uff08A Walk, 1990\uff09\u3001\u4ed6\u5c0d\u65bc\u56db\u91cd\u594f\u5f62\u5f0f\u7684\u5be6\u9a57\u4f5c\u54c1\u300a\u56db\u91cd\u594f\u4e00\u865f\u300b\uff08Quartet Number 1, 1991\uff09\u3001\u4ed6\u5beb\u7d66\u5152\u5b50\u8cfd\u5df4\u65af\u63d0\u5b89\u7684\u4fe1\u300a\u8cfd\u5df4\u65af\u63d0\u5b89\u7684\u6559\u80b2\u6216\u662f\u91cd\u8fd4\u57c3\u53ca\u300b\uff08The Education of Sebastian or Egypt Regained, 1992\/2012\uff09\u3001\u4ed6\u5c0d\u65bc\u66f8\u4fe1\u96fb\u5f71\u5f62\u5f0f\u7684\u5617\u8a66\u4f5c\u54c1\u300a\u4f86\u81ea\u672a\u77e5\u4e4b\u5730\u7684\u4fe1\u300b\uff08Letters to Friends\u2026From Nowhere\u2026Video Letter #1, 1997\uff09\u3001\u4ed6\u70ba\u5df4\u9ece\u7576\u4ee3\u7f8e\u8853\u9928\uff08Mus\u00e9e d\u2019Art Moderne\uff09\u6240\u4f5c\u7684\u4f5c\u54c1\u300a\u4e00\u500b\u7537\u4eba\u7684\u81ea\u50b3\u300b\uff08Autobiography of a Man, 2000\uff09\uff0c\u4ee5\u53ca\u4ee5\u99ac\u4e01\u53f2\u67ef\u897f\u65af\u70ba\u62cd\u651d\u5c0d\u8c61\u7684\u4f5c\u54c1\u300a\u7f8e\u570b\u96fb\u5f71\u5c0e\u6f14\u5de5\u4f5c\u96a8\u7b46\uff1a\u99ac\u4e01\uff0e\u53f2\u67ef\u897f\u65af\u300b\uff08Notes on an American Film Director at Work: Martin Scorsese, 2005\uff09\u3002<\/p>\n\n\n\n

\u9019\u4e9b\u4f5c\u54c1\u5728\u591a\u6578\u7684\u7c73\u958b\u65af\u5c55\u89bd\u4e2d\u4e26\u4e0d\u9019\u9ebc\u5e38\u898b\uff0c\u537b\u662f\u7c73\u958b\u65af\u88ab\u4e16\u4eba\u6240\u63a8\u5d07\u7684\u591a\u90e8\u65e5\u8a18\u96fb\u5f71\u4f5c\u54c1\u4e4b\u5f8c\u7684\u4e8b\uff0c\u5b83\u5011\u4e92\u70ba\u8868\u88e1\uff0c\u5f7c\u6b64\u76f8\u9023\uff0c\u69cb\u6210\u4e86\u7c73\u958b\u65af\u6574\u500b\u751f\u6daf\u4f5c\u54c1\u7684\u9f90\u5927\u7cfb\u8b5c\u3002<\/p>\n\n\n\n

————–<\/p>\n\n\n\n

\u5c55\u671f 2022\/11\/11-11\/20<\/p>\n\n\n\n

\u5730\u9ede\uff1a\u726f\u5dba\u8857\u5c0f\u5287\u58342F\u85dd\u6587\u7a7a\u9593<\/p>\n\n\n\n

\u258d \u8cfc\u7968\u8acb\u9ede\u6b64<\/a>\u2063\u2063\u2063\u2063\u2063\u2063\u2063\u2063\u2063\u2063\u2063\u2063\u2063\u2063\u2063 (\u5957\u7968 900\u5143\u3001\u55ae\u5f35 200\u5143)<\/p>\n\n\n\n

\u258d \u9810\u544a\u7247 https:\/\/youtu.be\/9aFnZD2EFJc<\/a><\/p>\n\n\n\n

\/<\/p>\n\n\n\n

\u4e3b\u8fa6\uff1a\u8eab\u9ad4\u6c23\u8c61\u9928<\/p>\n\n\n\n

\u5408\u8fa6\uff1a\u726f\u5dba\u8857\u5c0f\u5287\u5834<\/p>\n\n\n\n

\u8d0a\u52a9\uff1a\u570b\u5bb6\u6587\u5316\u85dd\u8853\u57fa\u91d1\u6703\u3001\u53f0\u5317\u5e02\u6587\u5316\u5c40\u3001\u8eab\u9ad4\u6c23\u8c61\u9928<\/p>\n\n\n\n

\/<\/p>\n\n\n\n

\n\n\n\n

\u5f71\u7247\u55ae\u5143\u4ecb\u7d39<\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u300a\u4e4b\u9593\u300b\uff08In Between\uff09<\/strong><\/p>\n\n\n\n

11.13 14:00\uff5c11.18 16:30\uff5c11.20 14:00 <\/p>\n\n\n\n

16mm\uff0eBW+COL\uff0e52 min.  1964-1968, 1978.<\/p>\n\n\n\n

\u672c\u7247\u5927\u90e8\u5206\u7684\u7d20\u6750\u662f\u672a\u653e\u5165\u300a\u6e56\u6ff1\u6563\u8a18\u300b\uff08Walden<\/em>\uff09\u7684\u7247\u6bb5\u96c6\u7d50\u800c\u6210\u3002\u5f71\u7247\u62cd\u651d\u671f\u9593\u4ecb\u65bc\u300a\u5931\u53bb\uff0c\u5931\u843d\uff0c\u8ff7\u5931\u300b\uff08Lost Lost Lost<\/em>\uff09\u8207\u300a\u6e56\u6ff1\u6563\u8a18\u300b\u4e4b\u9593\uff0c\u4ee5\u53ca\u4e00\u4e9b\u65c5\u904a\u7247\u6bb5\u3002<\/p>\n\n\n\n

The material for this film is footage that didn\u2019t find a place in the Walden<\/em> reels. Some of it begins in between Lost Lost Lost<\/em> and Walden<\/em>, and some travel footage.<\/p>\n\n\n\n

\u8cfc\u7968\u8acb\u9ede\u6b64<\/a><\/p>\n\n\n\n

\/<\/p>\n\n\n\n

\/<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u300a\u6f2b\u6b65\u300b\uff08A Walk\uff09<\/strong><\/p>\n\n\n\n

11.12 16:00\uff5c11.13 20:00\uff5c11.18 18:00<\/p>\n\n\n\n

Video\uff0e58 min. 1990.<\/p>\n\n\n\n

\u96e8\u4e2d\u6f2b\u6b65\u5728\u6e05\u6668\u7684\u8607\u8377\u5340\uff0c\u6211\u5f9e\u4f0d\u65af\u7279\u885780\u865f\u671d\u5a01\u5ec9\u65af\u5821\u5927\u6a4b\u8d70\u53bb\u300258\u5206\u9418\u5f8c\uff0c\u96e8\u9084\u5728\u4e0b\u3002\u9019\u662f\u6211\u65e9\u671f\u4e00\u93e1\u5230\u5e95\u7684\u7df4\u7fd2\uff0c\u4e00\u5200\u672a\u526a\u3002<\/p>\n\n\n\n

On a rainy day, I have a walk through the early SoHo. I begin my walk on 80 Wooster Street and continue towards the Williamsburg Bridge, where 58 minutes later, still raining, my walk ends. This video was my early exercise in the one-shot video form. There are no cuts in this video.<\/p>\n\n\n\n

\u8cfc\u7968\u8acb\u9ede\u6b64<\/a><\/p>\n\n\n\n

\/<\/p>\n\n\n\n

\/<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u300a\u56db\u91cd\u594f\u4e00\u865f\u300b\uff08Quartet Number One\uff09<\/strong><\/p>\n\n\n\n

11.12 16:00\uff5c11.13 20:00\uff5c11.18 18:00<\/p>\n\n\n\n

16mm\uff0e8 min. 1974-1985.<\/p>\n\n\n\n

\u672c\u7247\u8207\u6240\u8b02\u7684\u56db\u91cd\u594f\u6c92\u6709\u592a\u5927\u95dc\u806f\u30021991\u5e74\uff0c\u7576\u6211\u9762\u5c0d\u5927\u91cf\u7e41\u96dc\u7684\u96fb\u5f71\u65e5\u8a18\u7d20\u6750\u611f\u5230\u7d55\u671b\u4e26\u4e14\u8a66\u5716\u89e3\u6c7a\u6642\uff0c\u5b83\u4fbf\u662f\u90a3\u89e3\u6c7a\u65b9\u6848\u3002<\/p>\n\n\n\n

The film doesn\u2019t have much to do with the form of what\u2019s known as Quartet. In 1991 I was despairing with the amount of unedited diaristic material that I had. I was searching for ways of dealing with it. This film is a result of my searching. <\/p>\n\n\n\n

\u8cfc\u7968\u8acb\u9ede\u6b64<\/a><\/p>\n\n\n\n

\/<\/p>\n\n\n\n

\/<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u300a\u8cfd\u5df4\u65af\u63d0\u5b89\u7684\u6559\u80b2\u6216\u662f\u91cd\u8fd4\u57c3\u53ca\u300b\uff08The Education of Sebastian or Egypt Regained\uff09<\/strong><\/p>\n\n\n\n

11.16 17:30\uff5c11.20 17:30<\/p>\n\n\n\n

Video\uff0e228 min. 1992, 2012.<\/p>\n\n\n\n

\u672c\u7247\u62cd\u651d\u65bc1992\u5e741\u67084\u81f31\u670819\u65e5\u4e4b\u9593\u7684\u65e5\u8a18\u5f71\u50cf\u3002\u6700\u521d\u7248\u672c\u7247\u95776\u500b\u591a\u5c0f\u6642\uff0c\u7c73\u958b\u65af\u57282012\u5e74\u5f8c\u4fee\u526a\u81f3\u76ee\u524d\u7684228\u5206\u9418\u3002<\/p>\n\n\n\n

\u5f71\u7247\u7d00\u9304\u4e86\u4e00\u6bb5\u975e\u5e38\u500b\u4eba\u79c1\u5bc6\u7684\u65c5\u7a0b\uff0c\u4e5f\u8a31\u5c0d\u4ed6\u4eba\u4f86\u8aac\u610f\u7fa9\u4e0d\u5927\uff0c\u4f46\u5c0d\u6211\u81ea\u5df1\u537b\u81f3\u95dc\u91cd\u8981\u3002\u5b83\u4e26\u975e\u662f\u5a1b\u6a02\u6216\u516c\u958b\u5c55\u89bd\u7684\u5f71\u7247\uff0c\u800c\u662f\u5728\u6f2b\u6f2b\u9577\u591c\u8207\u670b\u53cb\u5206\u4eab\u7684\u66f8\u4fe1\u3002<\/p>\n\n\n\n

\u540c\u6642\u5b83\u4e5f\u662f\u4e00\u4efd\u9001\u7d66\u6211\u5152\u5b50\u8cfd\u5df4\u65af\u63d0\u5b89\u7684\u79ae\u7269\u3002\u7576\u672a\u4f86\u67d0\u5929\u4ed6\u63a5\u8fd1\u6211\u73fe\u5728\u7684\u5e74\u7d00\u6642\uff0c\u958b\u59cb\u4ed6\u81ea\u5df1\u7684\u5967\u5fb7\u8cfd\u4e4b\u65c5\uff0c\u9019\u53ef\u4ee5\u7576\u4f5c\u4e00\u500b\u6307\u5f15\u7684\u5730\u5716\u3002<\/p>\n\n\n\n

This video diary was made January 4-19, 1992. This video originally ran over six hours long. Jonas edited it down to its definitive length of 228 minutes in 2012.<\/p>\n\n\n\n

All very personal, and it goes on and on, perhaps of very little meaning to others, but of crucial importance to myself, a record not for Entertainment or Public Exhibition, but something to share with friends, on long evening. Maybe there is a letter to my friends about a very crucial journey back to Ithaca \u2013 and a present for Sebastian, something that he\u2019ll rediscover when he\u2019ll be approaching the age when I, Odysseus, began my own travels \u2013 this may serve him as a beginner\u2019s map \u2013 the Fates will give him better ones. <\/p>\n\n\n\n

\u8cfc\u7968\u8acb\u9ede\u6b64<\/a><\/p>\n\n\n\n

\/<\/p>\n\n\n\n

\/<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u300a\u4f86\u81ea\u672a\u77e5\u4e4b\u5730\u7684\u4fe1\u300b\uff08Letters to Friends\u2026From Nowhere\u2026Video Letter #1\uff09<\/strong><\/p>\n\n\n\n

11.12 14:00\uff5c11.13 15:30\uff5c11.20 15:30 <\/p>\n\n\n\n

Video\uff0e88 min. 1997.<\/p>\n\n\n\n

\u5230\u4e5d\u96f6\u5e74\u4ee3\u4e2d\u671f\uff0c\u6211\u5df2\u7d93\u8a18\u9304\u4e86\u6578\u767e\u5c0f\u6642\u7684\u5f71\u7247\u7d20\u6750\u30021997\u5e74\uff0c\u6211\u958b\u59cb\u601d\u8003\u5982\u4f55\u8655\u7406\u9019\u4e9b\u8cc7\u6599\u3002\u6211\u60f3\u5230\u7684\u7b2c\u4e00\u7a2e\u65b9\u5f0f\u662f\u7528\u9304\u5f71\u66f8\u4fe1\u7684\u5f62\u5f0f\u5411\u6211\u7684\u670b\u53cb\u50b3\u905e\u4e00\u4e9b\u4fe1\u606f\u3002\u800c\u9019\u90e8\u7247\u5c31\u662f\u7b2c\u4e00\u5c01\u4fe1\uff0c\u5b83\u5305\u542b\u4e86\u6211\u5bb6\u5ead\u751f\u6d3b\u7684\u7463\u788e\u77ac\u9593\u3001\u4e00\u4e9b\u6545\u4e8b\u3001\u6211\u8b80\u8a69\u3002\u975e\u5e38\u96a8\u8208\u7684\u3002<\/p>\n\n\n\n

By mid-nineties I had already collected hundreds and hundreds of hours of video material. In 1997 I began to think what to do with it. One way, I thought, was to begin to make some of it available to my friends via video letters. This was the first one. It includes miscellaneous moments from my home life. <\/p>\n\n\n\n

\u8cfc\u7968\u8acb\u9ede\u6b64<\/a><\/p>\n\n\n\n

\/<\/p>\n\n\n\n

\/<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u300a\u5de5\u5ee0\u96a8\u7b46\u300b\uff08A Few Notes on the Factory\uff09<\/strong><\/p>\n\n\n\n

11.12 20:00\uff5c11.17 18:00\uff5c11.19 20:00<\/p>\n\n\n\n

Video\uff0e64 min. 1999.<\/p>\n\n\n\n

\u5f71\u7247\u8ffd\u6eaf\u4e86\u300c\u5de5\u5ee0\u300d\uff08Factory\uff09\u7684\u6b77\u53f2\uff0c\u63cf\u7e6a\u4e86\u5728\u5176\u4e2d\u767c\u751f\u7684\u6d3b\u52d5\u53ca\u5176\u6b77\u53f2\u80cc\u666f\u3002<\/p>\n\n\n\n

The video traces the history of the Factory, describes the activities that took place in it, and the historical context. Actual locations are shown and discussed.<\/p>\n\n\n\n

\u8cfc\u7968\u8acb\u9ede\u6b64<\/a><\/p>\n\n\n\n

\/<\/p>\n\n\n\n

\/<\/p>\n\n\n\n

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\u300a\u4e00\u500b\u7537\u4eba\u7684\u81ea\u50b3\u300b\uff08Autobiography of a Man\uff09<\/strong><\/p>\n\n\n\n

11.12 17:30\uff5c11.13 17:30\uff5c11.17 19:40\uff5c11.19 14:00<\/p>\n\n\n\n

Video\uff0e53 min. 2000.<\/p>\n\n\n\n

\u9019\u662f\u4e00\u4efd\u6fc3\u7e2e\u8457\u6211\u4eba\u751f\u524d\u4e94\u5341\u5e74\u5728\u7d10\u7d04\u7684\u6982\u8ff0\uff0c\u5176\u4e2d\u5305\u542b\u8eab\u9ad4\u548c\u5fc3\u4e2d\u7684\u611f\u53d7\u3002\u672c\u7247\u662f\u70ba\u5df4\u9ece\u73fe\u4ee3\u85dd\u8853\u535a\u7269\u8218\u5c55\u89bd\u800c\u4f5c\u3002<\/p>\n\n\n\n

A condensed survey of my first 50 years in New York \u2013 physically and mentally. Made for the Mus\u00e9e d\u2019Art Moderne show in Paris.<\/p>\n\n\n\n

\u8cfc\u7968\u8acb\u9ede\u6b64<\/a><\/p>\n\n\n\n

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\u300a\u8ffd\u61b6\u5fb7\u570b\u4e4b\u65c5\u300b\uff08Reminiszenzen Aus Deutschland\uff09<\/strong><\/p>\n\n\n\n

11.12 17:30\uff5c11.13 17:30\uff5c11.17 19:40\uff5c11.19 14:00<\/p>\n\n\n\n

16mm\uff0e25 min.1971, 1993, 2012.<\/p>\n\n\n\n

\u6211\u8a66\u5716\u5728\u9019\u90e8\u96fb\u5f71\u4e2d\u7c21\u55ae\u4ecb\u7d39\u6211\u4eba\u751f\u4e2d1944\u5e747\u6708\u52301949\u5e7410\u6708\u7684\u5fb7\u570b\u6642\u671f\uff0c\u672c\u7247\u7684\u8072\u90e8\u4f86\u81ea\u65bc\u90a3\u6bb5\u6642\u671f\u6211\u65e5\u8a18\u4e2d\u7684\u7bc0\u9304\u3001\u7576\u4e0b\u7684\u53cd\u601d\u4ee5\u53ca\u5fb7\u570b\u5287\u4f5c\u5bb6\u6c83\u723e\u592b\u5ca1\u00b7\u535a\u723e\u5fb9\u7279\uff08Wolfgang Borchert\uff09\u4f5c\u54c1\u4e2d\u7684\u6bb5\u843d\u3002<\/p>\n\n\n\n

\u8cfc\u7968\u8acb\u9ede\u6b64<\/a><\/p>\n\n\n\n

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\u300a\u7f8e\u570b\u96fb\u5f71\u5c0e\u6f14\u5de5\u4f5c\u96a8\u7b46\uff1a\u99ac\u4e01\u30fb\u53f2\u67ef\u897f\u65af\u300b\uff08Notes on an American Film Director at Work: Martin Scorsese\uff09<\/strong><\/p>\n\n\n\n

11.11 20:00\uff5c11.18 20:00\uff5c11.19 18:00<\/p>\n\n\n\n

DV\uff0e80 min. 2005.<\/p>\n\n\n\n

\u521d\u8b58\u99ac\u4e01\u30fb\u53f2\u67ef\u897f\u65af\u6642\uff0c\u4ed6\u9084\u662f\u4e00\u500b\u5e38\u4f86\u770b\u6211\u96fb\u5f71\u653e\u6620\u7684\u7d10\u7d04\u5927\u5b78\u96fb\u5f71\u7cfb\u5b78\u751f\u3002\u6211\u5011\u771f\u6b63\u7684\u53cb\u8abc\u59cb\u65bc\u4ed6\u7684\u7b2c\u4e00\u90e8\u5287\u60c5\u7247\u300a\u8ab0\u5728\u6572\u6211\u7684\u9580\u300b\uff08Who\u2019s That Knocking at My Door\uff1f<\/em>\uff09\u3002<\/em>2005\u5e74\uff0c\u9f90\u7562\u5ea6\u4e2d\u5fc3\u9080\u8acb\u6211\u62cd\u651d\u4e00\u90e8\u95dc\u65bcMarty\u76845\u523010\u5206\u9418\u7684\u96fb\u5f71\uff0c\u4ecb\u7d39\u4ed6\u7684\u56de\u9867\u5c55\uff0c\u5f7c\u6642Marty\u6b63\u5728\u62cd\u300a\u795e\u9b3c\u7121\u9593\u300b\uff08The Departed<\/em>\uff09\u3002<\/em>\u6211\u7684\u5152\u5b50\u8cfd\u5df4\u65af\u63d0\u5b89\u52a0\u5165\u4e86\u6211\u7684\u884c\u5217\u9032\u884c\u96d9\u6a5f\u62cd\u651d\u3002<\/p>\n\n\n\n

I originally met Martin Scorsese when he was still a film student at New York University. He used to come to my film screenings. But the real friendship began when he made his first feature film, Who\u2019s That Knocking at My Door?<\/em> In 2005 I was asked by the Centre Pompidou to make a five to ten minute film about Marty to introduce his retrospective. As it happened, Marty was shooting The Departed<\/em> at that time. Sebastian, my son, joined me with a second camera. <\/p>\n\n\n\n

\u8cfc\u7968\u8acb\u9ede\u6b64<\/a><\/p>\n\n\n\n

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\u76f8\u95dc\u6d3b\u52d5<\/strong><\/p>\n\n\n\n

\u958b\u5e55\u8336\u6703 Opening Ceremony -\u300a\u788e\u8a9e\u7247\u8a00\u300b\u65b0\u66f8\u767c\u8868 + \u8a69\u4f5c\u6717\u8b80<\/strong><\/p>\n\n\n\n

\u6642\u9593\uff1a11\/11 (\u4e94) 18:30-19:10<\/p>\n\n\n\n

\u5730\u9ede\uff1a\u726f\u5dba\u8857\u5c0f\u5287\u58342F\uff08\u53f0\u5317\u5e02\u4e2d\u6b63\u5340\u726f\u5dba\u88575\u5df72\u865f\uff09<\/p>\n\n\n\n

\u958b\u5e55\u8336\u6703 Opening Ceremony -\u300a\u788e\u8a9e\u7247\u8a00\u300b\u65b0\u66f8\u767c\u8868 + \u8a69\u4f5c\u6717\u8b80\uff08\u7acb\u9676\u5b9b\u6587\uff0b\u4e2d\u6587\uff09\uff1a
\u6797\u4f0a\u84ee\uff08Irena Marazait\u0117 Lin\uff09+ \u9ec3\u6c38\u5d7b<\/strong><\/p>\n\n\n\n

\u5ea7\u8ac7\u514d\u8cbb\u5165\u5834\uff0c\u9650\u984d25\u4eba\u3002<\/p>\n\n\n\n

\u5831\u540d\u65b9\u5f0f : https:\/\/forms.gle\/pwEM3NPoLVSXVQrp6<\/a><\/p>\n\n\n\n

——————————-<\/p>\n\n\n\n

\u8ad6\u58c7\uff5c\u300c\u6211\u89aa\u611b\u7684\u7c73\u958b\u65af\uff1a\u7c73\u958b\u65af\u7684\u5be6\u9a57\u96fb\u5f71\u3001\u8a69\u4f5c\u8207\u7576\u4ee3\u85dd\u8853\u300d<\/strong><\/p>\n\n\n\n

\u6642\u9593\uff1a11\/19 (\u516d) 16:20-17:40<\/p>\n\n\n\n

\u5730\u9ede\uff1a\u726f\u5dba\u8857\u5c0f\u5287\u58342F\uff08\u53f0\u5317\u5e02\u4e2d\u6b63\u5340\u726f\u5dba\u88575\u5df72\u865f\uff09<\/p>\n\n\n\n

\u8207\u8ac7\u4eba\uff1a\u5289\u6c38\u6667\u3001\u674e\u660e\u5b87<\/p>\n\n\n\n

\u5ea7\u8ac7\u514d\u8cbb\u5165\u5834\uff0c\u9650\u984d25\u4eba\u3002<\/p>\n\n\n\n

\u5831\u540d\u65b9\u5f0f : https:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLSft7SZLLx1E1b8QgrKd6Dbj32KFkD2F_9pZdGXCl44P29mYmA\/viewform?fbclid=IwAR1rsxpnTY95Pm5anousOINWhZLs46nv-owmiBfX7sYQ2tTk0hTIs3PVo9g<\/a><\/p>\n\n\n\n

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\u5834\u6b21\u8868<\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

EX!T 12\u7b2c\u5341\u4e8c\u5c46\u53f0\u7063\u570b\u969b\u5be6\u9a57\u5a92\u9ad4\u85dd\u8853\u5c55\uff1a\u6211\u89aa\u611b\u7684\u7c73\u958b\u65af\uff08My Own Private Mekas\uff09 \/ […]<\/p>\n","protected":false},"author":4,"featured_media":10926,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[209,215,20,7,39],"tags":[],"class_list":["post-10908","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nov","category-215","category-schedule","category-glt_program","category-39"],"_links":{"self":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/10908","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10908"}],"version-history":[{"count":14,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/10908\/revisions"}],"predecessor-version":[{"id":10944,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/posts\/10908\/revisions\/10944"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=\/wp\/v2\/media\/10926"}],"wp:attachment":[{"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10908"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10908"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.glt.org.tw\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}